The “Women in Architecture “exhibition by the Danish Architecture Center aims to open the conversation about women in architecture and showcase their often overlooked, yet substantial contributions to the field. The historical part of the exhibition celebrates untold stories and forgotten accomplishments of women in Denmark from the 1920s to the 1970s. The exhibition also gives the floor to contemporary architects, asking them to share their experiences as architects in Denmark today. To further explore this position, Tatiana Bilbao Estudio, Siv Helene Stangeland from Helen & Hard , and Ensamble Studio explore the theme of the event inspired by Virginia Woolf’s 1929 essay, “A Room of One’s Own”, in which she asserts that women must be financially independent if they are to be able to create works of significance. They must have a room of their own, in both a physical and metaphorical sense.
"A Room of One’s Own": Tatiana Bilbao, Siv Stangeland and Débora Mesa Contemplate the Position of Women in Architecture at Danish Exhibition
Gender Discrimination on Construction Sites: Fill the ArchDaily Form
With the construction sector getting back into full swing and major upcoming projects being announced, a larger workforce is getting ready to take on these colossal works. Accordingly, on-site presence and inspections are critical and essential to creating good architecture and constitute significant learning instances for architects or engineers looking to build expertise. But despite all these new endeavors that promise new technologies, a more sustainable future, and better ways of living, one old issue prevails the presence of gender discrimination on the construction site.
When Architectural History Meets Personal History
This article was originally published on Common Edge.
A New Collective Led by Sabine Marcelis Revitalizes the Story of Women in the Bauhaus Movement
The Women Bauhaus is a new art collective of five female artists led by mentor Sabine Marcelis, who are taking inspiration from the legacy of women in the Bauhaus movement. The project was commissioned by luxury skincare brand La Prairie as part of its ongoing patronage of the arts. The projects developed are taking inspiration from Bauhaus icons such as textile artists Otti Berger, Benita Koch-Otte, and sculptor, metalsmith, and designer Marianne Brandt. The initiative also hopes to bring attention to the often-overlooked legacy of women who joined the Bauhaus movement, and whose struggles to affirm themselves as artists and designers are rarely recognized.
New Exhibition at the Danish Architecture Center Celebrates Women in Architecture
The Danish Architecture Center (DAC) has opened its latest exhibition titled "Women in Architecture", which showcases the contributions made by female architects across the years. The exhibition highlights women in architecture across time, age, and geography, and explores projects designed by Danish architects such as Hanne Kjærholm, Karen Clemmesen, Lene Tranberg, Dorte Mandrup, and others, along with installations by international architectural studios such as Tatiana Bilbao Estudio, Helen & Hard, and Ensamble Studio.
The Second Studio Podcast: Interview with Toshiko Mori
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
Toshiko Mori Pursues Dialogue That Transcends Time and Space
Continuing their Time-Space-Existence series of monthly videos leading up to this year’s Venice Biennale, PLANE—SITE have released a new conversation with architect and former Harvard GSD chair of architecture Toshiko Mori. Each video highlights the ideas that drive the work of well-known designers, with this episode focusing on Mori’s philosophy of visual communication, dialogue with history and considering the future in her work.
Interview with Toshiko Mori: “Rather Than Working With Forms, We Work With Forces”
As a Japanese immigrant who has spent much of her life in the United States, the architecture of Toshiko Mori occupies an interesting space: on one hand, the material and tectonic culture of Japan is, as she puts it, her “DNA.” On the other hand, her work clearly draws inspiration from the Modernists of 20th century America, and most notably from Mies van der Rohe. In this interview from his “City of Ideas” series, Vladimir Belogolovsky speaks with Mori (his former architecture professor) about materials, details, and the inspiration behind her work.