3XN has won a competition for the design of an innovation center for health and life science companies, called "Forskaren". Providing office spaces, restaurants, cafes, and an exhibition area, the 24,000 sqm building is designed with the highest sustainability standards in mind and will pursue LEED Platinum certification.
Located between the Karolinska University Hospital and the old Stockholm city hospital, the new Center will become a part of Hagastaden district and play a major role in the development of world-class research in health, life science and treatment, attracting new talents with exciting opportunities as a hub for different scale companies of the industry.
Zaha Hadid Architects has won a competition to design and build the new Shanghai headquarters of the China Energy Conservation and Environmental Protection Group (CECEP). The 218,000 sqm project will be the ‘greenest’ building in the city with sustainability embedded into every aspect of its design and construction to achieve more than 90 credits in China’s exacting Three Star Green Building Rating system - the highest score for any building in Shanghai.
The opening of the 20th Serpentine Pavilion, designed by South African Studio Counterspace, has been postponed to summer 2021. "Counterspace, directed by Sumayya Vally, Sarah de Villiers and Amina Kaskar, will collaborate with the Serpentine on a series of off-site and online research projects throughout 2020, which will culminate with the opening of the Pavilion in Summer 2021," the Serpentine Galleries announced.
While the world is on pause and we are all learning how to work from home trying to keep up with our usual productivity levels and fighting the lack of focus, we at ArchDaily want to help our readers keep their minds sharp through this challenge. One of the ways not to get absorbed in your daily routine is to make sure you have enough mental activity every day, and we have just the thing for you!
As a lot of projects are on hold right now, and architects struggle to find new work to take on, we have found something to keep your mind busy in the meantime — entering a competition will help you stay productive and overcome challenges while the majority of plans are postponed. Read on for a list of 7 contests you can enter right now.
In the middle of February, we were invited to visit Ljubljana and attend the Matchmaking Conference organized by Future Architecture Platform -- an organization, coordinated by Ljubljana's Museum of Architecture and Design (MAO), that provides young talents with the opportunity to share their ideas -- practical or conceptual -- and meet fellow emerging architects. The three-day event gathered 25 teams from all over the world to present their projects and discuss potential collaborations.
We always appreciate the people behind great initiatives in architecture, and try to never miss the chance to share their profiles and thoughts with our readers. Future Architecture Platform is no exception -- the Leader of the great team of architects, curators, publishers, and educators, Director of MAO and architecture critic, Matevž Čelik told us about the ideas driving the Platform, challenges that emerging architects face these days, and the future of architectural education and profession.
Venice Biennale 2020, curated by Hashim Sarkis, has been postponed and will be held from August 29th through November 29th, as announced on the event's official website.
Seoul is considered one of the most densely-populated and over-priced cities in the world, reaching a staggering $ 80,000 per square meter. The extreme conditions of the city have forced local architects to operate, design, and build framing the city's urban issues, traditions, and history. This approach by architects has created the theoretical basis of “The Condition of Seoul Architecture”, a publication by multidisciplinary practice TCA Think Tank which sees the point of view of 18 innovative South Korean architects. In this interview, Pier Alessio Rizzardi, founder of the practice, interviewed Chi Min-suk of Mass Studies, explaining his point of view on ephemeral architecture and what influences the studio's work the most.
Public Spaces are an issue all over the world — approaches to designing them differentiate across countries, while successful examples always involve heavy research and working closely with communities. At ArchDaily, we always try to explore different opinions on common issues, hoping that our input will add to the clarity of architecture debates. Read on for our best articles on the topic.
This summer, on the occasion of the annual Moscow Urban Forum, ArchDaily's CEO David Basulto visited the Russian capital to give a talk at the event and meet with some friend of ArchDaily. Among others, David visited Strelka Institute, our dearest longtime partner and companion, and spoke with its CEO Varvara Melnikova.
On October 26th, 2019 the jury of the Second Russian Architecture Biennale for Young Architects announced the winners of this year’s competition. The jury members chose the best four of 30 projects by the finalists for the Gold and Silver Prizes. Special prizes were presented by the Russian Ministry of Construction and Housing and Communal Services and the Government of the Republic of Tatarstan; there were also two special mentions awarded by the jury.
