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Architects: Ney & Partners, William Matthews Associates
- Year: 2019
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Professionals: Nicholas Pearson Associates, Faithful & Gould, HRW Engineers, CSJ Planning
David Levene
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Tintagel Castle Footbridge / Ney & Partners + William Matthews Associates
https://www.archdaily.com/970353/tintagel-castle-footbridge-ney-and-partners-plus-william-matthews-associatesPaula Pintos
Functionality and Aesthetics: Examples of Ceiling Systems in Architectural Projects
The ceiling is an important element in architecture and interior design, combining functionality with aesthetics through different materials that add layers of texture and color, providing quality and comfort in interior spaces as well as a protective surface for other building systems.
https://www.archdaily.com/965412/functionality-and-aesthetics-examples-of-ceiling-systems-in-architectural-projectsGiovana Martino
Carsten Höller's "Decision" (Including the 4-Story-High "Isometric Slides") Opens at London's Hayward Gallery
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Today, London's Hayward Gallery at the Southbank Centre has opened a major exhibition of the work of Carsten Höller, the artist who is best-known for playfully inserting his slide installations into major galleries worldwide. Titled Carsten Höller Decision, the exhibition features works from throughout Höller's career, as well as a number of new works created especially for the show - not least Isometric Slides, his latest slide installation that gives gallery visitors the option of leaving the exhibition at speed from the Hayward Gallery's pyramidal roof lights.
.jpg?1433944513 "Flying Mushrooms, 2015. Image © Linda Nylind")
.jpg?1433943325 "Two Flying Machines, 2015. Image © Ela Bialkowska, OKNO studio")
https://www.archdaily.com/640839/carsten-holler-s-decision-including-the-4-story-high-isometric-slides-opens-at-london-s-hayward-galleryRory Stott
Reflections on the 2014 Venice Biennale
Fundamentals, the title of the 2014 Venice Biennale, will close its doors in a matter of days (on the 23rd November). From the moment Rem Koolhaas revealed the title for this year’s Biennale in January 2013, asking national curators to respond directly to the theme of ‘Absorbing Modernity 1914-2014’, there was an inkling that this Biennale would be in some way special. Having rejected offers to direct the Biennale in the past, the fact that Koolhaas chose to act not only as curator but also thematic co-ordinator of the complete international effort, was significant. This announcement led Peter Eisenman (one of Koolhaas' earliest tutors and advocates) to state in one interview that “[Rem is] stating his end: the end of [his] career, the end of [his] hegemony, the end of [his] mythology, the end of everything, the end of architecture.”
https://www.archdaily.com/568233/reflections-on-the-2014-venice-biennaleJames Taylor-Foster