Materials & ProductsExclusive Articles, from ArchDaily

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Plastique Fantastique's pneumatic structures were originally conceived in 1999 through necessity: "The fact that we used plastic was just due to the fact that we had no money," explains the firm's founder Marco Canevacci. "So, plastic was just the cheapest material we could imagine, and you can join parts very easily and you can create very simple architectures. By using a hot air blower, those architectures become warm places to stay." By using warm air to inflate the structures, their office became a landscape of heated pods in an otherwise cold space. However, through their continued experiments over almost two decades, Plastique Fantastique's pneumatic interventions have now come to make the case for an ephemeral, temporary, and whimsical architecture. Their work now continues a lineage started by the experimental utopian group Haus-Rucker-Co, whose own pneumatic structures of the 1960s were disposable, free-wheeling creations which both literally and metaphorically played with the boundaries of a world they saw as staid, rigid, and dull.

By next Fall, the architecture students of Washington University in St. Louis will no longer be allowed to use Styrene on their projects. The university's newspaper, Student Life reports that the commonly used white plastic material was deemed in 2014 by the National Research Council's National Toxicology Program as "reasonably anticipated to be a human carcinogen." Thus the Sam Fox School of Design is taking its own measures to protect their student's health. A number of other schools and cities have already banned Styrene since the NRC's ruling.

A group of researchers from KTH Royal Institute of Technology in Stockholm has developed Optically Transparent Wood (TW), a new material that could greatly impact the way we develop our architectural projects. Published in the American Chemical Society's journal Biomacromolecules, the transparent timber is created through a process that removes the chemical lignin from a wood veneer, causing it to become very white. This white porous veneer is then impregnated with a transparent polymer, matching the optical properties of the individual cells and making the whole material translucent.

Swept up in an age of digitization and computing, architecture has been deeply affected in the past decade by what some critics are calling “The Third Industrial Revolution.” With questions of craft and ethics being heavily present in the current architectural discourse, projects taking advantage of these new technologies are often criticized for their frivolous or indulgent nature. On the other hand, there has been an emergence of work that exemplifies the most optimistic of this “Third Industrial Revolution” – an architecture that appropriates new technology and computation for the collective good of our cities and people.

Although many have come to question our unwavering devotion to hermetically sealed buildings, most construction budgets are still dominated by costs associated with HVAC and other quality of life standards. With some questioning the efficacy of such practices, and others taking fault with the costs, there is now immense incentive to create new technologies and techniques that could allow us to retain the benefits of such climate control without the environmental and monetary cost they currently carry.

It's no secret that among the architecture profession's biggest sources of guilt is our reliance on concrete in a huge number of the buildings that we have a hand in creating. Architects are more likely than most to be aware of the environmental implications of the material, and yet we continue to use it at an alarming rate. But what alternatives are there in order to do our job? In an article for Forbes, Laurie Winkless runs down a list of three alternatives that stand a good chance of changing the face of concrete construction.

The most revolutionary material in architecture may be one we’re already quite familiar with: glue. In a recent article for New Scientist’s New Urbanist column, futurist Geoff Manaugh of BLDG BLOG argues that the typical building’s structural system may soon see an overhaul. Instead of steel held together with bolts and welds, petroleum-based composite materials and carbon fiber panels fixed in place with glue could serve as both a building’s structure and skin.

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Fabric is viewed as a material which is flat and two-dimensional and thus, until recent times, it has been used in architecture as a surface sheet. However the material has not been fully exploited.

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IaaC Student Elena Mitrofanova, working alongside biochemist Paolo Bombelli has created a proposal for a facade system that utilizes the natural electricity-generating power of plants. Consisting of a series of hollow, modular clay "bricks" containing moss, the system takes advantage of new scientific advances in the emerging field of biophotovoltaics (BPV) which Mitrofanova says "would be cheaper to produce, self-repairing, self-replicating, biodegradable and much more sustainable" than standard photovoltaics.

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Hardboard is a wooden fiberboard that is produced by compression at high temperatures, making a smooth and uniform surface. It is known for being highly flexible and very resistant to humidity. In spite of these qualities, the product has been pigeonholed for specific uses -- rear panels, bases, packaging -- losing visibility and importance in the world of architecture and design.

For the past several years, there’s been increasing talk of a renaissance in timber construction. Although we are predisposed to thinking of wood as a component limited to the classic balloon-frame house, new technologies have generated alternative materials which look like and are created from wood, but are stronger and more versatile than their more traditional cousins. While there are a number of different products on the market, including Glulam and Laminated Veneer Lumber (LVL), the material that seems to hold the most promise for changing construction is Cross Laminated Timber (CLT).

“Concrete has the ability to be primitive and technological, massive and levitating, to combine the properties of steel with those of mud,” says Rowan Moore in his list of The 10 best concrete buildings created for The Guardian. Through examples spanning three continents, Moore unites old standbys with unexpected wonders, all of which show the varied possibilities inherent in mixing water, aggregate, and cement. In a list that incorporates examples from Classical times to the present, Moore establishes concrete’s unique ability to adapt to different times, styles, applications, and treatments.

Located high in the Himalayan Mountains, the sparsely populated region of Ladakh is one of the more remote places on Earth. At over 3500 meters above sea level, the region includes terrain consisting of steep cliffs and wide valleys, and an extreme climate to match: temperatures often reach +30 degrees celsius in the summer months and drop to -30 degrees celsius in the winter. Severe weather patterns such as these typically require durable construction materials and technologies - yet with the region’s difficult-to-reach location and a construction season lasting only four to six months, importing materials becomes a costly, if not impossible task. Luckily, with help from Czech architecture firm Archide, residents were able to find that the best material for the job was one found right outside their doors: rammed earth.

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DIY wooden pallet creations are an increasingly popular trend, with projects ranging from building pieces of furniture to even making an outdoor pool. In their latest how-to, Interesting Engineering brings the DIY trend to a much larger scale with a video showing how to build a house using wooden pallets. Watch the video above to learn how to make a wooden pallet house and check out some tips from the video after the break.

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In 2013, Skylar Tibbits of the MIT Self-Assembly Lab introduced a new phrase to the architectural lexicon: 4D Printing. The concept, which built on the hype surrounding 3D printing and added the dimension of time, describes materials that can be constructed through 3D printing in such a way that they later react and change shape in response to an external stimulus such as heat or moisture.