
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Architects: 2P Architectes & Associés
- Area: 117000 m²
- Year: 2017
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Manufacturers: Kalzip
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Born on the 5th of May 1944 in what was at the time the French Protectorate of Morocco, French architect Christian de Portzamparc had doubts about continuing with architecture while studying in the 1960s, questioning modernist ideals and the discipline's lack of freedom compared to art. Instead, he spent a decade attempting to understand the role of architecture, before returning triumphantly with a new model of iterative urban design that emphasized open neighborhoods based around landmark "poles of attraction" and a varied series of high-profile commissions that combine a sense of purpose and place.
This week, colorful projects are here to steal the show. Few architects have dared to use color in their works, however, when done so the results can be incredible. Here is a selection of 15 images from prominent photographers such as Gregori Civera, Julien Lanoo and Subliminal Image that show us the huge potential of color.
French architect Christian de Portzamparc has been named the 2018 laureate of the the Praemium Imperiale Arts Award for Architecture. The prize, given by by the Japan Art Association (JAA), recognized de Portzamparc for his “imaginative architectural style...known for its distinctive features such as bold designs, an artistic approach and the creativity that comes from his work as a watercolor painter.”
Of the Pritzker Prize’s illustrious list of laureates, the 1994 winner Christian de Portzamparc is perhaps the least covered by the media. However, this relatively low profile belies the subtle and insightful understanding of architectural and urban issues that in many ways puts him decades ahead of the curve – with the sociologically-led principles he has been developing since the early 1980s now becoming widely popular in architectural circles. In this interview, the latest in Vladimir Belogolovsky’s “City of Ideas” column, Portzamparc explains the journey that led to this unique take on architecture.
Seeing the space of an auditorium in section is a key tool in allowing us to approach a design's of acoustics, accessibility, and lighting. These components are what make the design of an auditorium a complex task, requiring detailed and specific studies.
There are a number of ways to design an auditorium that offers multiple responses to these challenges. For this reason, we have selected a number of sections from different auditoriums that can help you understand how other architects have solved the challenge.
Check out the 30 auditorium sections below, they are sure to inspire you!
Paris-based architect Brendan MacFarlane, of the firm Jakob + MacFarlane, spoke to us during our visit to the FRAC Centre in Orléans for the ArchiLab 2013 exhibition and conference. MacFarlane, who studied at Sci-Arc in the 80s and later received a degree from Harvard's GSD, successfully combines theory and form, placing him among the few architects that have been able to harmonize this balance.
This past September marked the commencement of ArchiLab 2013 at the newly completed FRAC Centre in Orleans, France. Forty architects, designers and artists gathered for the annual architectural exposition and conference’s ninth edition to discuss the deepening overlap between digital architecture and the sciences, particularly molecular biology. Under the theme “Naturalizing Architecture,” two international symposiums took place which provided the opportuntiy for architects and scientists to present, and debate, the latest research revolving this subject and its ever-evolving role within the living world.
To encourage the continuation of discourse, we have complied a video list of all the discussions from the symposium for your viewing pleasure. Enjoy them, after the break, and feel free to share your thoughts in the comment section below.