Want to know how BIG's VIA 57 West was designed? Let Bjarke Ingels explain it you himself in this new 360 degree video from creative production house Squint/Opera.
Shot in incredible 4K video, the video uses motion graphics and CGI overlays to take you through the building's construction while Ingels provides commentary on the design of the"courtscraper," winner of the 2016 International Highrise Award.
Update: We've added links to help you find these books for purchase and, in 5 of 8 cases, tracked down a way you can read them online for free!
Quality over quantity, so the saying goes. With so many concepts floating around the architectural profession, it can be difficult to keep up with all the ideas which you're expected to know. But in architecture and elsewhere, the most memorable ideas are often the ones that can be condensed textually: “form follows function,” “less is more,” “less is a bore.” Though slightly longer than three words, the following lists a selection of texts that don’t take too long to read, but impart long-lasting lessons, offering you the opportunity to fill gaps in your knowledge quickly and efficiently. Covering everything from loos to Adolf Loos, the public to the domestic, and color to phenomenology, read on for eight texts to place on your reading list:
Launched in 2007, The Buckminster Fuller Challenge has quickly gained a reputation for being what Metropolis Magazine once called “Socially-Responsible Design’s Highest Award.” This year, for the first time, a Student Category was reviewed separately from the general applications, however still based upon the same criteria: comprehensiveness, feasibility, replicability, ecological responsibility, and how verifiable and anticipatory the project is. Students from the Centre for Human Habitat and Alternative Technology (CHHAT) claimed the prize with their adaptable and lightweight modular domes, made from natural, local or recycled materials.
Geography and climate are two important conditions that determine how people can live in a certain environment. When we add to this the cultural characteristics of a region, what appears, as Carl Sauer would say, is a "cultural landscape," a result of humankind’s settlement and adaptation to the territory. When architecture adopts a sensitivity to these conditions, and concerns itself with what the environment offers, living conditions take on a quality of lasting comfort.
Mental Canvas is not the first software that attempts to save the act of sketching--we have seen 3D "sketching" tools such as SketchUp, as well as applications that simply simulate sketching on paper, such as Morpholio's popular range of sketching apps. But what makes Mental Canvas revolutionary is that you have the ability to sketch freely in a three-dimensional space without the constraints of traditional CAD modelling; it’s what Julie Dorsey, founder of Mental Canvas, calls a "graphical media"; not fully flat but not fully 3D. The software will be released later this year on Microsoft Surface devices, including the recently announced Surface Studio, working with the hardware of the Surface computers and the Surface Dial to provide a natural sketching experience on a virtual canvas.
Maybe with the sole exception of railway stations, public space is generally understood as outdoor space. Whether in the United States or in Europe, especially now with heightened concerns around security, there seems to be this determined way of privatizing everything that is indoors, even as we are increasingly aiming to improve access to public space outdoors. But in the layered systems of our cities of the future, we will need to focus on the public spaces that are found inside buildings—and make them accessible.
BIG and French studio Silvio d'Ascia have been selected to design the new Pont de Bondy metro station in Paris. The station is the latest design to be announced as part of the Société du Grand París’ Grand Paris Express project, which is seeking to modernize the existing transport network through the addition of nearly 200 kilometers of rail lines and a series of architect-designed stations throughout the city.
Traditional 3D models made up of surfaces have for a long time aided us in visualizing buildings and spaces, but they often come at a cost: large models require a lot of storage and processing power, and can become incredibly complex to the point where they are difficult to navigate. As a part of our Selected by Sketchfab series, Sketchfab has their eye on a more efficient, increasingly common method of capturing architectural spaces; namely, point clouds. Point clouds are made up of a set of points located in a three-dimensional coordinate system, that when put together merely give an impression of the surface of an object, or the façade of a building.
The method is fairly simple. The collection of data points is generated by a 3D scanner that rotates while emitting a laser that measures the distance to points on surrounding surfaces. This data can then be converted into a polygonal model that can be rendered like any other 3D model. However, the advantages of keeping the scan in point form are what makes it great; the file sizes are much smaller, and the porosity of the point clouds make it possible to see through walls and surfaces, accessing "hidden" spaces and uncommon views of seemingly familiar surroundings. Read on to find out more about the possibilities and advantages that come with point cloud modelling.
This article was originally published by Metropolis Magazine as "Q&A: Steven Holl."
