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The Comeback of Curved Design: Materials That Can Bend and Curl

The Comeback of Curved Design: Materials That Can Bend and Curl - Featured Image
Hongkun Art Gallery / penda. Image © Xia Zhi

Take a second to imagine a building or a room. Chances are you are envisioning flat rectangular surfaces and straight lines. Whether it be walls, beams or windows, most architectural elements come in standard and extremely practical orthogonal shapes. However, the pandemic has shed light on designs that are not only functional, but also that improve our mood and well-being. In that sense, the power of curved, free-flowing surfaces is unmatched, which explains why they have been making a comeback as a modern design trend. Adopting beautiful nature-inspired shapes, organic curls and bends energize rooms and make users feel good. In fact, neuroscientists have shown that this affection is hard-wired into the brain; in a 2013 study, they found that participants were most likely to consider a space beautiful if it was curvilinear instead of rectilinear. In short, humans love curves.

The OmniDirectional Clinic / KTX archiLAB

The OmniDirectional Clinic / KTX archiLAB - Exterior Photography, Clinic, FacadeThe OmniDirectional Clinic / KTX archiLAB - Interior Photography, Clinic, ChairThe OmniDirectional Clinic / KTX archiLAB - Interior Photography, Clinic, Table, ChairThe OmniDirectional Clinic / KTX archiLAB - Exterior Photography, ClinicThe OmniDirectional Clinic / KTX archiLAB - More Images+ 14

Taishi, Japan
  • Architects: KTX archiLAB
  • Area Area of this architecture project Area:  204
  • Year Completion year of this architecture project Year:  2020
  • Manufacturers Brands with products used in this architecture project
    Manufacturers:  KMEW, Nemetschek, SGL roofing, Sankyo Tateyama, Sincol, +1
  • Professionals: Terada Engineering

United States, China, and Japan Earn Top Spots in the World Design Rankings

While we wait for summer 2020 and another chance to watch the medal counts climb and cheer on our home countries in the next Olympics, a different type of international contest has tallied its scores and the United States has taken the gold in the World Design Rankings, with China and Japan following for second and third place respectively. Sponsored by the international A’ Design Award and Competition, the world’s largest and most diverse design accolade, the World Design Rankings are compiled based on the number of designers from each country granted an A’ Design Award.

United States, China, and Japan Earn Top Spots in the World Design Rankings - Image 1 of 4United States, China, and Japan Earn Top Spots in the World Design Rankings - Image 2 of 4United States, China, and Japan Earn Top Spots in the World Design Rankings - Image 3 of 4United States, China, and Japan Earn Top Spots in the World Design Rankings - Image 4 of 4United States, China, and Japan Earn Top Spots in the World Design Rankings - More Images+ 18

Cloud of Luster Chapel / KTX archiLAB

Cloud of Luster Chapel / KTX archiLAB - ChapelCloud of Luster Chapel / KTX archiLAB - ChapelCloud of Luster Chapel / KTX archiLAB - ChapelCloud of Luster Chapel / KTX archiLAB - ChapelCloud of Luster Chapel / KTX archiLAB - More Images+ 16

Himeji, Japan
  • Architects: KTX archiLAB
  • Area Area of this architecture project Area:  245
  • Year Completion year of this architecture project Year:  2019
  • Manufacturers Brands with products used in this architecture project
    Manufacturers:  Aica, Daiko, Gantan Beauty, Hatanaka Sangyo, IBIboard, +1

The Edge of The Wood / Matsuya Art Works / KTX archiLAB

The Edge of The Wood / Matsuya Art Works / KTX archiLAB - Restaurant, Facade, Door, ColumnThe Edge of The Wood / Matsuya Art Works / KTX archiLAB - Restaurant, Facade, HandrailThe Edge of The Wood / Matsuya Art Works / KTX archiLAB - Restaurant, Facade, Table, Chair, LightingThe Edge of The Wood / Matsuya Art Works / KTX archiLAB - Restaurant, FacadeThe Edge of The Wood / Matsuya Art Works / KTX archiLAB - More Images+ 12

