A competitive shortlist of 9 has been released for a new high-profile art space planned in Manchester. The £110 million project, known as "The Factory" (after the city's influential Factory Records), will feature an "ultra-flexible" arts venue that can transform from a 2,200-seat theater into an open 5,000-capacity space that will accommodate a wide range of art forms and performances. It will also serve as the new home of the Manchester International Festival (MIF).
"The level of international interest reflects the city’s emerging status as an internationally-renowned city of culture. This is a landmark development that will place Manchester in the highest tier of arts worldwide," said Manchester City Council (MCC) executive member Rosa Battle.
The Architecture Billings Index (ABI) declined in August, following fairly healthy business conditions so far this year. The American Institute of Architects (AIA) reported the August ABI score was 49.1, down from a mark of 54.7 in July. The new projects inquiry index was 61.8, down from a reading of 63.7 the previous month.
“Over the past several years, a period of sustained growth in billings has been followed by a temporary step backwards,” said AIA Chief Economist Kermit Baker, Hon. AIA, PhD. “The fact that project inquiries and new design contracts continue to grow at a healthy pace suggests that this should not be a cause for concern throughout the design and construction industry.”
A breakdown of regional highlights, after the break.
Finnish composer Kaija Saariaho has selected OOPEAA Office for Peripheral Architecture's Puukuokka housing block as winner of the 2015 Finlandia Prize for Architecture. Saariaho, this year's sole judge for the prize, choose the eight-story wooden apartment building over four other shortlisted projects "because it demonstrates values that [she] appreciates in life as well as in architecture: it is a courageous and ambitious work that brings together an exploration of new possibilities for building and construction, a humane sensibility, and a quest for ecological solutions as well as a strive towards better quality of life.”
Metals in Construction magazine has launched a competition for architects, engineers, students, designers, and others from all over the world to submit their vision for recladding 200 Park Avenue, built a half-century ago as the world’s largest corporate structure, the Pan Am Building (now the MetLife Building).
The mandate is to reimagine this New York City icon with a resource-conserving, eco-friendly enclosure—one that creates a highly efficient envelope with the lightness and transparency sought by today’s office workforce while preserving and enhancing the aesthetic of its heritage. Entrants may now register on the competition's official website. The deadline for final submission is February 1, 2016.
Jony Ive, Apple's Chief Design Officer, has celebrated the opening of his first store in Brussels, Belgium. Like The Verge reports, at first glance the store's design seems somewhat predictable - large panes of glass, a simplistic and open feel. However, under Ive's guidance, the new store (and future stores) now feature a grove of potted trees and a heightened focus on natural materials, in particular wood. Read on to take a closer look.
The 2016 Berkeley Prize is now open. Open to all undergraduate architecture students, the essay competition "strives to show architects-in-training that the smallest act of building has global implications: that design can and does play a major role in the social, cultural, and psychological life of both the individual and society at large." This year's competition theme is "Sheltering Those in Need: Architects Confront Homelessness." All initial submissions are due November 1, 2015. Essay semifinalists will be given the opportunity to apply for a travel fellowship. All the details, here.
"While the fundamental concept of the ‘Nobelhuset’ remains the same, the building has been reduced significantly in size," says Chipperfield. "It now has a clearer division into a base, middle and top floor that relates to the surrounding structures on the Blasieholmen peninsula."
From interlocking 3D printed bricks to SOM's "All Aboard Florida" train station in West Palm Beach Fast Company has named 13 winners for their 2015 "Innovation By Design Awards." Each winner was selected from over 1,500 projects worldwide for being "big ideas" with "meticulously though out details" and a "clear viewpoint about how we live now—and how it could be better."
Just two weeks after the Japan Sport Council launched a second call for New National Stadium proposals, Zaha Hadid Architects and partner Nikken Sekkei have withdrawn from the competition. Although the duo promised to develop a "cost-effective" design that strictly adhered to the new competition's scaled down brief, they were unable to secure a contractor and therefore were forced to step down from the competition.
"It is disappointing that the two years of work and investment in the existing design for a new National Stadium for Japan cannot be further developed to meet the new brief through the new design competition," said ZHA in a press release.
Today citizens, artists and activists are "reclaiming their city" by transforming hundreds of metered parking spaces worldwide into temporary public parks and installations in an effort to call attention to the need for more open space. The yearly occurrence, known as PARK(ing) Day, has become an international phenomenon since its establishment in 2005 by the San Francisco art and design studio Rebar. Check out the official PARK(ing) Day Map to see if there are any pop-up parks happening in your area.
The Linda Pace Foundation has unveiled plans for a new building designed by Adjaye Associates. Planned to open in San Antonio, Texas in 2018, "Ruby City" will house the Foundation's growing collection of contemporary art. The two-story structure, clad in "crimson-hued panels of precast concrete with glass aggregate," will be distinct with its "dramatic rooftop of sloping angles and skylights that rise to varying heights and echo cut-away spaces at the building’s base."
"The building should be about the journey of learning," Mecanoo's founding partner and creative director Francine Houben told the New York Times. "Maybe you come in for a book but also take lessons in English."
Images of Moshe Safdie's first New York project has been released. Planned to rise on a Manhattan site at West 30th Street, between Broadway and 5th Avenue, the 64-story mixed-use tower will feature a limestone base that compliments and serves its historic neighbor: the Marble Collegiate Church, one of the Collegiate Churches’ five ministries.
The building "will be distinguished by its vertical massing, which breaks down the scale of the tower into a series of three-story-high, offset projections," says Safdie Architects. "The offset projections also provide energy efficiency by self-shading the tower’s facade, further enhanced by additional sun shading at the south facade."
Dominique Perrault, David Chipperfield, OMA, Shigeru Ban, Sou Fujimoto, and Jacques Ferrier are among 75 teams that have been selected to move onto Phase 3 of the highly anticipated "Reinventing Paris" competition. The first of its kind, the competition is calling on architects and designers to envision innovative projects to solve some of Paris' most pressing problems over 23 sites, from abandoned electricity substations to open spaces in the heart of urban areas.
The award's jury, chaired by World Architecture Festival director Paul Finch, selected the Leadenhall Building over 15 other publicly nominated buildings. It was lauded for providing a "world-class working environment" and having a positive impact on the city street.
The Office for Metropolitan Architecture (OMA) has launched a new website in an effort to make their work more accessible. A collaboration with Oslo-based Bengler and NODE, oma.eu"functions as an omnivorous sensor," says OMA, that "redefines the office’s digital presence and offers a tool for many different users." Check it out for yourself, here.
In May, OMA celebrated the opening of Fondazione Prada. Set out to “expand the repertoire of spatial typologies in which art can be exhibited and shared with the public,” the project resulted in an “unusually diverse environment” staged within a historic 20th-century distillery south of Milan’s city center that goes beyond the traditional white museum box.