Todd Eberle

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Sun Path House / Christian Wassmann

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Miami Beach, United States

Paul Goldberger: "Frank Gehry Really Doesn’t Want To Be Remembered as Somebody Who Just Did a Few Iconic Buildings"

Paul Goldberger: "Frank Gehry Really Doesn’t Want To Be Remembered as Somebody Who Just Did a Few Iconic Buildings" - Image 7 of 4
Guggenheim Bilbao (1997). Image © Ivan Herman (ivan-herman.net) licensed under CC BY-ND 3.0

After he achieved celebrity status at the turn of the millennium, in recent years the conversation around Frank Gehry has switched tones, going from near-universal admiration to widespread controversy. Yet according to Paul Goldberger, whose biography of Gehry was released in September, both adoration and critique of the architect might engender an overly simplistic interpretation of his long and storied career. In this interview originally published by Metropolis Magazine as "Q&A: Paul Goldberger on Frank Gehry's Life and Work," Goldberger delves into the many ways Gehry has been misunderstood over the years, and how his work, his psyche, and the interplay between the two have made him one of the most conversation-worthy architects of a generation.

Frank Gehry isn’t just the world’s foremost architect; he is, by all public standards, also one of our greatest living artists. Paul Goldberger’s new biography (his first), Building Art: The Life and Work of Frank Gehry, acknowledges the architect’s celebrity status but doesn’t acquiesce in it. Rather, Goldberger interrogates the peculiar psyche and restless contradictions of the man to shed light on the motivations behind the architecture. Metropolis editor Samuel Medina speaks to the newly minted biographer about defying genre conventions, unpacking the ambiguities of Gehry’s work, and giving reporters the finger.

Paul Goldberger: "Frank Gehry Really Doesn’t Want To Be Remembered as Somebody Who Just Did a Few Iconic Buildings" - Image 1 of 4Paul Goldberger: "Frank Gehry Really Doesn’t Want To Be Remembered as Somebody Who Just Did a Few Iconic Buildings" - Image 2 of 4Paul Goldberger: "Frank Gehry Really Doesn’t Want To Be Remembered as Somebody Who Just Did a Few Iconic Buildings" - Image 3 of 4Paul Goldberger: "Frank Gehry Really Doesn’t Want To Be Remembered as Somebody Who Just Did a Few Iconic Buildings" - Image 4 of 4Paul Goldberger: Frank Gehry Really Doesn’t Want To Be Remembered as Somebody Who Just Did a Few Iconic Buildings - More Images+ 5

Foggy: The World's First Frank Gehry-Designed Yacht

"An avid yachtsman," Frank Gehry has designed his first yacht. As Esquire reports, the traditional larch wood sailboat boasts titanium and red accents with windows clad in warped lattice work. "Foggy," as it's named (an acronym for Frank Owen Gehry), was designed for Gehry's friend and developer Richard Cohen. Gehry collaborated with naval architect Germán Frers, who was charged with keeping Gehry's design practical. "Don't let me go too crazy," Gehry told Frers. "The boat has to work."

SANAA’s First US Commission Since Pritzker, “The River” Underway in Connecticut

“The River,” SANAA’s first US commission since winning the 2010 Pritzker Prize, is currently underway in Connecticut. Designed by the Japanese practice in collaboration with OLIN, the meandering and almost transparent building will be built on a 75-acre preserve as a multi-use platform for events and initiatives put on by the community of New Canaan and non-profit Grace Farms Foundation.

“We are thrilled that Grace Farms will begin welcoming the public in autumn 2015,” Sharon Prince, president of the Grace Farms Foundation stated. 

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Gehry's Fondation Louis Vuitton in Paris: The Critics Respond

The people behind Frank Gehry's Fondation Louis Vuitton (FLV) in Paris, which is set to officially open on the 27th October 2014, recently invited a band of architecture critics to take a look around and pen their thoughts. Gehry's bold approach to architectural form, most evident in buildings like the Guggenheim Museum in Bilbao and the Walt Disney Concert Hall in LA, matches the foundation's aim to "promote and support contemporary and artistic creation" in France. According to their website, they in particular embody "a passion for artistic freedom." How, then, has the enormous sailed structure, challenged by local opposition from the outset, settled into its Parisian parkland surroundings?

See what The Guardian's Oliver Wainwright, The Observer's Rowan Moore, Vanity Fair's Paul Goldberger, The LA Times' Christopher Hawthorne, as well as the Architectural Digests' Mayer Rus, had to say about Gehry's latest completed building after the break.

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Fondation Louis Vuitton / Gehry Partners

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AD Classics: Esherick House / Louis Kahn

AD Classics: Esherick House / Louis Kahn - Houses, Garden, Facade, DoorAD Classics: Esherick House / Louis Kahn - Houses, Facade, DoorAD Classics: Esherick House / Louis Kahn - Houses, FacadeAD Classics: Esherick House / Louis Kahn - Houses, Door, Facade, Beam, LightingAD Classics: Esherick House / Louis Kahn - More Images+ 9

Philadelphia, United States