  • Area Area of this architecture project Area:  318
  • Year Completion year of this architecture project Year:  2018
  • Manufacturers Brands with products used in this architecture project
    Manufacturers:  Aica, JFE, Lixil Corporation, Sincol

The Cutting Edge Pharmacy / KTX archiLAB

The Cutting Edge Pharmacy / KTX archiLAB - Pharmacy, Facade, Door, Table, Chair, LightingThe Cutting Edge Pharmacy / KTX archiLAB - Pharmacy, FacadeThe Cutting Edge Pharmacy / KTX archiLAB - Pharmacy, Kitchen, Facade, Countertop, TableThe Cutting Edge Pharmacy / KTX archiLAB - Pharmacy, Facade, DoorThe Cutting Edge Pharmacy / KTX archiLAB - More Images+ 13

Himeji, Japan
  • Architects: KTX archiLAB
  • Area Area of this architecture project Area:  150
  • Year Completion year of this architecture project Year:  2016
  • Manufacturers Brands with products used in this architecture project
    Manufacturers:  Central Glass, Ibiden Kenso, Takiron

Shuhei Endo on Why Architecture Should Be "Paramodern"

Japan has long been one of the centers of production when it comes to avant-garde architecture, stretching back to the middle of the 20th century with Modernist masters such as Kenzo Tange. As one of Japan's new, emerging architectural leaders Shuhei Endo – the founder of architecture firm Paramodern – believes the country is still well positioned at the forefront of architecture, creating new responses to the concept of modernity itself. In the second interview from our series covering “Japan's New Masters,” Ebrahim Abdoh speaks to Endo about what it means to be “Modern” in the modern world, and how these ideas have influenced his architecture.

Ebrahim Abdoh: What is your earliest memory of wanting to be an architect?

Shuhei Endo: When I was a child at elementary school, one day, the teacher took our class to an architecture exhibit in Osaka. The year was 1962. I remember seeing all the drawings, and models of these strange buildings. It was that day that I heard the words "architect" and "architecture" for the first time. Many years later, I applied to university to study architecture and got in. I always wanted to see the world. In my first few years of university, I went on a trip all over Europe. If that little exhibit I went to in Osaka was my baptism, then Rome was my confirmation. When I walked into the Pantheon… that is when I knew that I had made the right choice.

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M-House / TOFU

M-House / TOFU - Houses, Facade, FenceM-House / TOFU - Houses, FacadeM-House / TOFU - Houses, FacadeM-House / TOFU - Houses, Kitchen, Beam, Bench, ChairM-House / TOFU - More Images+ 17

Ashiya, Japan
  • Architects: TOFU
  • Area Area of this architecture project Area:  158
  • Year Completion year of this architecture project Year:  2014

House in Takamatsu / : Yasunari Tsukada Design

House in Takamatsu / : Yasunari Tsukada Design - Houses, Kitchen, Beam, Door, Facade, Table, Chair, Countertop
© Stirling Elmendorf

House in Takamatsu / : Yasunari Tsukada Design - Houses, Handrail, Stairs, Facade, ChairHouse in Takamatsu / : Yasunari Tsukada Design - Houses, Stairs, Door, Handrail, Facade, BeamHouse in Takamatsu / : Yasunari Tsukada Design - HousesHouse in Takamatsu / : Yasunari Tsukada Design - HousesHouse in Takamatsu / : Yasunari Tsukada Design - More Images+ 14

end…Link Beauty Salon / Yasunari Tsukada Design

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Rooftecture OT2 / Shuhei Endo

Rooftecture OT2 / Shuhei Endo - Houses, FacadeRooftecture OT2 / Shuhei Endo - Houses, FacadeRooftecture OT2 / Shuhei Endo - Houses, Stairs, Handrail, Facade, BeamRooftecture OT2 / Shuhei Endo - Houses, Bathroom, Sink, CountertopRooftecture OT2 / Shuhei Endo - More Images+ 20

Kita Ward, Japan
  • Architects: Shuhei Endo
  • Area Area of this architecture project Area:  127
  • Year Completion year of this architecture project Year:  2012