Foster + Partners was awarded first prize for their museum design in collaboration with Adrien Gardere for Narbonne in southern France. The museum’s central collection includes more than 1,000 ancient stone relief funerary blocks excavated from a nearby archaeological site, as Narbonne’s historical past as a vital Roman port has left an impressive legacy of buildings and ancient relics. Within the new design, Foster + Partners has created a wall to insert the stones that will act as a natural barrier to separate the public galleries from the more private restoration spaces. The building will also reinforce the strong landscape connection between water and gardens due to the site’s adjacency to the Canal du Midi.

More about the museum design after the break.

Last night, dozens packed into the Center for Architecture to join the conversation among some of the most influential in our field. With the energy levels high, panelists Bjarke Ingels of BIG, Toru Hasegawa and Mark Collins of Morpholio and Cloud Lab Columbia University GSAPP, and ArchDaily founders David Basulto and David Assael, shared insight into the impact social media and technology have on our profession and the way in which we design. While the panelists all share a background in design, their differences in applying technology to their particular niche – whether to aid the design process, to collect and redistribute data, or to share information and bring awareness - fueled a dynamic dialogue that kept the crowd engaged and informed way past the closing hours of the Center for Architecture.

Read on for the story behind ArchDaily, and, if you happened to catch the event, let us know in the comments below.

Nearly two years ago, we introduced Farshid Moussavi’s first major US building – a sleek geometrical design for Cleveland’s Museum of Contemporary Art. With its strong formal moves, the museum intends to aid the city’s urban-revitalization efforts by shaping an iconic cultural destination alongside its neighboring concentration of museums, such as the Cleveland Museum of Art and the Cleveland Museum of Natural History. MOCA Executive Director Jill Snyder says, “We believe MOCA is contributing a great building to Cleveland, one that will stimulate critical thinking and animate social exchange. MOCA is expanding its scope and activities on all fronts, supported by new architecture that allows for flexibility, unconventionality, and technological capacity in the presentation of contemporary art.” The 34,000 sqf building is nearing completion, and a public opening will be celebrated in early October with the inaugural exhibition, Inside Out and from the Ground Up, featuring an in-depth look at how international artists engage with architecture and spatial ideas.

More about the project, including facade photos, after the break. 

Earlier this week at a meeting given by the Eisenhower Memorial Commission, Frank Gehry unveiled a revamped design for the controversial Dwight D. Eisenhower Memorial for the Mall at the base of Capitol Hill, Washington D.C. This redesign responds to strong family objections in which Gehry’s vision had been criticized for largely misrepresenting the strength and achievements of the former Commander in Chief (check out our previous coverage of the controversial memorial and its heated meeting on March 20 here). After being selected to design the memorial in 2010 by the Eisenhower Memorial Commission, Gehry looked to highlight the President’s great achievements as a source of inspiration to children, to “give them courage to pursue their dreams and to remind them that this great man started out just like them.”

The original design featured an 80-foot high colonnade from which large metal tapestries hang, and a statue depicting Eisenhower as a youth gazing upon his future accomplishments.  To Gehry, the memorial celebrated a hero who was deeply proud of his Kansas roots and an icon children could identify with; to Eisenhower’s surviving family members, particularly granddaughters Susan and Anne Eisenhower, the design diminished the President’s accomplishments by depicting Ike as a “dreamy boy”.

More about the new design after the break.

And, we are back with our monthly updates of the Architecture Billings Index. Last month looked promising as March marked the fifth consecutive positive rating. However, April’s index has been calculated as 48.4 – a drop from March’s 50.4. The index has been a roller coaster ride of slight positive trends followed by negative setbacks, and AIA Chief Economist, Kermit Baker, explains, “Considering the continued volatility in the overall economy, this decline in demand for design services isn’t terribly surprising. Also, favorable conditions during the winter months may have accelerated design billings, producing a pause in projects that have moved ahead faster than expected.”

More about April’s index after the break.

