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A journey through the legacy of Eileen Gray and her most famous house in the French Riviera, "E.1027 – Eileen Gray and the House by the Sea," by directors Beatrice Minger and Christoph Schaub, invites viewers into the layered legacy of the pioneering Irish architect and her unique vision of modernism. Designed in the late 1920s, the villa not only embodies Gray's architectural genius but also bears the shadow of an uneasy narrative involving Le Corbusier and Jean Badovici. Through their docufiction, Minger and Schaub illuminate Gray's groundbreaking work and critique the prevailing narratives of male dominance in modernist history.

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Born in Brazil and educated in Paraguay, Gloria Cabral is an architect who early on learned that home can be many places—or none at all. Guided by a comprehensive understanding of the geography, culture, and social conditions of the places she designs, she has left her mark on buildings and artistic installations constructed in various locations, from Assumption to Venice.

Besides her interest in the specificities of the places where she operates, Gloria focuses on resource economy and material reuse — a trending theme that Gloria has championed for over fifteen years. We had the opportunity to speak with the architect about her experiences in Paraguay and Brazil, some of her works involving recycled brick, and her insights into architecture and sustainability.

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As tragic as they may be, crises often foster adaptability and resilience. In architecture, they challenge professionals to adapt their production to smaller and less frequent orders. That is the case of Diogo Aguiar Studio, a Portuguese studio based in Porto founded in 2016, in the recovery from a profound economic crisis, which, since its emergence, has been forced to reinvent ways of operating within the field of architecture.

Interested in varied scales and typologies, the studio works between the fields of architecture and art, carrying out small-scale architectural projects and spatial installations, temporary or not, for public spaces. Formed by Diogo Aguiar, Daniel Mudrák, Adalgisa Lopes, João Teixeira, Cláudia Ricciuti, and Marta Bednarczyk, the studio bases its practice on the belief that "there are no small projects and, above all, that there are no smaller projects." The ability to respond inventively to diverse demands and contexts earned the studio a place on ArchDaily's 2023 Best New Practices list.

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Architect, researcher, and architectural theorist Anthony Vidler passed away last night, on October 20, 2023, at the age of 82, according to Princeton University School of Architecture. Vidler had a distinguished career at the prestigious institution, where he served as the inaugural director of the Doctoral Program in History and Theory. His passion for architecture, nurtured in Essex, England, led him to earn both an undergraduate and a master's degree in architecture at the University of Cambridge. Later, he obtained a doctorate in Architectural History and Theory from Delft University of Technology. His influential career spanned over 50 years, leaving a profound impact on architectural research and education.

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Ailton Krenak is a renowned environmentalist, philosopher, writer, and poet who holds honorary doctorates from the Federal University of Minas Gerais and the Federal University of Juiz de Fora. As an Indigenous leader, he played a pivotal role in advocating for Indigenous Rights, which were eventually enshrined in the 1988 Constitution of Brazil. His profound ideas have been disseminated through lectures, educational courses, and books, including notable works such as Ideas to Postpone the End of the World, Life is not Useful, and Ancestral Future.

Krenak has a unique talent for transforming his life experiences into profound concepts, which he conveys through oral and poetic language. His worldview blurs the boundaries between landscapes, human beings, animals, rivers, and mountains. He strongly advocates for a reassessment of our lifestyle, emphasizing the importance of 'breaking up the ground to allow the channeled waters to resurface.' On September 5th, he participated in a discussion in São Paulo during the Archtrends Summit 2023, organized by Portobello. During this event, he shared his insights on topics such as cities, forests, and the future of our planet.

The Portuguese architect Eduardo Souto de Moura will receive yet another international recognition for his career. On October 20th, the Circle of Fine Arts of Madrid or Círculo de Bellas Artes de Madrid (CBA) will award the architect the Gold Medal, its highest distinction. This tribute not only adds to Souto de Moura's extensive list of accolades, which includes the 2011 Pritzker Prize and the 2013 Wolf Prize, among others but also represents an expression of appreciation from the world of culture and the arts for a career and body of work that transcend architecture and "reach the dimension of poetry through the acceptance of the technical demands of buildings

Architect, critic, and curator Jean-Louis Cohen passed away at the age of 74 yesterday, August 7. Recognized for his extensive research in the field of modern architecture and urban planning, he held the Sheldon H. Solow Chair of Architectural History at New York University since 1994.

