Richard Kelly illuminated some of the twentieth century’s most iconic buildings: the Glass House, Seagram Building and Kimbell Art Museum, to name a few. His design strategy was surprisingly simple but extremely successful.

Lighting for architecture has been and still often is dominated by an engineering viewpoint, resigned to determining sufficient illuminance levels for a safe and efficient working environment. With a background in stage lighting, Kelly introduced a scenographic perspective for architectural lighting. His point of view might look self-evident to today’s architectural community, but it was revolutionary for his time and has strongly influenced modern architecture.

One of the United States' leading architects of the Modernist era, Paul Marvin Rudolph (October 23, 1918 – August 8, 1997) was known for his contributions to modernism throughout the latter half of the 20th century. He served as the Chair of Yale University’s School of Architecture for six years and famously designed the Yale Art and Architecture Building, one of the earliest examples of Brutalist architecture in the United States.

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This article was originally published on September 8,2014. To read the stories behind other celebrated architecture projects, visit our AD Classics section.

The next time you catch the scent of a Glade air freshener or evade pesky mosquitoes thanks to Off!, think of Frank Lloyd Wright. His 1950 building for the SC Johnson Research Tower at their headquarters in Racine, Wisconsin, was home to the invention of many of their landmark products.

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This week Phyllis Lambert, widely considered to be among the most influential figures in architecture, turned 90. Known primarily for founding the Canadian Centre for Architecture (CCA) in her hometown of Montrèal in 1979, she also acted as Director of Planning for the world-renowned Seagram Building in Manhattan (a tower commissioned by her family). The project is often cited as one of Mies van der Rohe's most important built works. As a practising architect, Lambert designed the Saidye Bronfman Centre (1967) – a performing arts center named after her mother.

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The Ford Foundation is about to undergo a massive $190 million renovation. Led by Gensler, the project will "modernize" the landmark building and expand its spaces "for convening and creating a global center for philanthropy and civil society."

Originally designed by Kevin Roche and John Dinkeloo, the Ford Foundation is considered to be one of modern architecture's most iconic buildings. "That rarity, a building aware of its world," New York Times architecture critic Ada Louise Huxtable once described, following the building's opening in 1967.

The Sarasota Architectural Foundation (SAF) has announced that a replica of Paul Rudolph’s Walker Guest House will be constructed at the John and Mable Ringling Museum of Art in Sarasota, Florida. It is hoped the iconic, 24' x 24' vacation cottage will be opened to the public by 2015, after which it will be disassembled and transported to select museums around the country.

More information about the Walker Guest House, after the break...

Located on a small and irregular shaped island at Columbus Circle, one of the busiest intersections in Manhattan, lies 2 Columbus Circle, formerly known as the Gallery of Modern Art. Famously described as a “die-cut Venetian palazzo on lollipops” by Ada Louise Huxtable, the New York Times architecture critic at the time, the 10-story poured concrete structure has been a source of consistent controversy and public response since the 1960s. Designed by Edward Durell Stone, an early proponent of American modern architecture, 2 Columbus Circle represents a turning point in his career. Uncharacteristic of Stone’s prior work, his use of ornament on an otherwise modern structure can be seen as an important precedent of the development of the soon-to-emerge Postmodern movement.

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Kevin Roche and John Dinkeloo established their own practice in 1966, after heading the firm of Eero Saarinen for several years. The Ford Foundation Headquarters is regarded as the pair's first major success, a combination of Roche's unique ideals and Dinkeloo's innovative structural solutions. They introduced an office typology in which employee interaction extended beyond departments and levels, reaching even to the public.

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