Junya Ishigami

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2019 Serpentine Pavilion to be Designed by Japanese Architect Junya Ishigami

London's Serpentine Gallery has announced Japanese architect Junya Ishigami as the designer of the 2019 Serpentine Pavilion. Ishigami, who at 44 is the second-youngest designer of the pavilion (after 2018 designer Frida Escobedo), is known for his light and ephemeral approach to design.

Ishigami's design for the pavilion takes the form of a slate sheet rising from the landscape of the park, held up by light pilotis that form an interior field reminiscent of a forest. The single-canopy space takes inspiration not just from natural canopies but from roofs - the essential structural element that defines and unites architecture. Within, the darkness of the slate roof will create a serene space for contemplation and relaxation. Ishigami explains that his design for the pavilion exemplifies his 'free space' philosophy in which he "seeks harmony between man-made structures and those that already exist."

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Pudongxinqu, China

Art or Architecture? 13 Projects That Blur The Boundary

Whether architecture is a form of art or not has often been a controversial topic of conversation within the architecture world. If one goes by the general definition of the word "art," architecture could potentially fit within the umbrella term: "the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power." As anyone involved in the architectural discipline probably knows, there is an abundance of varying definitions of the word "architecture," so whether its primary purpose is to achieve beauty or to organize space is evidently up for discussion.

Ask Jay A. Pritzker, founder of the Pritzker Prize, and he may say that "architecture is intended to transcend the simple need for shelter and security by becoming an expression of artistry." Ask The Guardian's Jonathan Jones and he may tell you that "architecture is the art we all encounter most often, most intimately, yet precisely because it is functional and necessary to life, it's hard to be clear about where the 'art' in a building begins." But this ambiguity is part of what makes the field of architecture challenging and exciting. To celebrate this complicated aspect of architecture, below we have collected a list of just some of the works that could be seen as art, architecture or both, depending on who’s looking, to provide some context to those blurry boundaries.

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Junya Ishigami to Install "Cloud Arch" in Downtown Sydney

Set to be installed over a set of light rail tracks, Junya Ishigami’s Cloud Arch will soon be one of the biggest landmarks in downtown Sydney. Commissioned by Sydney’s public art program, City Art, the arch will symbolize Sydney’s qualities of being “Green, Global, and Connected.” Over 50 meters high, it will change shape as viewer’s walk past it. Cloud Arch will act as both a gateway for the pedestrian George Street, and a defining feature of the city.