As dwellers of big cities, we tend to be dragged into a very fast-paced lifestyle. Surrounded by monumental buildings and infrastructure, we can easily lose sight of key spaces that connect us with our neighborhood and provide us with rare moments of peace and enjoyment. Appropriation of the environment we inhabit becomes an uncommon circumstance.
As every professional in the building industry knows, construction can be a costly and endlessly time-consuming endeavor. Delays are almost more frequent than on-time construction, and can be induced by extensive bureaucratic requirements, weather and other unexpected circumstances, inadequate planning, too few personnel, or a whole host of other causes. Lengthy construction projects can also negatively impact public perception of a project even before it has been built, especially if the projects experience delays or inconvenience those who live or work close to the building site. Moreover, some projects simply need to be built along a faster timeline than is typically feasible for a traditional construction project. Thankfully, there exists a solution for those seeking to drastically reduce construction times: modular construction.
Scale is a term that has dominated the architectural profession for as long as built structures have existed. In the literal sense, scale defines the measurable standards that we have come to know and accept —the widths of door frames, a car turn radius, and of course, a means of producing measurable drawings. In a more abstract and figurative representation, scale describes a feeling of individual experiences when comparing themselves or a familiar object to something unfamiliar.
Data centers, automated assembly lines, telecommunications facilities, and warehouses represent a very utilitarian aspect of the built environment, and yet they compose a particular kind of infrastructure within contemporary society, one that is fundamental to the development of everyday life. Rarely discussed within the profession, these new typologies have more recently penetrated the architectural discourse, raising questions about the architectural significance and design potential of the spaces sustaining the mechanics of today's world.
The human scale spans both physical dimensions and sensory perception. Designers create spaces and objects like steps, doorways and chairs that are closely aligned to human measurement and how we see the world. But as we look beyond the human scale, new ideas and typologies emerge that help us rethink how we conceptualize architecture and build for the future.
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Children's furniture is all furniture –fixed or mobile– that is designed according to the ergonomic guidelines and anatomical dimensions of children specifically. Following this definition, we can identify two types of furniture: (1) those that facilitate a relationship between the caregiver and the child, and (2) those that allow the child to use them independently.
In the introduction of Cities for People, Jan Gehl stated clearly that most cities have neglected the human aspect when planning the built space. While technologies have allowed us to build large, our focus shifted from creating architecture for humans to erecting structures that look like they are meant for a different kind of species. Top-down urban planning decisions have ignored scales adapted to the senses and organic growth, and new ideologies prioritized speed, functionality, and profitability.
The human scale can best be described as the relationship between a body and its surroundings and a body is nothing if not the undeniable connection between our sensorial experience within the material world and how we perceive it within our own minds.
During the first days of the quarantine, we noticed a drastic change throughout the world's cities—streets, plazas, and parks deserted and devoid of life, putting into perspective the powerful effect that humans have on urban spaces. Here, we have compiled a list of projects and spaces that show just how humans bring life to the places they inhabit.
The incorporation of the human figure is one of the most effective tools used in architectural photography: it helps the viewer decipher the scale of work and assess its amplitude. While it successfully communicates a rough idea of the measurements of the elements in the picture, it also helps architecture become more relatable and accessible. People engage better with the built environment when it is populated, mainly because the human sense of society and community is the cornerstone of our civilization. With this in mind, we are showcasing a selection of our favorite photographs where the human figure takes center stage, enhancing our reading of architecture.
During the latest Design Indaba Festival, we have the chance to interview Lyndon Neri and Rossana Hu, from Neri&Hu Design and Research Office, a Shanghai-based inter-disciplinary architectural design practice, about their work and way of thinking about architecture.
Remnants of the Socialist era, the large-scale architecture and urban spaces of the Eastern European Bloc still constitute a challenging legacy, at odds with contemporary urban environments and the values shaping cities today. This ideologically charged architecture is being reclaimed either through the reconciliation of the public opinion with this part of history, adaptive re-use, renovation, or through its re-contextualization as architectural heritage. By (re)introducing the human scale within these monumental architecture projects and public spaces, these entities are being restored to the urban and cultural life of cities.
Understanding the relationship between body and space is fundamental to offer the many different experiences that architecture can provide. To reflect on the distinctive scales that encompass the work of an architect, from buildings to furniture, we interviewed Marcelo Ferraz, co-founder of Brasil Arquitetura and Marcenaria Baraúna. His outlook and experience illustrate how the body and its symbolism are crucial when designing a project regardless of its scale.
Going beyond human scale is not a novelty. For centuries, builders, engineers, and architects have been creating monumental edifices to mark spirituality or political power. Larger than life palaces, governmental buildings, or temples have always attracted people’s admiration and reverence, nourishing the still not fully comprehensible obsession with large scale builds.
The Avions Voisin C7 was manufactured between 1924 and 1928 and featured a groundbreaking design for the time. The extensive use of glass, aluminum bodywork, and sharp angles hinted at the shapes of an aircraft. This was the car that Le Corbusier liked to park in front of his buildings - the architect considered this car to be the ultimate translation of modern age and technology combined into a single object. He was convinced that architecture had much to learn from this machine.
Human impacts on Earth are a common issue nowadays, and many people say that there is no turning back. Climate crisis, greenhouse gases, exploitation of natural resources, production of solid waste and atmospheric pollution are some of the most pressing issues that the global community must address if we want to ensure a sound future for the next generations.
These topics can be viewed in full-color and high-definition in the new book Overview Timelapse: How We Change the Earth, by Benjamin Grant and Timothy Dougherty, which compiles 250 satellite and drone photographs of places on Earth that are in constant transformation.
As our cities continue to grow and expand rapidly, there has been an increasing demand for architects and craftsmen to build houses more cost-efficiently under tight deadlines. Modular architecture has been introduced as a concept which involves assembling multiple pre-fabricated modules on site to create a working unit. By joining similar elements together in various ways, modular architecture allows for more flexibilities in design and standardized repair.
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Building in nature constitutes a contradiction, as architecture enables immersive access to the landscape, while at the same time, natural landmarks are being slowly engulfed by tourists. The human presence in natural landscapes is an interplay of scales, a juxtaposition of archetypal shelters against the vast sceneries, as well as a negotiation between access to the landscape and environmental conservation. Exploring a variety of attitudes and formal strategies, the following takes a look at what could be learned from the experiences and design philosophies of several architects and practices that have perfected ways of addressing architecture in the landscape.