Junior Collaborator at ArchDaily and Curatorial Assistant at the 2023 Sharjah Architecture Triennial. Interested in housing, urbanism, the politics of land, heritage - and how we live in our cities. Born and raised in Dar es Salaam, Tanzania. Based in United Kingdom.
The African continent has been - throughout history – a key player in the ever-evolving story of human migration. Cultures and customs have been shared, adapted, and re-imagined as a result of this movement of populaces, and architectural styles are no exception. In a way, the varied architecture present in Africa is a lens one can look at to understand the intricacies of migration. Present on the continent are ancient indigenous and building typologies born out of the organic assimilation of cultures. Also present are remnants of colonial architecture, a legacy not of voluntary migration, but of forced colonial imposition.
The global landscape of today has been moulded by centuries and centuries of human migration. This movement of people, of individuals and communities travelling far away from their place of origin to eke out better lives for themselves, has seen the evolution of the architectural and urban character of cities – moulded by the diverse influences fuelled by migration. This has meant that around the world, enclaves have popped up in cities, migrants carving out spaces for themselves which have a different character to other areas of a city.
Talking to the Louisiana Channel, Danish architect Mikkel Frost, talks about how he visualises his ideas and represents his architectural concepts - through the mediums of pen, ink and watercolours. Frost views his use of drawing as different from other architects, who "think as they draw". Frost, on the other hand, "prints" the image he already has in his mind, saying "I'm many steps ahead of what I draw, basically printing the whiteboard in my mind."
The world of travelling is a multifaceted one. There are the everyday trips one takes for work or school, commuting to a set location during the week, usually within the confines of a city. There are the longer trips too, the trips which usually involve getting into an aeroplane to visit someplace a bit farther from where the traveller usually resides. These trips are frequently done for business purposes, but for those who have the means to afford it, these trips are undertaken for learning and leisure – where the traveller can be defined as a “tourist”.
We’re in an age of unprecedented technological innovation. The architecture and construction industries are increasingly becoming more and more automated, as firms seek to take full advantage of new machinery and new ways of working to make the design process more efficient. With this increase in automation, however, comes lots of questions too. Will robots ever replace architects?Will the near future see a fully automated construction industry? A pertinent question, too, is the complicated case of automation and the individuality of design – does automation take away from the individuality of design?
The viability of 3D Printing in architecture – has, at the very least – seen a seismic shift over the past few years. Usually relegated to prototypes or conceptual models, 3D Printed building designs are increasingly being actualised as physical projects. In 2013, WinSun, a Chinese company – was able to print 10 houses in a 24-hour period, becoming one of the first companies to achieve this feat using 3D Printing technology. More recently, in 2018, a family in France became the first in the world to live in a 3D Printed house. The city of Dubai is also seeking to have a quarter of its buildings be 3D Printed by 2025. These examples display the upwards category of this technology, and how it is very likely, as the years go by, this automation of building fabrication is even more integrated into the construction process than it is right now.
Talking to the Louisiana Channel, iconic Japanese architect Kengo Kuma discusses the many influences that have shaped his work - and also delves into the impact that the ongoing pandemic has had on the architectural field. In the interview, Kuma describes how influential his early upbringing was to his architectural career. Growing up in a small wooden house in the 1950s - originally built in 1942, would go on to guide his architectural perchance of using wood in his projects. Kuma also mentions Japanese architect Kenzu Tange as a key inspiration and cites Tange's Yoyogi National Gymnasium - constructed for the 1964 Summer Olympics in Tokyo - as a project that would influence him towards an architectural career.
In a Design and the City episode - a podcast by reSITE on how to make cities more liveable – Mexican architect Michel Rojkind talks about running, coming from a musical background, and the responsibility of architects to create buildings that can “give something relevant” back to the community. The interview delves into Rojkind’s philosophy of making sure that architectural conversations are not insular, but instead conversations that take place within a multi-disciplinary context.
Talking to the Louisiana Channel, Danish professor, sculptor, and artist Bjørn Nørgaard outlines the philosophy that underpins his work and reflects upon his architectural projects. Nørgaard describes in the film, a co-production with Munkeruphus, the strong influence of his mentor in the 1960s - German artist Joseph Beuys - whose theories formed a key part of Nørgaard's evolution and ethos as an artist. The concept of "die soziale Plastik", or social sculpture, would go on to shape Nørgaard's approach to architecture and other forms of art - its main philosophy being that every part of life can be approached creatively.
