Muz Yer, a permanent public exhibition in Rennes, France, has invited 8 internationally-renowned architects to design birdhouses that highlight the relationship between contemporary architecture and nature. Each birdhouse serves as a response to one or more of the 13 bird species designated by the Birds Protection Committee (Ligue pour la Protection des Oiseaux - LPO), and raises awareness of the architectural heritage of Rennes and its urban ecology. The list of exhibitors includes Julien De Smedt Architects, ADEPT, a/LTA, Duncan Lewis, Marion Normand, Kengo Kuma & Associates, Tham & Videgard, and Dominique Perrault Architects & Gaëlle Lauriot-Prévost Design.
Dominique Perrault Architecture
8 Renowned Architects Design Birdhouses to Explore the Relationship between Architecture and Nature
Dominique Perrault Designs Athletes' Village for Paris 2024 Olympics
French architect Dominique Perrault has revealed the new masterplan and vision for the Paris 2024 Olympic and Paralympic village. Located in the city's Seine-Saint-Denis district, the village was designed to integrate with the existing urban fabric along the banks of the river. Combining housing and offices with diverse programs, the project spans over 119,000 square meters across its entirety. At the conclusion of the games, the village is designed to become a new permanent community in Paris.
The Pont de Sèrves Towers – Citylights Renovation / Dominique Perrault Architecture
-
Architects: Dominique Perrault Architecture
- Area: 919230 m²
- Year: 2016
-
Manufacturers: Alucobond
AD Classics: National Library of France / Dominique Perrault Architecture
On the banks of the river Seine, just east of the Île de la Cité and downtown Paris, stand the four glittering towers of the National Library of France. Bent around the outskirts of a public esplanade, these towers are Dominique Perrault’s modern take on the age-old Parisian tradition of monumental public architecture. The project is both volume and void, enclosure and exposure, a juxtaposition of contrasting ideas that is as reverent of its place in a thousand-year-old legacy as it is deliberately self-critical.