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As we look back at the architecture projects we have published in 2020, as part of our yearly review, we were able to distinguish many recurring elements and solutions in terms of materials, programs, and functions.

Since the architecture industry moves slightly slower than others, we found that many things in the construction and design that have been building up these past years have come out making strong statements this 2020. We believe, therefore, that trends in the architecture world could be defined not only by what has been recurrent and popular but also, what has proven to be relevant and substantial.

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On behalf of the entire ArchDaily team, we would like to thank you for your continued support and for making 2020 our best year so far! We are now reaching more architects around the world and inspiring them in the creation of better built environments. With more than 5500 different projects published during the year, our curators are excited to share this collection of the 100 most visited projects of 2020. This selection represents the best content created and shared by the ArchDaily community over the past 11 months.

In recent years, we have published many articles about wood. Addressing trends of use, possibilities for log wood, panels, curves, and finishes, innovations in tall building structures, and wood's behavior towards fire, these articles have explicated a wide variety of the material's applications and characteristics. A specific type of wood, Cross Laminated Timber (CLT), has emerged as highly structurally efficient with thermal, seismic, and even sensory benefits, described by specialists as the concrete of the future. But when we post these articles on social media, we frequently encounter comments from our readers concerned about the impact of deforestation. Although we may see wood as a great building material of the future, we must ask ourselves: is it possible to continue cutting down trees and using their wood while still calling it sustainable?

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Videos

An emerging design trend is filling the gap between furniture and architecture by shaping space through objects at the intersection of the two, creating a dynamic and highly adaptable environment. Either a consequence of the increased demand for flexibility in small spaces or the architectural expression of a device-oriented society, elements in between architecture and furniture open the door towards an increased versatility of space. Neither architecture nor furniture (or perhaps both), these objects operate at the convergence of the two scales of human interaction, carving a new design approach for interior living spaces.

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In all cities around the world, there are some forms of residual space, forgotten pieces of the urban fabric, remnants of overlapping layers of past development. This land whose conditions make it unsuitable for most types of conventional construction might be a fertile ground for architectural invention. Assigning a new value to vacant corner lots, dead-end alleys and strangely shaped plots opens up a new field of opportunities for inward urban development, expanding available living space and increasing amenities in densely populated cities. The following explores the potential for experiment and urban activation held by urban leftover space.

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