In the western part of Bogotá, between Calle 80 and the Juan Amarillo Wetland, lies one of the most interesting urban and architectural projects in the history of Colombia: the Ciudadela Colsubsidio. Created in 1983 as a response to Law 21 of 1982, which required social security organizations to provide housing for their members. Colsubsidio, the project manager, hired Germán Samper to tackle a 130-hectare plot located between two well-established neighborhoods (Santa Bárbara and Bolivia). The challenge was to connect these neighborhoods while creating a citadel that would consolidate various essential services for a population that, due to its geographical location, was distant from the center of Bogotá.

The challenge Samper faced was to develop a clear urban structure that would articulate the existing neighborhoods along the east-west axis and, along the north-south axis, connect the Juan Amarillo Wetland with Calle 80, the main road that would serve the entire neighborhood. From the initial design, it was evident that the architect was concerned with creating and developing a spatial experience for the residents, where the neighborhood itself would be the manager of spaces that directly integrate daily life with architecture, responsible for defining the spatial boundaries they aimed to create.

In the mid-20th century, in the heart of Bogotá, Colombia, one of the greatest architectural landmarks in the history of this city was taking shape. At that time, Luis Ángel Arango, the manager of the Banco de la República, began to work on establishing a library to house the collection of books that the bank had been acquiring over 30 years and which continued to grow. It was then that the firm Esguerra Sáenz and Samper appeared on the scene, to whom the design of this space was attributed, created in several stages over a span of twenty years.

Germán Samper is one of the freshest minds in the country, despite his advanced age. Even after all these years, it is possible to see with great skill how his genius remains as relevant today as it was half a century ago, and the Biblioteca Luis Ángel Arango is a perfect example of the aesthetics, urban integration, and respect for scale that characterize this architect so much.

Talking about the Gold Museum means discussing an ambitious project resolved through simple design principles and sobriety. Inaugurated in 1968, this building, located on the eastern side of Santander Park, aims to establish itself as a humble capsule that intrigues visitors and takes them on a captivating journey through the world of Colombian artisanal skills.

The Gold Museum establishes an architectural parallelism with the Church of San Francisco de Asis (1567) located across the street, conveying the raw purity of the material in front of the city through the expression of its facades,  ultimately leading to the radiant burst of light that emanates from the very heart of the volume.

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