Victor Delaqua holds a Master's degree from FAUUSP (São Paulo). He is an architect and urban planner from UFSC (Florianópolis) and studied at the Polytechnic University of Valencia. A contributor to ArchDaily since 2012, he is a Content and Community & Social Media editor. Professionally, he also works in exhibition and set design.
In this episode of “Behind the Scenes”, where we showcase the work of visionary photographers and ask about their experiences beyond what is seen by the public, we present Pablo Casals Aguirre, an architect, professor, photographer, and filmmaker based in Santiago, Chile. Here, he shares his methodology, which he developed with references to cinema, and highlights his intentions of translating the best architectural works into imagery - be it still or in movement.
Another year comes to an end and with it, another round up that explores the most important events that took place over the past twelve months. In this article, we look into the photos that received the most interactions (likes, comments, shares, and saves) on ArchDaily's Instagram.
When crossing a space, a body carries within it many meanings. The reading that translates into this person-architecture dialogue, and the sensations that arise from it, demonstrate much of the social inequality and violent structures intrinsic to the Western imagination, which privileges the same standard: the white man. Finding a place of rebalancing in which it is possible to create an alternation of power —in race and gender - is a commitment by Erica Malunguinho.
The concept of equity is different from equality; equity means everyone needs support, but not necessarily in the same way. Therefore, the concept of urban equity allows us to preserve the uniqueness of each region of a municipality, protecting diversity and richness without overlooking infrastructure needs, which directly affect the quality of public space and the basic services required for a private residence - it allows us to design and invest in the city fairly, regardless of the region.
Curtains can provide a freer and more dynamic flow in architecture. These elements are usually intended to protect the interior from sunlight or create visual privacy, but they are also used as decoration or as room dividers. Since they are very movable and flexible, curtains are becoming a popular choice for architects and interior designers, creating layers between interior and exterior spaces that transform the environment through light and shade. Here, we have gathered some examples of projects that use curtains, particularly in the facades, showing how this solution can affect the overall impression of the design.
Efficiency in the construction site by reducing waste and lowering costs, improving safety through better planning, and introducing machines to assist in the construction and design process. These benefits can be achieved through automation in architecture, but for technology to reach this point of empowering and supporting creativity while also improving efficiency, we have come a long way. To understand how automation developed and the prospects it offers for architecture, here is a brief timeline.
When designing community spaces, the architectural concept can easily clash with the user's experience. Therefore, engaging the community and future users in the project development and design process is a way of adding different perspectives to the architect's vision towards a more intelligent architecture.
In this episode of “Behind the Scenes”, where we showcase the work of visionary photographers and ask about their experiences beyond what is seen by the public, we are presenting Niveditaa Gupta, an architectural photographer, and filmmaker based in New Delhi, India. Through her photos, she looks to create visuals that can prompt a discourse about architecture itself.
Rendering has become indispensable to most architectural offices. To understand how these images can assist during the design process, how they have evolved, and especially, what aspects should be considered to create an outstanding visualization of a project, we talked to Guilherme Bravin and Marcus Vinicius Damon, co-founders of Estúdio Módulo, and coordinators of {CURA}, an open architecture school focused mainly on architectural visualization.
In this episode of “Behind the Scenes”, where we showcase the work of visionary artists and ask about their experiences beyond what is seen by the public, we are presenting Nicolás Castagnola: an illustrator, animator, and architect born in Buenos Aires and based in Berlin. Through his illustrations and animations, he brings different meanings to architecture by opening an imaginative field about the infinite possibilities that the built environment can provide.
At ArchDaily, we always aspire to provide our community with all the tools and knowledge to help imagine, design, and build better cities. In order to bring inspiration and present more about what goes on beyond a complete project, we are launching a new series titled “Behind the Scenes”, where we showcase the work of visionary photographers, artists, and curators, and ask some questions that allow them to share more of what they do with the world. In every episode, we will be sharing with you the answers, along with images and videos of their work.
Kicking off the series is London-based architectural photographer Edmund Sumner.
With a formal and material approach that differs from the scenarios we usually find in Architecture, Lacaton & Vassal —a French practice that marks its influence in contemporary times by being awarded the Pritzker Prize 2021— brings an open and generous vision to the field.
The climate crisis has revealed the poor planning of our cities and the spaces we inhabit. Both construction and projects contribute to high carbon gas emissions. Fortunately, there are several ways to intervene to bring change into this scenario, either through materials and techniques adopted in each initiative or through geographical and social impact. In this scenario, the only certainty is that: to think about the future we cannot ignore the "green" in all its recent meanings from nature to sustainability, and ecology.
In a year marked by physical distance, social networks have gained an even greater dimension in the ways of relating to people and getting informed. Our channel on Instagram has surpassed its number of reach and brought to the public the best of what we publish on our page: projects, articles, interviews, and news from the world of architecture, inspiring new ideas and tools for a better future to our cities.
Understanding the relationship between body and space is fundamental to offer the many different experiences that architecture can provide. To reflect on the distinctive scales that encompass the work of an architect, from buildings to furniture, we interviewed Marcelo Ferraz, co-founder of Brasil Arquitetura and Marcenaria Baraúna. His outlook and experience illustrate how the body and its symbolism are crucial when designing a project regardless of its scale.
Approaching the context of widening political divides and growing economic inequalities. A new spatial contract. Learning how will we live together. These thoughts brought by Hashim Sarkis, curator of the 17th International Architecture Exhibition of Venice Biennale 2021, may raise important questions about how architecture crosses and materializes social and political conflicts. To understand a more decentralized point of view, which indicates possibilities other than those dictated by normative mindsets, we interviewed Tainá de Paula, a Brazilian architect and community mobilizer in poor suburban areas.
Nowadays, architecture museums, galleries, publishing houses, foundations, and experimental laboratories all have rooms to show their backstage, bringing about debates and proposals of the future of architecture. This is all part of Future Architecture Rooms, a project launched early this week on the Future Architecture Platform which showcases a collection of online spaces, each hosted by one institution and one member of the platform. We talked with the concept curator, Anastassia Smirnova (SVESMI) to better understand how the idea behind this project emerged, and what innovations it can present in the way of working on exhibitions and architecture.
Inspired by vernacular architecture, Kathryn Larsen is a bio-based designer working with seaweed. Throughout her career, she has been doing an intensive investigation into eel-grass, a material that has been used for centuries around the world. Larsen wants to apply all the benefits of this material (rot resistance, fire resistance, non-toxic, insulation characteristics comparable to mineral wool, and its ability to create carbon negative buildings) into prefabrication development and other technologies that enable the creation of new cladding and other elements, such as insulation batt and acoustic panels.
During the latest Design Indaba Festival, we had the chance to interview Kathryn. Read the interview and learn more about her work below.
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0019_BB.jpg?1616694314 "Naila House. © Edmund Sumner")
