Take a second to imagine a building or a room. Chances are you are envisioning flat rectangular surfaces and straight lines. Whether it be walls, beams or windows, most architectural elements come in standard and extremely practical orthogonal shapes. However, the pandemic has shed light on designs that are not only functional, but also that improve our mood and well-being. In that sense, the power of curved, free-flowing surfaces is unmatched, which explains why they have been making a comeback as a modern design trend. Adopting beautiful nature-inspired shapes, organic curls and bends energize rooms and make users feel good. In fact, neuroscientists have shown that this affection is hard-wired into the brain; in a 2013 study, they found that participants were most likely to consider a space beautiful if it was curvilinear instead of rectilinear. In short, humans love curves.
The Comeback of Curved Design: Materials That Can Bend and Curl
The OmniDirectional Clinic / KTX archiLAB
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Architects: KTX archiLAB
- Area: 204 m²
- Year: 2020
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Manufacturers: KMEW, Nemetschek, SGL roofing, Sankyo Tateyama, Sincol, +1
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Professionals: Terada Engineering
United States, China, and Japan Earn Top Spots in the World Design Rankings
While we wait for summer 2020 and another chance to watch the medal counts climb and cheer on our home countries in the next Olympics, a different type of international contest has tallied its scores and the United States has taken the gold in the World Design Rankings, with China and Japan following for second and third place respectively. Sponsored by the international A’ Design Award and Competition, the world’s largest and most diverse design accolade, the World Design Rankings are compiled based on the number of designers from each country granted an A’ Design Award.
Cloud of Luster Chapel / KTX archiLAB
The Edge of The Wood / Matsuya Art Works / KTX archiLAB
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Architects: KTX archiLAB, Matsuya Art Works
- Area: 318 m²
- Year: 2018
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Manufacturers: Aica, JFE, Lixil Corporation, Sincol
The Cutting Edge Pharmacy / KTX archiLAB
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Architects: KTX archiLAB
- Area: 150 m²
- Year: 2016
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Manufacturers: Central Glass, Ibiden Kenso, Takiron
Shuhei Endo on Why Architecture Should Be "Paramodern"
Japan has long been one of the centers of production when it comes to avant-garde architecture, stretching back to the middle of the 20th century with Modernist masters such as Kenzo Tange. As one of Japan's new, emerging architectural leaders Shuhei Endo – the founder of architecture firm Paramodern – believes the country is still well positioned at the forefront of architecture, creating new responses to the concept of modernity itself. In the second interview from our series covering “Japan's New Masters,” Ebrahim Abdoh speaks to Endo about what it means to be “Modern” in the modern world, and how these ideas have influenced his architecture.
Ebrahim Abdoh: What is your earliest memory of wanting to be an architect?
Shuhei Endo: When I was a child at elementary school, one day, the teacher took our class to an architecture exhibit in Osaka. The year was 1962. I remember seeing all the drawings, and models of these strange buildings. It was that day that I heard the words "architect" and "architecture" for the first time. Many years later, I applied to university to study architecture and got in. I always wanted to see the world. In my first few years of university, I went on a trip all over Europe. If that little exhibit I went to in Osaka was my baptism, then Rome was my confirmation. When I walked into the Pantheon… that is when I knew that I had made the right choice.
House in Takamatsu / : Yasunari Tsukada Design
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Architects: Yasunari Tsukada design
- Year: 2012
end…Link Beauty Salon / Yasunari Tsukada Design
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Architects: Yasunari Tsukada design
- Area: 114 m²
- Year: 2012
Rooftecture OT2 / Shuhei Endo
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Architects: Shuhei Endo
- Area: 127 m²
- Year: 2012