Greek firm, KLab Architecture, has designed a series of suites for Mykonos, one of the most popular summertime destinations (the island’s population rises from 10,000 to 50,000 seasonally). As is typical of KLab’s work (check out their Urban Cubes project previously featured), their hotel project looks to the vernacular language of island’s vocabulary and capitalizes on the environment’s relationship between the landscape and the sea, to formulate a modern interpretation of the cycladic architecture that has evolved over centuries.

More about the hotel room design after the break. 

Earlier this week, Pratt Institute extended an invitation to the ArchDaily team to attend their 123rd commencement, celebrating the achievements of 1300 bachelor’s and master’s degree candidates at Radio City Music Hall. The event also marked a special day of recognition for four honorary degree recipients: artist/curator/critic Ai Weiwei, architect, engineer and artist Santiago Calatrava, patron on the arts and education Kathryn Chenault, and the Metropoitan Museum of Art’s longest-serving director Philippe de Montebello.

We were privileged to have an opportunity to congratulate Mr. Calatrava on his doctor of architecture degree, and pose ArchDaily’s traditional interview questions.   Mr. Calatrava’s contributions to the professions of architecture and engineering can be found scattered across the world, and bring a sense of dynamism that result from the merge between art and technology, expression and functionality.

Calatrava’s charm and good humor made for a friendly conversation that we hope you enjoy.

We recently shared six conceptual visions for the transformation of Los Angeles’ Union Station. Upon the release of the vision boards, the team’s proposals (EE&K, a Perkins Eastman Company, in association with UNStudio; IBI Group with Foster+Partners; Grimshaw with Gruen; Moore Ruble Yudell Architects and Planners, with Ten Arquitectos and West 8; NBBJ with Ingenhoven Architects; and Renzo Piano Building Workshop with Parsons Transportation Group Inc.) sparked much public interest. As we reported earlier, the Metro staff will recommend a winner to the Metro board on June 28th, but in the meantime, we’d like to share a closer look at some of the proposals.

UNStudio’s proposal with EE&K imagines Union Station as a multi-modal transit hub filled with mixed use development and outdoor spaces.  The conceptual vision board explores possibilities for the station and its surrounding areas, highlighting a key integration of transportation and outdoor park spaces with its “green loop” strategy.

More about the vision board after the break.

Yesterday, Marina Abramović and OMA announced the creation of the Marina Abramović Institute for the Preservation of Performance Art (MAI) under the performance dome at MoMA’s PS 1 in Long Island City. Abramović will team with the architects to create an art, education and performance venue that will not only focus on Abramović’s performance methods, but, interestingly, on educating the public with regards to viewing and appreciating long duration performances.

Perhaps, Abramović’s name sounds familiar, and rightly so. She has wildly been hailed as one of the most progressive and devoted long-duration performers; one of her most recent New York performances took place at the MoMA where she sat completely silent, just starring at visitors for the museum’s entire opening hours. And, now, with this Institute, Abramović will be able to teach her ways to aspiring performers, and more viewers will be able to experience and appreciate her performance methods. Abramović commented, “The Institute’s aim is to protect and preserve the intellectual and spiritual legacy of performance art from the 1970′s into the future, and will serve as an homage to time-based and immaterial art.”

Danish firm, CEBRA, was recently awarded first prize for their new education center in Odense. The building explores how curved forms can penetrate and define the rectilinear confines of the 134,550 sqf school building. Soft curving levels open to floors below and provide a mixing of visual and auditory experiences in a dynamically changing environment. Moreover, such levels provide a flexible learning environment, with “the human-being placed at the center.”

More about the project after the break, including CEBRA’s awesome hand renderings.

In keeping with our coverage of the ABI, the index scored 50.4 for March, marking the fifth consecutive month showing positive conditions.