For twenty years, Maggie's Centres have been providing cancer treatment to patients within thoughtful, beautiful spaces designed by renowned architects like Rem Koolhaas, Frank Gehry, and Zaha Hadid. Steven Holl's Maggie's Center Barts, located adjacent to St. Bartholomew’s Hospital in central London, is slated to open at the end of this year. While the design has been somewhat controversial in the UK due to its contemporary nature, the cancer care facility incorporates innovative lighting, sustainable materials, and a compact structure in a way that is—according to the architect—entirely complementary to its historical neighbors. We spoke with the renowned architect to learn more about the project and what it has meant to him over the past four years.
Completing a degree in architecture can be a long and arduous process, but also wonderfully rewarding. Despite this, many freshly graduated architects find themselves unsure about where to begin, or deciding that they actually don’t want to be architects at all. Here is a list of 21 careers you can pursue with a degree in architecture, which may help some overcome the daunting task of beginning to think about and plan for the professional life that awaits.
Floor plans of favourite television shows tell an interesting story, offering the viewer an extra dimension of a world they are already familiar with. A new series of poster-ready plans from Homes.com continues this with some of the most followed television shows both old and new—featuring Gilmore Girls, Buffy the Vampire Slayer, Arrested Development, Breaking Bad, Mr Robot, It's Always Sunny in Philadelphia, Sherlock and Stranger Things, there's something in this set for TV viewers of all tastes.
The Plaza of Herzog & de Meuron’s Elbphilharmonie has opened to the public. The concert hall’s observation deck, located 37 meters (121 feet) above ground level, is designed around a public square concept and is accessed via a 82 meter (269 foot) long, curving escalator, providing visitors to panoramic views of the city and harbor.
To mark the event, the Elbphilharmonie has released a new set of photographs by Iwan Baan, showing off the newly completed interior spaces. The full building is set to officially open to the public on January 11 and 12, 2017.
The Council on Tall Buildings and Urban Habitat (CTBUH) has named Gensler’s Shanghai Tower as the 2016 Best Tall Building Worldwide, citing its “innovative design scheme in traditional Shanghainese architectural traditions.” The building was selected from among four regional winners, which included BIG’s VIA 57 West (Americas), Jean Nouvel’s The White Walls (Europe) and Orange Architects’ The Cube (Africa).
Elected in 2001, over eight years in office Miami's former mayor Manny Diaz oversaw one of the most dramatic urban transformations in the United States' history. Diaz was therefore invited to offer the opening remarks to the second day of the 2016 Design Matters Conference, presented by the Association of Architecture Organizations, which is currently taking place in the city. In his speech delivered at the Miami Center for Art and Design, Diaz explains how he developed the "Miami 21" zoning code to leverage the power of architecture and urban planning, ultimately turning Miami from a subject of jokes into one of the United States' most successful and admired cities. Below is an edited version of this speech.
Ron asked me to explain how a lawyer with no experience in elective office and with no training whatsoever in architecture, urban planning or city design ends up with land use and Miami 21 as the signature project of his administration.
Jeanne Gang, the founder of Studio Gang Architects, has made a name for herself as a designer who can design both show-stopping skyscrapers and sensitive small-scale buildings. From her breakout 2009 Aqua Tower project, to the hypothetical “Polis Station” proposal presented at last year's Chicago Architecture Biennial, Gang has established herself as perhaps Chicago's leading architect.
Gang is also included as part of Vladimir Belogolovsky's ongoing City of Ideas exhibition tour, representing Chicago among 9 other significant architects, each from a different global city. With the exhibition currently in Gang's home city at the Chicago Design Museum until February 25th, here as part of his City of Ideas column on ArchDaily Belogolovsky presents a shortened version of the interview featured in the exhibition.
Just the weekend before I had been thinking that I should write something about BIG. For weeks, one spectacular and interesting project after another had been popping up on Bjarke’s, Kai-Uwe Bergmann’s and a couple of others’ Facebook pages.
Welcome to the fourth installment of The Long(ish) Read: an AD feature which presents texts written by notable essayists that resonate with contemporary architecture, interior architecture, urbanism or landscape design. Ornament and Crime began as a lecture delivered by Adolf Loos in 1910 in response to a time (the late 19th and early 20th Centuries) and a place (Vienna), in which Art Nouveau was the status quo.
Loos used the essay as a vehicle to explain his distain of "ornament" in favour of "smooth and previous surfaces," partly because the former, to him, caused objects and buildings to become unfashionable sooner, and therefore obsolete. This—the effort wasted in designing and creating superfluous ornament, that is—he saw as nothing short of a "crime." The ideas embodied in this essay were forerunners to the Modern movement, including practices that would eventually be at core of the Bauhaus in Weimar.