Polished concrete is a versatile material that is easily customizable in its appearance, using stunning aggregates, quartz, and colors to create a sense of industrial sophistication in both homes and commercial buildings. Its reflective surface creates an evocative quality under light, which can be suitable for a variety of programs.

While still mainly used as a material for interior flooring, architects have been pushing the limits of polished concrete for years, using it for feature walls, patio floors and even large exterior panels such as in David Chipperfield’s extension to the Saint Louis Art Museum.

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KTK-BELT Studio, a not-for-profit organization based in rural Nepal, is currently working with local communities to create a fascinating "Vertical University," which will teach students about biodiversity and environmental conservation in 6 "living classrooms" positioned along a vertical forest corridor that stretches from 67 meters above sea level to the top of an 8,856-meter peak. These 6 stops encapsulate the 5 climatic zones of Eastern Nepal: tropical, subtropical, temperate, subarctic and arctic.

The project explores the specific impacts of climate change in each climatic zone, creating “classrooms” where students can walk from Koshi Tappu to Mt. Kanchenjunga, the third tallest peak in the world, and learn onsite from indigenous farmers about the biological diversity of each area. By teaching place-based skills in these micro-conservation hubs, the project aims to conserve and activate local knowledge. Each of these “classrooms” responds to the visual and cultural cues of its unique landscape, with one campus focusing on a flood-proof design in a heavy monsoon area, and another mimicking the semi-nomadic lifestyle of local yak-herders.

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The dream of universal affordable housing has been an idea tried and tested by architects throughout history. From the wacky Dymaxion House by Buckminster Fuller, an imagining of how we would live in the future, to mail-order houses able to be assembled like IKEA furniture, many proposals have tackled the challenge of creating affordable housing or dwellings which could be replicated no matter the time and place. However, although their use of techniques such as pre-fabrication and cheap materials seemed, in theory, to be able to solve pressing issues of homelessness and the global housing crisis, time and time again these proposals have simply failed to take off. But why?

IKEA’s research lab SPACE10 is attempting to find an answer to this question through open-source collaboration. By releasing their design of a micro-house that used only one material and one machine to make it and an accompanying website that catalogs the process and invites feedback, they are inviting architects, designers, and aspiring home-owners to work together in creating a solution which could improve the lives of millions. “The vision,” they say, “is that by leveraging the world’s collective creativity and expertise, we can make low-cost, sustainable and modular houses available to anyone and, as a result, democratize the homes of tomorrow.”

Some of the greatest architectural works throughout history have been the result of religion, driven by the need to construct spaces where humanity could be one step closer to a higher power. With more people choosing a secular lifestyle than ever before, are the effects that these buildings convey—timelessness, awe, silence and devotion, what Louis Kahn called the “immeasurable” and Le Corbusier called the “ineffable”—no longer relevant?

With the Vatican’s proposal for the 2018 Venice Biennale, described as “a sort of pilgrimage that is not only religious but also secular,” it is clear that the role of "religious" spaces is changing from the iconography of organized religion to ambiguous spaces that reflect the idea of "spirituality" as a whole.

So what does this mean? Is there still a key role for spirituality in architecture? Is it possible to create spaces for those of different faiths and those without faith at all? And what makes a space "spiritual" in the first place?

What is the role of sound and acoustics in the work of leading architecture practices? In February this year, reSITE and MAAT in collaboration with Meyer Sound hosted RESONATE: Thinking Sound and Space, a conference focused exclusively on the intersection of architecture and sound.

Elizabeth Diller of Diller Scofidio + Renfro, Snøhetta's Kjetil Trædal Thorsen, Michael Jones from Foster + Partners, the founders of Meyer Sound, and the pioneer of sound art Bernhard Leitner spoke with reSITE and Canal 180 at MAAT Museum in Lisbon, Portugal. Below are the 4 episodes in the series, where they discuss the role of sound in designing cultural venues and concert halls and the changing role of the architect in an age of specialization:

Tiny houses have become popular in recent years as housing prices continue to soar. Whether as an off-the-grid retreat or a way to live more simply and economically, tiny homes offer a more flexible way to live. They are even being used by charity organizations such as the Tiny Homes Foundation in Australia as a way to tackle the issue of homelessness in cities and the need for social housing. As the popularity and need for tiny homes become ever more prevalent, knowing the necessary skills to design a tiny house for yourself or a client is a useful skill to have.

Below are 6 tips to keep in mind when designing and building a tiny house:

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Videos

Unproductive meetings attempting to work with drawings that have been printed at the wrong scale, not dimensioned, or in a unit of measurement you’re not comfortable with is a frustration we can all relate to. These frustrations are what inspired one designer to create the Smart Scale Ruler, a physical, digitalized ruler that changes to suit your chosen unit of measurement or even work to a scale that doesn’t exist.

Andres Gallardo, a self-taught photographer from Spain, captures the poetry and theatricality of MAD Architects' Harbin Opera House in a series of photos which display the building's undulating interiors and the sense of ethereal calm it takes on through the night—and through the snowstorm that took place between Gallardo's two photoshoots.

A winner of ArchDaily's Building of the Year Awards in 2016, the Harbin Opera House is inspired by the frozen wilderness of its surrounds and is saturated in local identity, culture, and art. The sculpted forms seem to grow and emerge from the snow, leading one into its poetic stillness within. Gallardo's photo series highlights the beauty in its stillness, as if the serpentine forms of the architecture have been frozen in time and are waiting to move once more.

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