In recent years, The Real Estate Show has established itself as the most important event for the real estate industry in Mexico and Latin America. Since its first edition in 2002, the prominent participation of public officials, business leaders, and international speakers has allowed attendees to learn firsthand about the decisions shaping the nation's course across various political, economic, and social spheres.
As it does every year, the Architecture and Society Foundation has opened registration for Campus Ultzama 2018.
The Fundación Universitaria de Popayán, through its Faculty of Architecture, in a strategic alliance with the Banco de la República, has been working to formulate high-level academic initiatives. These efforts deserve to be shared with the academic community and the general public, which has led to the second edition of the II Colombian Colloquium on Architecture and the City: "Landscape Architecture: The LIVING CITY," to be held on Thursday and Friday, April 12–13, at the Casa de la Moneda Convention Center in Popayán.
On Tuesday, August 28, the Museo de Artes Visuales (MAVI) will host the launch of ARQ magazine issue 99: Infrastructures, alongside the latest edition of the ARQDOCS series. The event will feature a keynote lecture by the author, Philip Ursprung, Chair of the Department of Architecture and Professor of the History of Art and Architecture at ETH Zurich.
The University Museum of Sciences and Art presents the exhibition For All, By All: Design and Public Space in Mexico City, running from March 3 to April 28, 2018, as part of the World Design Capital CDMX 2018 cultural agenda.
On Tuesday, February 27, at 11:30 AM, JUNJI will present the book "469 New Kindergartens: Innovative Architecture for Quality Education" in the main hall of the Centro Cultural Palacio La Moneda. From that day through Friday, March 2, a photography exhibition featuring 53 of these architectural works will also be on display.
Joining us from Mérida, Reyes Ríos + Larraín Arquitectos is a design studio based in Mérida, Yucatán, Mexico, founded by architect Salvador Reyes Ríos and restorer and landscape designer Josefina Larraín Lagos. Since 2000, the firm has dedicated itself to design and intervention projects involving historic haciendas, mansions, buildings, and heritage sites across various scales. Their new construction and restoration work is distinguished by its local and contemporary character, encompassing an integrated approach to architectural and interior design, furniture, landscaping, and construction management. The book Lugar, Materia y Pertenencia, published in two editions by Arquine in 2017, is the first monograph on their 20 years of work in Yucatán and other parts of Mexico.
UEPA (Unión de Estudiantes Por la Arquitectura) invites you to the fifth international congress, "Perspectiva 2018: Environmental Vision," taking place on May 22, 23, and 24, 2018, in Culiacán, Sinaloa. The event will focus on architecture, interior design, and urbanism.
Triptyque Architecture presents, for the first time, a series of 37 models at the Galeria SOMA in Curitiba.
The Pichincha Architects Association (CAE) and the Ecuador Architecture Archive Museum (MAE) present two exhibitions that offer a journey through the history and memory of architecture through subtle evocations.
The "Archivo Provisional" (Provisional Archive) exhibition initiates a research process centered on the Chilean Architecture and Urbanism Biennial. The exhibition aims to build a documentary body based on the architecture biennial—allowing it to be understood as a subject of historical research—and to share this documentation with both general and specialized audiences. It views the act of exhibiting as the construction of common goods for collective research into the intersection of architecture and the public sphere.
There are unavoidable issues in architectural practice. One of these is considering the "program" a project will have. Although it is almost always taken for granted, both the definition of the word and its impact on a project can lead to countless interpretations and variations. This edition of the Architectural Culture Lecture Series [CCCA] explores various practices and projects through this lens, aiming to reflect their overlooked complexity.
The institution is hosting an exhibition, a talk, an urban expedition, and a collective action designed to encourage the public to reflect on the influence of design in social environments.
Spanning 9 hours and held on Tuesdays—December 4, 11, and 18—the course "Great Themes in Architecture: Cities" will be taught by Professor Heloisa Dallari, an architect with a PhD in Architecture from the USP School of Architecture and Urbanism, a professor of undergraduate and graduate courses at FAAP, and a lecturer and consultant in Interior Design.
You are invited to the launch of our new book, "Tribunales. Sobre una Teoría Moderna." This publication examines the Tribunales building, also known as Tucapel, based on work produced during the final cycle of Proyecto Móvil. Under the title "Tucapel," this initiative established a dialogue between the building and the artists invited to exhibit.
As part of Gallery Weekend CDMX 2018, the joségarcía ,mx gallery presents the installation La voz de la materialidad, comprising an excerpt from Casa Palmas / DOSA STUDIO. The project challenges the necessity for architects to engage the public with construction processes through sensory experiences.
Juan Navarro Baldeweg has pursued his creative work across various expressive fields, including architecture, painting, installation, sculpture, and essays. His body of work forms a distinct artistic corpus, remarkable for both its coherence and the diversity of the media in which he works. The exchange of ideas and concepts between the arts, as proposed in his work, expands the traditional conceptual scope of architecture. The multiplicity of influences in his work, along with his commitment to applying his principles regardless of the medium, has led him to focus on creating pathways between different artistic practices.
Thirty years after the death of architect Luis Ramiro Barragán Morfín in November 1988, the time is right to critically re-examine a figure who has left an indelible mark on the global history of architecture.