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Nelson Kon works with photography since 1985 and his passion can be appreciated through his images of contemporary buildings, heritage ensembles and urban scenes.

In celebration of World Photo Day (August 19th), we invited some architects to comment on the work of some of the best architectural photographers of our time. After the break, Vinicius Andrade speaks on the behalf of his studio, Andrade Morettin Arquitetos Associados, about brazilian photographer Nelson Kon.

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World Cup coverage has brought Brazil to the forefront of the public’s attention. While the country’s hasty construction of 12 massive stadiums has received criticism, this article from Christopher Hawthorne at the LA Times reveals that Brazil is, now more than ever, a hotbed of architectural progress. In light of this, we’ve compiled some of our favorite works from this year’s World Cup host country, including: Tacoa Arquitetos’ Adriana Varejão Gallery, JPGN House by Macedo, Gomes & Sobreira, a welcome center by Rocco, Vidal + arquitetos, and Um House by Terra e Tuma Arquitetos Associados. Also included is the 360° Building by Isay Weinfeld, Galeria House by MACh Arquitetos, Ipes House by Studio MK27 – Marcio Kogan + Lair Reis, a night club by Muti Randolph + Marcelo Pontes + Zemel + Chalabi Arquitetos, and NITSCHE ARQUITETOS’ Bernard Luis housing condominium. Enjoy!

Wiel Arets, Dean of the College of Architecture at Illinois Institute of Technology (IIT) and Dirk Denison, Director of the Mies Crown Hall Americas Prize (MCHAP), have announced the inaugural MCHAP shortlist – 36 “Outstanding Projects” selected from the 225 MCHAP nominees.

“The rich diversity of these built works is a testament to the creative energy at work in the Americas today,” said Arets. “When viewed alongside the innovative work by the MCHAP.emerge finalists and winner, Poli House by Mauricio Pezo and Sofia von Ellrichshausen which we honored in May, we see the evolution of a distinctly American conversation about creating livable space.” See all 36 winners after the break.

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