Foster + Partners have announced plans for the redevelopment of a major landfill site in Sharjah, UAE, belonging to Bee’ah – the foremost environmental energy and waste management company in the Middle East since 2007. Upon Sharjah reaching its “zero waste to landfill” target by 2020, the site is set for redundancy, sparking a proposed sustainable masterplan as an example of a circular economy and a reflection of Bee’ah’s vision of clean energy and sustainable innovation.

“We believe that this vision, as interpreted through our masterplan, represents a wonderful opportunity to demonstrate just what can be achieved at sites like this which feature in every industrialized nation on the planet,” expressed Giles Robinson, Senior Partner at Foster + Partners. “The project will also serve to further showcase Bee’ah’s waste management center as a place where innovation, environmental best practice, and good design take center stage.”

A 440 feet (134 meters) tall stack of twisting cubes, Nexus is an upcoming residential tower planned for the northern edge of downtown Seattle, as the city experiences a shortage of for-sale housing amidst a thriving rental market. Designed by local practice Weber Thompson and commissioned by Vancouver-based Burrard Development, the tower includes 367 residential units and 3200 square feet of retail, aiming to offer one of few residential opportunities in Seattle’s downtown core.

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The ever-growing realm of “post-digital” drawing is currently at the forefront of a healthy dosage of discourse, appreciation and even criticism, as professionals and students alike continue to push the envelope of accepted architectural representation and exchange a waning hyperrealism for the quirks and character of alternative visual narratives. Central to this new wave of illustration is the inclusion and appropriation of specific icons and characters from famous pieces of modern art, selected in particular from the works of David Hockney, Edward Hopper and Henri Rousseau, whose work undoubtedly remains at the forefront of their individual crafts and styles.

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Ground has been broken on a key component of Canada’s largest urban development undertaking, in the form of a 236,000 square foot mixed-use tower in the City of Vaughan, designed by Toronto-based firm Diamond Schmitt Architects. Situated at the core of SmartCentres Place with easy access to nearby retail and commercial spots, the tower will serve as the new home of PwC Canada, in combination with a 100,000-square-foot YMCA, a 20,000-square-foot public library, 10,000-square-foot community space and 3000 square feet of retail.

The PwC-YMCA Tower further illustrates the architectural quality and urban design excellence that is a hallmark of this smart, pedestrian-friendly precinct, explained Donald Schmitt, principal at Diamond Schmitt Architects.

Now in its 20^th year, Berlin-based firm TOPOTEK 1 has been an enterprising player in the field of landscape architecture and public design, with a portfolio of projects that emphasize the social and formal roles that landscape assumes within built work. Largely responsible for the firm’s success this far is the man at the helm, Martin Rein-Cano, who has served as one of the founding partners since 1996.

Complex wood joineries have long been staples of Japanese architecture and construction, demonstrating an impressive and even artistic craft passed down through generations of Japanese carpenters and woodworkers. In recent times, with increasingly available resources and technology, these techniques have been further explored and made publicly accessible, be it through demonstrative gifs or downloadable fabricated joints.

In relation to these resources, Aryan Shahabian, a researcher at the University of Applied Arts in Vienna has developed an algorithm that generates over a billion distinct combinations of interlocking 3D objects, inspired by Japanese joineries. Both single joints and free forms are smoothly handled by the software, combined with endless resultant forms.

Bee Breeders have selected the winners of the Mango Vinyl Hub Competition, challenging entries to marry architecture, music, industry, and design in the repurposing of a decrepit tin foil factory in Cesis, Latvia. With a focus on the revival of the vinyl record industry, “successful projects temper the impulse of retrojecting nostalgic hallmark or tradition, through revitalization of purpose of an artifact and history of a bygone era.”

Here are the winning visions of the Mango Vinyl Hub:

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Rome-based firm Schiattarella Associati have unveiled the design of a new community mosque complex in the city of Ha’il in Saudi Arabia, using traditional cultural elements of Najd architecture to create a new landmark in the area. The 22,500 square meter Al Jabri Mosque accommodates 3000 people and focuses on “the principle of a people-oriented city and proposes it back again using a contemporary language respectful and attentive in the use of shapes and materials.”

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Think your decked-out bachelor pad is the slickest on the block? Think again. That reputation now resides in the carefully constructed abode of the bowerbird, which transforms the art of building into the art of seduction. Native to Australia and New Guinea, the bowerbird dedicates months to construct elaborate woven nests, known as bowers, as a means of attracting mates in one of nature’s most unique courting rituals.

Justin Davidson: Why glass towers are bad for city life -- and what we need instead

There's a creepy transformation taking over our cities, says architecture critic Justin Davidson. From Houston, Texas to Guangzhou, China, shiny towers of concrete and steel covered with glass are cropping up like an invasive species.

