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Light serves an essential purpose in architecture: to help us see. Whether it be through natural or artificial methods, rooms must be illuminated accordingly so occupants can safely inhabit them and fulfill their daily functions. When the right system is selected, light can also contribute to energy efficiency and sustainability within the building as a whole. However, apart from its evident functional and environmental value, lighting design can vastly impact the visual comfort and aesthetic tone of interiors by drawing attention to textures, enhancing colors and defining volumes. Therefore, of the many pieces involved in interior design, lighting is certainly one that can enhance or destroy a space and even affect users’ well-being, which is why it should be considered a crucial design element by itself.

It is easy to show cool images of adaptive reuse. The contrast of living history and control over it makes for dynamic visuals. But there is a deeper meaning to adaptive reuse. Architecture embodies humanity and humanity changes, so our buildings change.

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Design and the City is a podcast by reSITE, raising questions and proposing solutions for the city of the future. In the sixth episode, Marianthi Tatari, Associate Director and Senior Architect at UNStudio, talks about creating inclusive spaces to connect people and generating 24/7 activity within their projects.

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The career of British architect David Chipperfield (born 18 December 1953) has spanned decades and continents as an architect, designer and professor. Since 1984, he has been at the helm of David Chipperfield Architects, an award winning firm with over 180 staff at offices in London, Berlin, Milan, and Shanghai. Chipperfield is an honorary fellow of the American Institute of Architects and Germany's Bund Deutscher Architekten, and was appointed a Commander of the Order of the British Empire (CBE) in 2004. In 2012, Chipperfield curated the Venice Biennale of Architecture under the theme Common Ground.

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Perhaps the most renowned 'skylight' ever built is the Pantheon of Rome commissioned by Marco Vipsanius Agrippa during the reign of Emperor Augustus (27 BC-14 AD) and rebuilt by Hadrian (117-118) around 126 AD. At the highest point of its dome (in this case, the oculus) the sunlight shines, casting its beams over the various statues of planetary deities that occupy the niches on the walls. The light that enters the space symbolizes a cosmic, sacred dimension. In projects around the world, natural light continues to fulfill this scenic role, especially in religious projects.

It is characterized as zenithal illumination as that which comes from above, from the sky (zenith). Very useful for large spaces that can not be adequately lit by windows, skylights are a widely used device for providing a pleasant, diffuse light. Generally, care is taken to prevent direct entry of sunlight; the openings must be well designed so that they do not overheat the space of allow water infiltration. Below is a collection of projects that make good use of this technique.

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Videos

The European Commission and the Mies van der Rohe Foundation have announced the 40 shortlisted works that will compete for the 2019 European Union Prize for Contemporary Architecture – Mies van der Rohe Award. The Prize, for which ArchDaily is a media partner, has seen a jury distill 383 nominated works into a 40-project-strong shortlist, celebrating the trends and opportunities in adaptive reuse, housing, and culture across Europe.