At the heart of it, architecture is an inter-disciplinary profession. Ranging from structural engineers to quantity surveyors, a design project thrives from the collaboration of individuals from various fields of work. An often-overlooked connection is the link between the fields of architecture and archaeology, which in more ways than one have a lot in common. In a time of increased awareness on issues of sustainability and heritage, the expertise present in the field of archaeology plays a vital part in the preservation of architectural landmarks of historical significance. This expertise can also play a significant part in creating sensitive architectural interventions suitable for their context, contemporary in their design while responding to historical precedents.
Collage by Matthew Maganga. Image Courtesy of Forbes Massie-Heatherwick Studio
Fifty-one years ago, in 1970, a Japanese roboticist named Masahiro Mori came up with the concept of the “Uncanny Valley”. Around the same time, architectural renderings done using analog methods were still in vogue – collages and photomontages used to get ideas across to clients. A decade later, personal computers came along, and that saw the emergence of CAD and the wider adoption of digital rendering. Today’s architectural renderings are almost imperceptible from reality, with the increase in sophistication of rendering sofware. We struggle to tell the difference between what is a rendering and what is not – or rather we are able to tell a slight difference and it leaves us slightly uncomfortable, which brings us to Mori’s uncanny valley.
In Design and the City's fifth episode - a podcast by reSITE on how to make cities more liveable - filmmaker and visual artist Gary Hustwit was interviewed on his creative process and evolution, and what motivates him to make films that strive to make design more accessible to the general public. The interview delves into the process behind Hustwit's filmography, from documentaries such as Helvetica, which explores the use of type in urban spaces, to films such as Rams, a personal and intimate portrait of the influential German industrial designer Dieter Rams.
Talking to the Louisiana Channel, German architect Anna Heringer outlines the way she works and her multi-disciplinary approach to architectural practice. Growing up in a small town at the Austrian-Bavarian border close to Salzburg - Heringer spent a year living and working in Bangladesh at the age of 19, a place that is now home to a majority of her office's projects. Heringer describes herself as a mix of things in addition to being an architect, describing herself as an activist and a development worker - using her creativity to explore ideas in a variety of forms and media.
The ongoing pandemic has been a disruption to the everyday routines of billions around the world, as due to being confined to their households, the separation between work and rest has become extremely blurry, with people forced to rethink and reconfigure the layout of their personal spaces. Conversations have abounded on how to create flexible working spaces in a home environment, and if offices themselves are an outdated model that we should leave behind. A missing part of that conversation, however, is the impact that the pandemic has had on children, specifically primary-school level children, on their education - as inequalities are emphasized, some children learning with slow internet connection speeds, or struggling to have the space required to adequately complete educational activities.
The city of Madrid can be viewed as a place that is representative of all the architectural styles found on the European continent. 16th-century Renaissance buildings and 18th-century Baroque buildings all co-exist in harmony with more modern architectural styles such as Art Deco or the expressive contemporary architecture of recent years. Iconic contemporary architecture firms such as Herzog & de Meuron and Rogers Stirk Harbour + Partners, with projects such as the BBVA Headquarters and Madrid-Barajas Airport Terminal, have all played a part in defining Madrid’s architectural character too, making for a city with highly varied and distinct streetscapes.
In the midst of International Women’s Day which was on March 8th, this year features a week-long curation of articles and editorials by ArchDaily, seeking to dissipate the gender disparity that exists in the world of architecture. In highlighting women's voices in architectural conversations - the following are 10 interviews from ArchDaily’s archived Youtube playlists that feature inspiring women figures in the world of architecture.
In a recent interview with Louisiana Channel, Copenhagen-based architects Søren Johansen and Sebastian Skovsted share insights into their design process - stating the importance of creating architecture that seamlessly blends into the landscape yet stands out on its own right. Discussing the minimalist nature of their projects, the architects are careful not to put themselves in a box, saying, "When you ask about minimalism in our work, or any other ism, we are not interested in simplicity for simplicity’s sake.”
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.jpg?1618071843 "Courtesy of Alexis Christodoulou")