Cohen served as a curator for various prestigious exhibitions, including some held at the Museum of Modern Art, the Canadian Centre for Architecture, the Centre Georges Pompidou, the Cité de l'Architecture et du Patrimoine, and the MAXXI. More recently, alongside Brazilian researcher Vanessa Grossman, he curated the exhibition "Geografias Construídas: Paulo Mendes da Rocha," which opened in May at the Casa da Arquitectura in Portugal.

Pedrógão Grande, a Portuguese municipality located approximately 55 kilometers from Coimbra, inaugurated the Memorial in Homage to the Victims of the 2017 Forest Fires last week. This tragic event resulted in the loss of 66 lives and left 253 injured. The monument was designed by architect Eduardo Souto de Moura, winner of the 2011 Pritzker Prize.

The work, initiated by Infraestruturas de Portugal (IP) two years ago, cost approximately 1.8 million Euros. According to IP, the monument features a framing lake spanning about 2,500 square meters in area. The lake is supplied by a 60-meter-long gargoyle and bordered by a strip of plants, including white water lilies, lilies, and ranunculus. Additionally, the project incorporates a wall with the name of each victim inscribed on it, according to IP.

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More than ten thousand kilometers away from the capital Brasilia, a jewel of Brazilian modern architecture overlooks the Mediterranean Sea. Located in another Brasilia, a district in Beirut named after the Brazilian capital, the Residence of the Ambassador of Brazil in Lebanon, designed by Olavo Redig de Campos, combines tropical modernism with elements of Middle Eastern culture.

For the first time, the house will be open to the public through guided tours focused on historical heritage. Geared towards architecture, design, and art professionals and students, the visits will be guided by Dr. George Arbid, director of the Arab Center for Architecture, a renowned institution in modern architecture in the region.

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Trans-scale is an interesting word. It can mean the passage from one scale to another, a shift in magnitudes. It can also mean the negation of the scale itself, the refusal to accept its physical limits. It is also the term used by Pedro Varella to describe the practice of gru.a (a group of architects), a Rio de Janeiro-based office of which he is a partner along with Caio Calafate. Supported by a tripod of design, education and research, gru.a has carried out a relevant set of works that have earned it recognition within and outside Brazil in just over ten years of work.

Nominated for the Mies Crown Hall Americas Prize (MCHAP) 2022 and the DÉBUT of the Lisbon Triennial 2019, gru.a also has two first-place trophies in the Tomie Ohtake AkzoNobel Architecture Prize (2015 and 2019), as well as awards in design competitions. More recently, in 2022, it was included in ArchDaily's list of best New Practices for a work based on resource economy that challenges the conventional limits of architecture and claims the possibility of being read as art.

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"The taste of the apple lies in the contact of the fruit with the palate, not in the fruit itself," Jorge Luis Borges once said. The taste is not something inherent in itself; its experience is the result of an encounter. Similarly, emotions are not contained within architecture, but are only felt through the encounter of the body with the space, when it becomes a place. How does the environment affect how we feel? This is the question that drives the duo of artists and filmmakers Ila Bêka and Louise Lemoine in their latest endeavor, the book "The Emotional Power of Space," which will be released on May 17th in an event preceding the opening of the Venice Architecture Biennale 2023.

Dismantling the system of slave and child labor in the architecture and construction industry does not seem like a simple task, especially on a global scale. However, this is precisely the mission of the Design for Freedom (DFF) initiative, created by CEO and founder of the Grace Farms Foundation, Sharon Prince, along with Bill Menking, professor and editor-in-chief of The Architect's Newspaper.

Through events and freely available tools, Design for Freedom seeks to "raise awareness and inspire responses to halt forced labor in the construction materials supply chain," offering paths to ensure transparency and ethics in the architectural production process.