“That person sitting right next to you might have the most idiosyncratic inner life, but you don’t have a clue because we’re all wearing the same expression. That is the kind of creepy transformation that is taking over cities.”

Shiny, bland and homogenous. These characteristics are increasingly encapsulating the nature and identity of our cities through the use of glass as a dominant building material, says Pulitzer Prize-winning critic Justin Davidson. In this TED Talk, Davidson stresses the importance of the use of a varied palette of materials that evoke texture, color, roughness, and shadow, in order to create architecture of individuality and character to define and populate the world’s cities. The rapid growth of glassy skylines, which express a disdain for communal urban interaction, can be curbed through a combination of new and old building and material techniques, creating architecture that absorbs history and memory as a reflection of the diverse society it lives in.

The Curry Stone Design Prize has selected 11 honorees as part of June’s Social Design Circle, whose work responds to the question: Can Design Reclaim Public Space? From NGOs to design collectives across the globe, each winner addresses notions of usage, organization, and amenities within the realm of public space, and is featured on the prize’s website. In addition to a new circle of monthly winners, the prize hosts a weekly podcast, Social Design Insights, complimenting the featured work and expanding on the monthly themes with leading practitioners in social design.

Here are the 11 members of June’s Social Design Circle:

With a modular composition inspired by traditional sub-Saharan African building typologies, MASA Studio’s safe lodging proposal for Tanzanian cancer victims has been selected as the winner of the Hostels for Hope competition, which called for solutions to issues of health and safety in regards to the rehabilitation of cancer victims away from home in rural Africa. Organized by Pink Ribbon Red Ribbon, an international foundation combatting women’s cancers, the competition responds to the unfortunate decision that thousands of Tanzanian women have to make every year – to travel great lengths for unaffordable treatment and lodging, or to remain at home unable to fight the disease.

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With a combination of resilience, sustainability, and pleasing aesthetics, the use of copper in architectural design is often indicative of a building’s craft and attention to detail, as demonstrated by fifteen projects selected as recipients for the 2017 North American Copper in Architecture Awards (NACIA). The 10^th edition of the annual awards celebrates a variety of projects throughout North America for their “outstanding use of architectural copper and copper alloys.” Projects were selected across three categories: New Construction, Renovation/Restoration, and Ornamental Applications.

Here are this year’s fifteen NACIA winners:

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Continuing the ever-increasing growth of timber construction architecture in North America and around the world, Carbon12’s recent topping out has resulted in its newly achieved status as the tallest mass timber building in the United States. Situated in Portland and designed by PATH Architecture, the 8-storey condominium is an example of the cost-effectiveness and labor sensitivity of engineered wood products while helping regenerate Oregon’s local timber industry.

With a growing population and rapid development, much of recent focus has been on Portland’s city center, in an effort to preserve the existing natural landscape that surrounds the urban areas. Built of prefabricated cross-laminated timber panels and glu-lam beams around a steel core, Carbon12’s hybrid construction aids the city’s densification, given its off-site construction and quick assembly that help both reduce costs and respond to residential needs.

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The New York High Line is set to receive a new British sibling, in the form the Camden High Line – a conversion of the defunct railway line connecting Camden Town and King’s Cross, into an elevated public space and commuting route. The invited competition for the project was won by London-based practices Studio Weave and Architecture 00, whose proposal is one of three international designs that have followed the success of the High Line in New York, with the other two situated in Bangkok and Mexico City.

“We think the re-use of this railway line for the Camden High Line outweighs the benefits and costs of leaving it vacant,” said Simon Pitkeathley, Chief Executive at Camden Town Unlimited. “This new transport link can reduce overcrowding and journey times on the existing, cycling and pedestrian routes nearby like Regent’s Canal.”

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Serving as a new gateway to the city through the connection of various green spaces and public programs, The Green Entrance is DELVA Landscape Architects’ masterplan for a historic district of The Hague. Given The Hague’s future inner-city densification, which involves the creation of 50,000 new houses, the Dutch firm’s aim is to aid these developments through sustainable and green urban strategies, manifested “through an integral approach between landscape design, cultural heritage, mobility, programming and technology.”

Commenting on the project’s primary function, the architects state: “’The Green Entrance’ connects areas that have been isolated over the years. It starts in the spacious and open ‘City Hall' that connects to the train station and continues to the ‘Koningin Julianaplein’. No narrow doors or gates, but a wide view over the green and lively surrounding public space.”

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A competition for the interior renovation of the Alte Oper, one of the world’s most prominent opera houses in Frankfurt, has been won by German firm Buero Wagner, selected ahead of heavyweight runner-up Zaha Hadid Architects. The scope included the conversion of one of the building’s multipurpose foyers into a central social space, to be activated by the 450,000 annual visitors that attend the Alter Oper’s 400-plus concerts.

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