The myth of a wild, untouched landscape is persistent in American history. Imaginary wilds helped define an American identity in the early nineteenth century when Thomas Cole produced a series of masterwork paintings of American landscapes. And today the myth of imaginary wilds continues to have a major influence on attitudes toward landscape, nature, and the use of resources extracted from the earth. This book presents a series of student-designed architectural projects for a new gallery building sited within the landscape of Cedar Grove, Thomas Cole’s historic home and studio in Catskill, New York. Cole’s artistic legacy can be interpreted in different ways because he was concerned with landscapes and nature as both material and ideal conditions. Complexities arising from considering landscapes and nature as both real and ideal create a productive frame for exploring how architects might design buildings in relation to landscapes and nature. Throughout the book, these relationships are seen to play out in five different directions under the guidance of five different design studio instructors. The architectural projects presented here are contextualized in relation to landscape, nature, and Thomas Cole’s artistic legacy in a series of essays by a distinguished group of designers and thinkers.
Around the globe, today’s architects face several rising challenges. The demand for affordable housing is increasing significantly, but so is the urgent need to save the planet’s resources and reduce carbon emissions. At first glance, these two goals might seem mutually exclusive. However, the history of architecture is one of great minds overcoming challenges through creativity and innovation.
In 2004, wienerberger, a leading provider of innovative and ecological solutions for the entire building envelope in the areas of new construction and renovation, as well as infrastructure for water and energy management, launched the biennial Brick Award to recognize and, more importantly, support such innovative solutions and the people who create them. In June 2024, for its 11th iteration, the prize will once again be awarded to extraordinary feats of brick architecture from around the world.
The Norman Foster Institute is now accepting applications for its Programme on Sustainable Cities, taking place in Madrid from January to December 2025.
The Programme on Sustainable Cities blends hands-on experience with academic insights from the Norman Foster Foundation’s global network of experts, led by Co-Directors Norman Foster and Kent Larson. Each year, participants will immerse themselves in three pilot cities, engaging directly with local planners and managers. The 2025 academic year will focus on African cities, one of the most challenging territories that also presents one of the greatest opportunities for urban development.
In the ever-evolving landscape of technology and creativity, staying at the forefront is imperative. During its recent Chaos Unboxed Live virtual keynote, participants such as CEO Christian Lang and Co-founder and Head of Innovation Vladimir “Vlado” Koylazov showcased a plethora of advancements poised to redefine the creative process.
At the heart of Chaos’ strategy lies a dedication to three fundamental principles: accelerating creativity, delivering fully interconnected solutions, and ensuring accessibility across platforms. Through seamless integration and cutting-edge tools, Chaos can empower architects and artists alike, revolutionizing industries and shaping the future of design.
The announcements during the keynote laid out innovations that can redefine the realm of visualization — and beyond.
“We’re on the verge of one of the biggest revolutions that we’re going to face in the industry,” warns German Otto Bodenbender, Design Technology Manager at BIG Barcelona and Professor of ZIGURAT Institute of Technology.
First, it was theCAD revolution, with the introduction of computers; then it was the turn of BIM methodology, with new processes and workflows; and now, when many professionals haven’t yet gotten used to all those changes, we have AI. This is not just affecting how we do things, but is revolutionizing the entire lifespan of construction processes, introducing new computational capacities in every single aspect of architecture, construction, and engineering.
At Construmat we are firmly convinced that construction and building renovation are a key element in facing today’s social, economic and environmental challenges, and that is why we focus on sustainability.
Adapted from the Shenzhen Museum of Contemporary Art and Urban Planning’s large-scale solo exhibition that ran last year, “Ma Yansong: Landscapes in Motion” has been exclusively curated for the HKDI Gallery by its founder, and principal partner of MAD Architects - an architectural collective, Ma Yansong. After graduating from Yale University in 2002, Ma has participated in various international exhibitions and is now set to debut his first-ever large-scale solo exhibition in Hong Kong, solidifying his status as one of China’s most influential architects. The exhibition presents MAD’s most significant urban architectural projects in history led by Ma Yansong, including the soon-to-be-completed Shenzhen Bay Cultural Park, the Lucas Museum of Narrative Art in Los Angeles, and the FENIX Museum of Migration in Rotterdam. In addition to Ma Yansong's thought-provoking design concepts and imaginative vision, this exhibition offers a glimpse into the future of urban civilization – proffering a harmonious coexistence of urban landscapes, historical sites, and natural environments.
