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Spotlight: Alejandro Aravena

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Innovation Center UC - Anacleto Angelini. Image © Nico Saieh

As founder of the “Do Tank” firm ELEMENTAL, Chilean architect Alejandro Aravena (born on June 22, 1967) is perhaps the most socially-engaged architect to receive the Pritzker Prize. Far from the usual aesthetically driven approach, Aravena explains that “We don’t think of ourselves as artists. Architects like to build things that are unique. But if something is unique it can’t be repeated, so in terms of it serving many people in many places, the value is close to zero.” [1] For Aravena, the architect’s primary goal is to improve people's way of life by assessing both social needs and human desires, as well as political, economic and environmental issues.

2016 Pritzker Prize Winner Alejandro Aravena's Work in 15 Images

Alejandro Aravena is the first Chilean architect to ever receive a Pritzker Prize. Praised for reviving the socially engaged architect, the 48-year-old architect and executive director of ELEMENTAL has proved architecture's ability to solve pressing global issues through his diverse portfolio. Read on to see 15 projects that exemplify Aravena's contribution to architecture so far.

Alejandro Aravena Wins 2016 Pritzker Prize

Alejandro Aravena has been named as the winner of the 2016 Pritzker Prize. Highlighting his dedication to improve urban environments and to address the global housing crisis, the Pritzker Prize jury praised the way in which the Chilean architect has "risen to the demands of practicing architecture as an artful endeavor, as well as meeting today's social and economic challenges." Aravena is the 41st Pritzker Prize laureate and the first Chilean to receive the award.

At 48 years of age, Aravena has a large portfolio of private, public and educational projects in Chile, the USA, Mexico, China and Switzerland. But perhaps more notably, through his “Do Tank” firm ELEMENTAL he has managed to build 2,500 units of social housing, engaging in the public housing policies of governments where he works and taking an opportunistic approach to market forces to generate a powerful impact on lower-income communities.

"Alejandro Aravena epitomizes the revival of a more socially engaged architect, especially in his long-term commitment to tackling the global housing crisis and fighting for a better urban environment for all,” explained the Jury in their citation. “He has a deep understanding of both architecture and civil society, as is reflected in his writing, his activism and his designs. The role of the architect is now being challenged to serve greater social and humanitarian needs, and Alejandro Aravena has clearly, generously and fully responded to this challenge."

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Non-Design: Architecture's (Counter-Intuitive) Future

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Quinta Monroy development after occupation. © Cristobal Palma

Global architecture underwent a seismic shift in the 20th Century. Governments, keen to mitigate the impoverishing effects of rapid urbanization and two world wars embarked on ambitious social housing programs, pairing with modernists who promised that design could be the solution to social inequality and poverty. Today, the problems inherent in these mid-century tower blocks are well documented and well known, and these modernist solutions to poverty are often seen as ill-conceived failures.

If the 20th century was all about designing to solve social problems, then the 21st century has been about the exact opposite – not designing to solve social problems. These days, it is much more common to see architects praising the social order and even aesthetic of illegal slums, which in many cases provide their residents with a stronger community and higher quality of life than did many formal social housing projects of the past. The task of architects (both today's and tomorrow's) is to develop this construction logic: to use design and, rather counter-intuitively, non-design to lift these urban residents out of their impoverished conditions.

More on the social potential of non-design after the break...

Quinta Monroy / ELEMENTAL

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