Beginning in 1955, the American Academy of Arts and Letters have awarded architectural accolades to those who made a significant contribution to architecture as an art. Recently, the organization began giving such awards, formerly called Academy Awards, to honor American architects whose work is characterized by a strong personal direction or explores architectural ideas through any medium of expression. This year’s winners include Kathryn Gustafson (Arnold W. Brunner Memorial Prize in Architecture), Hilary Ballon (Arts and Letters Award for medium expression), Marlon Blackwell, Elizabeth Gray & Alan Organschi and Michael Maltzan (Arts and Letters Awards for personal direction)- a mixture of architectural academics and practitioners, landscape designers and fabricators.

More about the winners after the break. 

Amanda Burden has been making a big impact on the City. As Chair of the New York City Planning Commission and Director of the Department of City Planning, Ms. Burden’s efforts to revitalize New York have resulted in the preservation of the High Line, the creation of the East River Waterfront Esplanade, and the future development of Freshkills Park – a former landfill in Staten Island, to name a few. Both on an architectural and urban level, and also from a sustainability policy viewpoint, Ms. Burden’s years as Chair has effectively “raised the quality of design in our city and our expectations about design and city life.”

This week, Ms. Burden has been recognized by the Architectural League of New York and has been awarded their highest honor, the President’s Medal. Such an award is rightly deserved as Ms Burden’s impact on architecture and planning initiatives has shaped the public spaces that have grown to define New York. The President’s Medal is an honor that is awarded by peers from an organization that is independent of any professional or policy agenda, and with this recognition, Ms. Burden joins recent recipients such as Massimo and Lella Vignelli, Hugh Hardy, Richard Meier, Ada Louise Huxtable, Robert A.M. Stern, Kenneth Frampton, Tod Williams and Billie Tsien, and Robert Venturi and Denise Scott Brown.

More about the award after the break. 

We’ve been following the growth of CLOG – an architectural publication seeking to prolong the discussion on pointed topics – from its inception last autumn with the inaugural issue on BIG, followed by their take on Apple. Currently, CLOG is working toward the release of Rendering (submissions are due today!). This evening, CLOG is participating in a “Young Journals Symposium” at Cooper Union. If you’re in the area, be sure to stop by at 7:00 at the Cooper Union Rose Auditorium. The event will feature a round table discussion led by Cynthia Davidson, the Log’s editor and founder, and feature panelists such as the editors of CLOG, Another Pamphlet and Pidgin. This symposium is quite timley as we recently shared an article about Paul Goldberger leaving for Vanity Fair, and the implication of news publications slowly eliminating architecture discussion from their pages. In a way, this symposium responds directly to that matter, as the editors will discuss their motivation for creating such outlets for discussion.

Addicted to checking your favorite site, like ArchDaily, for constant updates, or checking in with Facebook or Foursquare? Don’t worry – you’re not alone, and Columbia’s Spatial Information Design Lab can prove it. In addition to sharing your whereabouts with friends, your geographic mark provides valuable insight in examining the psycho-geography and economic terrain of the city.

More about the study after the break.

Last week, we received copies of two of Steven Holl’s newest publications, Scale and Color Light Time. Published by Lars Müller, the books examine Holl’s preoccupation with light and color as ways to inform the shaping of space. Holl’s architecture has consistently defined itself with formal gestures grounded in light and meaningful applications of textures and colors. While accurate to associate Holl with water color, the books shows the range such a medium has had over Holl’s career, as it has afforded the flexibility to serve as both an exploratory and explanatory tool.

More about the books after the break.

In the middle of March, we attended a community meeting for the third installment of the High Line and shared James Corner and DS + R’s visions for the final stretch of the elevated rail line. While the meeting offered an in depth look as to how it would tie together the previously featured conceptual elements, perhaps the already daring project needs a little more spice…perhaps, the High Line needs Jeff Koons. The American artist has been in contact with the founders of the Friends of the High Line (the nonprofit which saved the railway from being demolished) as it is possible the public park could be outfitted with his lastest sculpture, Train, a massive replica of a 1943 Baldwin 2900 steam locomotive. Oh, and did we mention that the train would be danging dramatically in the air, suspended from a crane?

More about Train after the break.