Opened in the middle of September, Tallinn Architecture Biennale 2019 (TAB 2019) explores its theme "Beauty Matters" through all possible architectural means. Wood and textiles, 3D-printed structures and VR are only a few components of the main exhibition of the biennial, curated by Tel Aviv-born, London-based architect Yael Reisner.
Renowned architecture theorist and historian, landscape designer and co-founder of Maggie's Cancer Care Centres, Charles Jencks died yesterday, as reported by RIBA Journal on Twitter. Born in Baltimore, Maryland, on June 21, 1939, Jencks was 80 years old at the time he passed away.
Hello Wood, as you may already know, is an annual festival, which gathers hundreds of people in a Hungarian village for a week. Divided into groups, the architects and students carefully selected by the team of organizers, build installations made of wood with their bare hands. The outcome is amazing — dozens of beautiful structures rise up there each year adding more and more originality to the site.
The words cannot express the vibe you get at the Hello Wood Project Village — all the "beautiful people", as they call each other, are one big family. There is no competition, the teams help each other to make sure all projects are completed before the deadline, when they all march to the neighboring village and celebrate the week spent together.
But what is the idea behind this festival? What is the secret key to building a strong community of professionals and students in such a short period of time? Watch our interview with Hello Wood team to learn how they answer these questions.
One of the leading Italian architects Stefano Boeri spoke with us in his Milan office — Milano Arch Week curator, designer of multiple Verticle Forests all around the world, Boeri is also a Professor at one of the best Europian architecture schools Politecnico di Milano.
In this interview, the architect told ArchDaily about how different every Vertical Forest is, what kind of problems can success lead to and how the working process in architecture is divided into design and research.
Russia is an enigmatic country known for its sublime constructivism developed during Soviet times, its greatness and enormous scale. It comes as no shocker — architects, such as Ivan Leonidov and his student Leonid Pavlov, and artists like El Lissitzky, have definitely contributed to the history and image of a strong Russian personality.
Considering the prevalent poverty in Russia, the reason for the fixation on cheap construction is rather clear. However, even local leading architects find something attractive and beautiful in the suburban barns and flimsy dwellings. Creating authentic installations in the shape of houses or changing and enhancing the experience of existing structures with materials at hand, Russian artists and architects express the country's skill of turning the ruined and inhabitable into the lively and cozy.
In the last decade, Miami has progressively transformed into a mecca of architecture and design. While the city’s tropical persona is most often associated with Art Deco, Miami offers a wide range of architectural styles from Mediterranean Revival to Miami Modern and everything in between. Over the years, the city has welcomed a some of the world’s leading talent including Pritzker Prize winners like “Queen of the Curves” Zaha Hadid, French visionary Jean Nouvel, Swiss duo Herzog & de Meuron, Frank Gehry and more – who have all left a lasting impression on Miami through their work. Whether visiting Miami Beach’s Art Deco district or the quaint, village-like Coconut Grove neighborhood, visitors can discover an array of awe-inspiring architecture no matter where their travels take them.
The third Antepavilion is set to open this week in east London — designed by young architecture firm Maich Swift Architects, the canalside wooden rooftop theater built in Haggerston, London, is inspired by Monsieur Hulot in Jacques Tati’s 1958 film "Mon Oncle". "Potemkin theatre" was chosen from almost 200 entries in an open competition launched by the Architecture Foundation and Shiva Ltd.
Today the President of La Biennale di Venezia Paolo Baratta and the appointed Curator of the 17th International Exhibition Hashim Sarkis introduced the theme of the next year’s event “How will we live together?”. La Biennale Architettura 2020 will take place at Venice’s Giardini and Arsenale from May 23 to November 29, 2020.
“We need a new spatial contract. In the context of widening political divides and growing economic inequalities, we call on architects to imagine spaces in which we can generously live together,” reads Sarkis’ Statement. The theme that explores architecture as material, spatial, and cultural field, encourages the participating architects to engage other professionals in their research — inviting artists, builders, politicians, social scientists, and everyday citizens the Curator demands the society to acknowledge the role of the architect “as both cordial convener and custodian of the spatial contract”.