Sunlight has proven to be an excellent formgiver, with which architecture can create dynamic environments. The lighting design pioneer William M.C. Lam (1924-2012) emphasized in his book “Sunlighting as Formgiver” that the consideration of daylight is about much more than energy efficiency. Architects have now found numerous ways of implementing sunlight and the questions arises whether a coherent daylight typology could be a valuable target during the design process. However, many daylight analyses focus mainly on energy consumption.
Siobhan Rockcastle and Marilyne Andersen, though, have developed a thrilling qualitative approach at EPFL in Lausanne. Their interest was driven by the spatial and temporal diversity of daylight, introducing a matrix with 10 shades of daylight.
2014 Pritzker Laureate Shigeru Ban may be as well known for his innovative use of materials as for his compassionate approach to design. For a little over three decades, Ban, the founder of the Voluntary Architects Network, has applied his extensive knowledge of recyclable materials, particularly paper and cardboard, to constructing high-quality, low-cost shelters for victims of disaster across the world —from Rwanda to Haiti, to Turkey, Japan, and more. We've rounded up 10 projects of his humanitarian work, explained by Shigeru Ban Architects themselves.
Jarahieh Refugee School. Image Courtesy of CatalyticAction
For the past few months, the architecture community has been trying to bring its contribution to the fight against the pandemic. The global spread of this crisis might have triggered a coordinated, and thus a more visible effort, but this isn’t the first time professionals step up in crises. Over the years, natural disasters and emergencies have determined several architects to get involved in disaster relief initiatives, as well as a wide range of humanitarian actions. In this article, we take a look at different occasions various architects and practices made a significant contribution to, helping affected communities overcome hardship.
Over the past few decades, interior spaces have become increasingly open and versatile. From the thick walls and multiple subdivisions of Palladian villas, for example, to today's free-standing and multi-functional plans, architecture attempts to combat obsolescence by providing consistently efficient environments for everyday life, considering both present and future use. And while Palladio's old villas can still accommodate a wide variety of functions and lifestyles, re-adapting their use without changing an inch of their original design, today, flexibility seems to be the recipe for extending the useful life of buildings as far as possible.
How, then, can we design spaces neutral and flexible enough to adapt to the evolving human being, while still accomplishing the needs that each person requires today? An ancient element could help redefine the way we conceive and inhabit space: curtains.
Originally published in Metropolis Magazine as "Inside the Homes and Workspaces of 8 Great Architects", this article shows the spaces occupied by some of the best-known architects in the world. Documented for an exhibition that will be featured at the Milan Design Week 2014, the images give a glimpse inside the private worlds of some of our favorite designers.
It's a cliche that architects have messy workspaces. From chaos comes creation, so the phrase goes. But an upcoming exhibition at this year's Salone del Mobile intends to dispel the myth. Studio Mumbai.
Curator Francesca Molteni interviewed each of the designers in their private homes and came away with one finding: architects are actually quite tidy. The studios are all pristinely ordered; books are neatly stowed away, figurines and objets astutely displayed, and table tops swept clean. The photographs below are part of the exhibition materials, produced with the help of scenographer Davide Pizzigoni, which faithfully document the physical environments in images, video, and audio. These will be used to recreate the architects’ “rooms” at Salone del Mobile in April.
Where Architects Live is not limited to satisfying our curiosity about what these architects’ homes look like. Richard Rogers’ affirmation that “a room is the beginning of a city” resonates with the project’s aim in trying to articulate its subjects’ personal tastes and obsessions, and how those are reflected in their architectural work.
Read on to see more images of the inside of architects' homes and studios
Over the course of history the unique characteristics of wood, which are dependent upon the species of the tree and the location in which it has grown, have enabled humanity to flourish in all parts of the globe. The architectural details of wooden construction therefore show a great diversity of meetings and joints, showing not only a project's constructive and structural logic, but also embodying the value and complexity of each project.
Take a look at these 50 construction details of projects that stand out for their clever use of wood.
ArchDaily and Airbnb were both founded in 2008, but for two very different reasons. Since then, ArchDaily has amassed a vast database of tens of thousands of buildings, located in cities and countries all around the world. Meanwhile, Airbnb has revolutionized the way in which we explore these countries, and use these buildings, even if just for one night.
This week we have prepared a selection of photographs in which reflections in water is used as the main compositional element. In these images, the surface qualities of the water play a fundamental role in giving the composition its final effect—either acting as a perfect mirror or giving a diffuse touch. Below is a selection of 10 images from prominent photographers such as Lu Hengzhong, Yao Li, and Nico Saieh.
Shigeru Ban (born August 5th 1957) is a Japanese architect who won the 2014 Pritzker Prize for his significant contributions in architectural innovation and philanthropy. His ability to re-apply conventional knowledge in differing contexts has resulted in a breadth of work that is characterized by structural sophistication and unconventional techniques and materials. Ban has used these innovations not only to create beautiful architecture but as a tool to help those in need, by creating fast, economical, and sustainable housing solutions for the homeless and the displaced. As the Pritzker jury cites: “Shigeru Ban is a tireless architect whose work exudes optimism.”
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