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When we think of concrete, the color gray generally comes to mind. The traditional mixture of concrete, which comprises cement, gravel, sand, and water may vary in color depending on elements and admixtures but naturally varies from light to dark gray. However, compounds that add pigment to the mixture are becoming increasingly prevalent and popular,  as they infuse the concrete with hues more stable than paint. These shades result from the addition of oxides:  yellow, red and their derivations (eg. brown) are obtained with the addition of iron oxide; chromium and cobalt oxide create the greens and blues, respectively. For black concrete, it is common to use black iron oxide and carbon oxide combined with pozzolanic cement.

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Stairways are central to access and mobility within a space, and yet, they often take a backseat to other elements of design within a work of architecture. However, Mexican firm PRODUCTORA has put them at the forefront of many of their projects, notably the Teopanzolco Cultural Center.

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Videos

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Concrete, a material commonly used in the construction industry, is made of a binder combined with aggregates (or gravels), water, and certain additives. Its origins reach back as far as Ancient Egypt, when the construction of large structures created the need for a new kind of material: one which was liquid, featured properties of natural stones, could be molded, and communicated a sense of nobility and grandeur. 

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One of the most important factors when designing is the specific climate of the site, this can represent a difficulty when dealing with extreme climates and it is necessary to use insulating materials that adapt to changing conditions. However, when talking about Mexico and its privileged climate, this becomes an advantage for architects, allowing the creation of microclimates and spaces that fade into the transition of what is the inside and the outside.

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The architectural history of Mexico bears with it a wealth of symbolism that gives insight into the different time periods that have played host to contemporary cultural movements throughout the country's history. 

Today, it's common to hear well-known architects calling for, not the creation of new spaces, but for the restoration of already existing ones. This stance insists that it is one's duty as an architect to rescue a site's memory by bringing it into the here and now.

As philosopher Jean Paul-Sartre put it, "what is important is not what happens to us, but what we do with what happens to us." In keeping with Sartre's phrase, we have compiled a list of 6 restoration projects that aim to rescue sites and show the interconnectedness of different time periods in Mexican history.

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