Materials & ProductsExclusive Articles, from ArchDaily

Developed by FilzFelt and Gensler’s LA office, “Link” modular felt panels can be used for a variety of applications, from room partitioning, to shading, to acoustical dampening, to adding textural interest to a wall surface. The panels were designed to tackle a particular design problem at Gensler’s LA office, where red glazed panels acting as an architectural statement to be viewed from the street had been casting a harsh light into the interior conference room space behind. Searching for a flexible, free-form solution, and a soft material to contrast with the hard glass, Gensler designers discovered wool felt. Enter “Link.”

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One of the most popular tropes of Modernist architecture was the goal of dissolving the external boundaries of the home, connecting residents to nature through the use of large glass walls in order to "bring the outside in." Nowhere was this project more thoroughly realized than in Mies van der Rohe's 1930 Villa Tugendhat, where an entire side of the glass-walled living space could, if the user wished, be dropped through the floor and the house become open to the elements. Elegant though it was (especially in 1930), Mies' solution didn't catch on, limited by the fact that it required an electric motor and a basement below in which to store the disappeared facade.

When you consider the practical properties of polyvinyl chloride (PVC) - durability, versatility and low price - it is easy to understand how it has become such a common construction material, with applications as roofing membranes, siding, pipes and plumbing, conduit, window frames, window blinds, molding and trim, and fencing. But perhaps it’s time to be more cautious about its use. According to a new whitepaper report by Perkins+Will, "What’s New (and What’s Not) With PVC," in spite of recent advances in plastic chemistry PVC is still responsible for a range of environmental and human health hazards created in multiple stages of its manufacturing process.

Since the advent of the industrial revolution in the eighteenth century, materials experts have been in constant pursuit of the world's strongest materials. From stone to bricks, concrete to steel, innovation in building material has become a crucial element of architectural progression. For decades, steel has been considered the industry leader in building strength with applications in structures of all types. In a recent online documentary, researchers delved into the possibilities for alternatives to the strongest building materials on the market and arrived at some surprising results.

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"The debate linked to a more responsive architecture, connected to nature, has been growing since the 1960s," explains Irina Shaklova in her description of her IaaC research project Living Screen. "Notwithstanding this fact, to this day, architecture is somewhat conservative: following the same principles with the belief in rigidity, solidity, and longevity."

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Guinness World Records has awarded the title of "largest 3D printed structure" to VULCAN, a temporary pavilion designed by the Beijing-based Laboratory for Creative Design (LCD). Made up of 1023 individually printed segments, the structure was 9.08 meters long and 2.88 meters tall, and took 30 days to print and a further 12 days to assemble. The pavilion was on display earlier this month at Beijing Design Week, located in Beijing's Parkview Green retail center.

By day, the concrete facade of APG Architecture and Planning Group's latest project, the Al Aziz Mosque in Abu Dhabi, features protruding elements of Arabic script spelling out the 99 names of God from the Quran. By night though, the 515 square meter facade is transformed, as the concrete script lights up in the darkness. The effect is made possible thanks to the translucent concrete paneling system provided by German-based manufacturer LUCEM.

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Perhaps the only material on the architectural market known for its "thirst," ultra-porous concrete is being hailed as the future of urban water runoff management for warm climates. The emerging material reached mainstream popularity in recent weeks thanks to a viral video depicting an apparently ordinary car park absorbing an inordinate amount of water; 1.2 million views later, the video has ignited debate on viability and possible uses for water-absorbent concrete.

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With sustainability top of the architectural agenda, one of the most pressing issues in many designers' minds is how to extend the life of buildings. While the old-fashioned methods of robust materials, adaptable structures and careful maintenance will undoubtedly play a role in this future, one of the biggest advances made in recent years has been the development of self-healing materials. In the past few years, we've seen demonstrations of self-healing asphalt, concrete and metal that could help to significantly improve the endurance of buildings - and now it seems it's the turn of plastics.

If there was a most radical decade of the last century, few would come close to topping the 1960s. From the Bay of Pigs to the Beatles, Marilyn Monroe to the moon landing, there was rarely a dull moment. The world of materials was also involved, seeing the invention of a polymer surface of acrylic resin and natural minerals that was easy to clean, scratch resistant, seamless, and hygienic. Better known as Corian, the surface developed by DuPont chemist Donald Slocum in 1967 was a material that met the tough challenges of modern living.

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Solar energy is considered by many to be the future of electricity worldwide. Cities from Houston to Mumbai are embracing massive rooftop and rural solar infrastructure, a largely standardized system of fixed panels positioned to optimize sun intake at peak times. Only the most sophisticated adjustable panels which track the sun, however, are capable of absorbing the maximum amount of daylight allowed by the technology, meaning that the average immovable panel loses a significant amount of available energy.

A lot of architects love glass. A lot of architects love curves too. The two can be combined, but in most cases this is a highly bespoke and expensive process, with individual sheets of glass being heated in a kiln over a mold created especially to fit the desired curve. Cheaper options are available though, and one common approach is to use smaller sections of flat glass - often a U-shaped channel section - angled to approximate a curve.

Standing 3 meters (10 feet) tall, Benjamin Dillenburger and Michael Hansmeyer's Arabesque Wall is an object of intimidating intricacy. 3D printed over the course of four days from a 50 Gigabyte file, the piece is a demonstration of the incredible forms achievable with algorithmic design and 3D printing - however with its overwhelming complexity it is also a test of human perception.

Concrete blocks. Ever since manufacturers developed techniques to make them cheaper than traditional clay-fired bricks, concrete blocks have been one of our most ubiquitous construction materials. However, this ubiquity comes at a price: worldwide, the production of concrete accounts for around 5% of all man-made carbon dioxide emissions, and concrete blocks (as opposed to in-situ concrete or concrete panels) contributes a significant portion of these emissions.

What do mathematics and your kitchen backsplash have in common? More than you might think: according to recent findings published in The Guardian, mathematicians have had a breakthrough in the world of pentagons, resulting in a new class of mathematically tiling shape. This newly discovered iteration is capable of continuously tiling a surface without gaps, unlike the majority of its similarly five-sided cousins. Known in mathematics as the most elusive tile shape due to its seemingly endless angular possibilities, the pentagon has been the focus of serious scrutiny for over a century.

These days air pollution in some cities is a big problem, and as a result, buildings that help alleviate that problem are all the rage. In recent years though, designers have started to move beyond simply reducing a building's emissions and started to work with techniques that actually remove pollutants from the air, through systems such as Nemesi's "photocatalytic" facade for the Italy Pavilion at the 2015 Milan Expo which captures and reacts with pollution in the presence of light.