Looking for a fast and seamless way to coordinate and align on spatial information with clients and colleagues? Join urban planner Juan Pablo Corral for a masterclass focused on streamlining your team's mapping workflow. Whether you work in urban design, planning, transportation and mobility, or civil engineering, this event will help you find ways to work more efficiently with the help of accessible tools like QGIS and Felt.
We often take plants in the urban landscape for granted: we see them on a daily basis but don’t really look. We usually cannot name them, nor do we know whether they’re edible or have healing properties. It’s typically only when nature becomes a nuisance, for example during allergy season, that we take note of plants in the city.
This May, in Discourse: art across generations and continents (May 4 - 12, 2024), browngrotta arts in Wilton, CT, will assemble an eclectic group of artworks that celebrate artists from different countries, who work with varied materials, and represent distinct artistic approaches. Discourse will feature dozens of contemporary art textiles and fiber sculptures. More than 50 artists from 20 countries will be featured. Included will be works from fiber art’s origins 60 years ago, current mixed media works and sculpture, and pieces created in the decades between — spurring a dialogue across generations and across continents.
Rebecca Baumann, Light Event 2024, dichroic film. Installation view in Carillon City, Perth. Commissioned by Perth Festival, 2024. Courtesy the artist and Moore Contemporary, Perth. Photograph: Dan McCabe
Under the Artistic Directorship of Iain Grandage, the 2024 Perth Festival is inspired by the theme of Ngaangk (a Noongar word meaning sun or mother). Giver of life and light, Ngaangk is the ultimate creator – rising, surely, each morning at dawn to break the still darkness of night. Ideas of light and perception, so critical to the experience of the visual arts, punctuate the 2024 Perth Festival program, across a series of projects that encourage consideration of related themes of sustainability, growth and nourishment, and the tension between heat as both a creative and destructive force.
Linda Tegg with Vivienne Hansen, Wetland 2024. Commissioned by Perth Festival, 2024. Courtesy the artist. Photograph: Linda Tegg
Under the Artistic Directorship of Iain Grandage, the 2024 Perth Festival is inspired by the theme of Ngaangk (a Noongar word meaning sun or mother). Giver of life and light, Ngaangk is the ultimate creator – rising, surely, each morning at dawn to break the still darkness of night. Ideas of light and perception, so critical to the experience of the visual arts, punctuate the 2024 Perth Festival program, across a series of projects that encourage consideration of related themes of sustainability, growth and nourishment, and the tension between heat as both a creative and destructive force.
Tandem - Frederik Fialin and Réjean Peytavin @Salone del Mobile 2024
In occasion of Milan Design Week 2024 Oxilia presents the duo exhibition ‘Tandem’. The gallery will showcase the minimalist furniture by Danish designer Frederik Fialin, whose practice straddling art and industrial design seamlessly fits into the gallery’s curatorial path, engaging in dialogue with ceramics and tapestries from the ‘Traduslation’ series by French-Swiss artist Réjean Peytavin. In this series, Peytavin’s unmistakably non-conventional approach to exploring production techniques shines through.
If you were to make a list of requirements for your design software, an ability to be both efficient and accurate would certainly make an appearance. It may even make your top five. In order to cater to these demands, software developers are constantly striving to make their products more effective for their customers. In the case of Vectorworks, which was built to deliver absolute creative expression and maximum efficiency, this is no different. Below, we outline four main ways the software can be used by architects and designers.
In modern-day urban environments, green spaces such as gardens, home yards and public parks are becoming increasingly important to provide balance to our day-to-day lives. In the case of playgrounds, which are key public spaces for children, the question arises: if we make playgrounds for children to spend time and play in, why shouldn’t we extend this idea to serve adults as well? Adults need to be present in playgrounds, accompanying their children, so why not extend these areas to become interesting and inclusive for adults too?
