Materials & ProductsExclusive Articles, from ArchDaily

Ancient cyclopean walls were built by overlapping raw stones, supported one on the other, without the use of mortar. The name derives from the Cyclops, the giants of Greek mythology, as their construction required seemingly superhuman effort due to the weight and difficulty of lifting and fitting each wall piece. Cyclopic concrete, in turn, mixes this ancient constructive technique with contemporary materials and techniques. What sets it apart from traditional concrete is essentially the size of the coarse aggregate, which is traditionally composed of stones but can also include brick or concrete remains. Our Projects section includes examples of this constructive technique, which, unlike the cyclopes, clearly carries traces of the workers who built it. We talked to Rafic Jorge Farah, from São Paulo Criação Office, about his experience with this technique in recent works.

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How can a building be more efficient? It is a concern that architects face on a daily basis, as they try to keep up with the demands of an industry that is increasingly aware of its environmental impact. Today more than ever, there is an effort to design buildings that integrate sustainability, efficiency and thermal comfort, which are fundamental pillars of a healthier built environment. 

Exploring materiality, contextuality, and approach, our editors developed thought-provoking articles seeking to question and describe some of the aspects that make any Architecture, a good one.

Wood in contemporary construction is often associated with coziness, simplicity, and a certain sense of nobility. Despite requiring more frequent maintenance compared to materials like concrete, wood is increasingly considered a viable option within the concept of regenerative design, owing to its place in the natural organic cycle of our planet. While wood has been a staple in architectural design, carbonized wood, known as yakisugi, is gaining significant attention as a finishing choice.

As society, technology, and architecture have evolved, designers and architects have embraced novel construction systems and innovative approaches to reshape the built environment. This advancement has stretched the boundaries of traditional construction techniques and ignited fresh ideas in building design.

Timeless design possesses qualities that resonate with people on a fundamental level, whether through its simplicity, functionality, emotional impact, or adaptability. It continues to captivate and inspire indefinitely, remaining relevant and cherished across generations. This is the primary ambition of any designer, to endure through their creations over time. Philippe Starck, the renowned French designer, has long been at the forefront of the design world. He emphasizes that "The keywords for the future and ecology are longevity, transmission and heritage." His designs aim to go beyond mere aesthetics, incorporating a commitment to timelessness and a dedication to environmentally conscious practices.

The role and relationship of furniture in architecture and space design are of great relevance. Designers such as Eileen Gray, Alvar Aalto, Mies Van der Rohe, and Verner Panton conceived furniture —primarily stools and chairs— that endure over time as powerful and timeless elements, with a determining impact on the interior atmosphere. Thus, the relationship between furniture and space becomes a constant dialogue in which design, aesthetics, and materials contribute their dimension.

The need to reduce the construction industry's carbon footprint and its reliance on virgin natural resources is the most pressing issue facing the sector. It is therefore extremely important to foster innovation that can improve existing building materials and make them environmentally friendly, in order to successfully tackle its sizable carbon footprint and close the material loop.

For the opening of CAB 5, the 5th edition of the Chicago Architecture Biennial, Skidmore, Owings & Merrill (SOM) presented an eco-friendly alternative to traditional concrete. Named the “Bio-Block Spiral,” the installation is at The Mews in Fulton Market in Chicago. The creation was developed with Prometheus Material, a materials company that provides sustainable building materials for a carbon-negative future.

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Welcome to West Hollywood and to episode 9 of Opening up. Talking through his passion project is Denis Devin Donner from the Los Angeles-based company Rudin Donner Design. This transformation started with a mansion lacking a defined entrance and reached its culmination with a gate that frames a beautiful view.

The growth of the world's population has led to an increase in housing and building construction around the globe. Considering that today the construction industry is responsible for 40% of the planet's CO2 emissions, and according to the Chilean Chamber of Construction, by 2035, Chile will need housing for 2.6 million people, it is necessary to guide this sector toward an environmentally friendly alternative. The answer to this challenge can be found in nature itself, where there are various efficient and sustainable construction solutions. Such is the case with wood: a noble and renewable material capable of capturing CO2 and contributing to a better environmental future.

In the context of WWI and to address the massive housing shortage resulting from the conflict, the Dom-Ino modular structure, one of the most significant contributions of functionalism and designed by the Swiss designers Le Corbusier and Max Dubois, established concrete premises for a new vision of a lightweight structural model that optimizes the construction process. Thanks to the use of a reinforced concrete slab and column system, the Dom-Ino structure allowed for the flexible arrangement of elements in the floor plan and freed the facade from the limitations imposed by load-bearing walls.