Visualisation. Image Courtesy of Marks Barfield Architects / i360 Brighton
British practice Marks Barfield Architects, famous for designing the London Eye, are a step closer to realising their latest urban observation structure: the i360 Brighton. This week the international team who created the London landmark were reunited on Brighton beach as as loans of more than £40 million have been agreed to begin the tower's construction. Bringing together companies from the UK, France (Poma), the USA (Jacobs Enginneering) and the Netherlands (Hollandia), the project has been described as "truly unique."
The results of the Royal Institute of British Architects (RIBA) Future Trends Survey for May show that the Workload Index among UK practices was slightly down in comparison to April (from +35 to +33) with the recovery in confidence levels remaining consistently "very strong" across the country. Although last month's survey showed London as the region with the brightest outlook, confidence levels reported by architects in Wales and the West topped the index with a balance figure of +49. Workload forecasts in the private sector, public sector and community sector have all significantly increased.
The Mauritshuis, a Dutch 17th century city palace in The Hague, will reopen this week following a large scale renovation and extension designed by Hans van Heeswijk with servicing and fire engineering undertaken by Arup. Similar to Amsterdam'sRijksmuseum, which reopened after a ten year restoration and remodelling in 2013, the Mauritshuis Royal Picture Gallery exhibits one of the finest collections of Dutch Golden Age paintings including Johannes Vermeer's Girl With a Pearl Earring. Alongside a large scale renovation, Hans van Heeswijk have also extended the galleries with new exhibition spaces, an auditorium and educational spaces.
Sheffield born Alison Gill, later to be known as Alison Smithson, was one half of one of the most influential Brutalist architectural partnerships in history. On the day that she would be celebrating her 86th birthday we take a look at how the impact of her and Peter Smithson's architecture still resonates well into the 21st century, most notably in the British Pavilion at this year's Venice Biennale. With London's Robin Hood Gardens, one of their most well known and large scale social housing projects, facing imminent demolition how might their style, hailed by Reyner Banham in 1955 as the "new brutalism", hold the key for future housing projects?
London based Heatherwick Studio have won a competition to design a Learning Hub at Nanyang Technological University, Singapore. The construction of the Hub, part of a £360 million scheme, will be the first redevelopment of its campus in twenty years. Having already won the BCA Green Mark Platinum Award for Sustainability from the Singaporean Government, the design seeks to redefine the aspiration of a university building. Within this new context the purpose of the university is to "foster togetherness and sociability" so that students can meet and learn in a space that encourages collaboration.
For CNN's George Webster, this year's Biennale is a "bold reminder that architecture is - or at least should be - about a great deal more than blueprints, digital renderings and scale models." Taking the British Pavilion as a case in point, Webster argues that Koolhaas' original thematic provocation has paid off, succeeding "because it places people - our history, culture and even our bodies - at the very heart of its thinking." Travelling through the pavilions of Romania, Germany, the Dominican Republic, and Russia, you can read the article in full here.
The British Pavilion at the 2014 Venice Biennale takes the large scale projects of the 1950’s, 60’s and 70’s and explores the "mature flowering of British Modernism at the moment it was at its most socially, politically and architecturally ambitious but also the moment that witnessed its collapse." The exhibition tells the story of how British modernity emerged out of an unlikely combination of interests and how "these modern visions continue to create our physical and imaginative landscapes." To those who know the UK's architectural heritage, this cultural and social history is delivered in a way which feels strangely familiar, whilst uncovering fascinating hidden histories of British modernity that continue to resonate in the 21st century.
trans magazin, a semi-annual journal published by the Department of Architecture at the Swiss Federal Institute of Technology ETHZ, seeks to address "issues in architecture and urban development from a variety of perspectives." Managed by an independent student editorial team since 1997, the publication studies and discusses humanities, politics, philosophy and the arts. It is "a platform for interdisciplinary discourse" packaged in a beautifully printed, weighty periodical.
Norwegian architect and Pritzker LaureateSverre Fehn’s original drawings for the Nordic Pavilion in Venice are to be presented alongside Ferruzzi’s monochromatic photographs of the building in an exhibition at the National Museum of Architecture in Oslo. Venice: Fehn’s Nordic Pavilion documents the incredible task undertaken by Fehn who, at the age of thirty-four, won the competition to design the pavilion and subsequently won international acclaim when the building was completed in 1962.
The annual RIBA Stirling Prize is set to regain its £20,000 cash prize following a year of no prize money in which Witherford Watson Mann scooped the accolade for Astley Castle. Considered to be the UK’s most prestigious architecture award, the Stirling Prize is presented annually to the “building that has made the greatest contribution to the evolution of architecture in the past year”. Brockton Capital have agreed to support the prize for the next three years starting from 2015, after which the prize will be known as the RIBA Brockton Stirling Prize. The lack of prize money in 2013 raised questions about the significance of the award.
Live Work Play, an exhibition organised as part of the Hampshire Festival of Architecture 2014 (UK), showcases over 100 projects from "within the country, the UK, and beyond." Featuring a range of "thoughtful, robust, elegant and ingenious designs", the show will include designs from local practices such as PAD Studio, Design Engine, AR Design Studio, Design ACB and John Pardey Architects. The exhibition will be open seven days a week between the 14th June and the 16th July. Find out more from RIBA Hampshire.
Swedish based Mandaworks + Hosper Sweden have recently won an international competition to find the "best comprehensive urbanistic proposals for connecting the city centre of Trenčín with both waterfronts of the River Váh." The winning scheme - Tracing Trenčín - "is not a proposal which is noticeably stunning" but is, according to Thomas Matta, deputy chair of the jury, "considerate to the existing structure of the historic core of the city."
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Montage. Image Courtesy of Eindhoven University of Technology
A team of students from Eindhoven University are to build a forty metre high model of Antonio Gaudí'sSagrada Familia. The project, which follows the completion of the world's biggest ice dome last year, will be constructed from pykrete and reinforced with wood fibres. Impressively, the 1:4 scale model will be built in only three weeks. Thin layers of water and snow will be sprayed onto large, inflated molds. The pykrete (water mixed with sawdust) will be immediately absorbed by the snow before freezing. According to the organisers, "the wood fiber content makes the material three times as strong as normal ice, and it’s also a lot tougher." Find out more about the project here.
In an interview with Julia Ingalls Paul Goldberger, former architecture critic of the New York Times and forthcoming biographer of Frank Gehry, discusses the critical relevance of architecture in what he dubs the "new media age." According to Ingalls, Goldberger has thrived "by writing informed narratives that examine not just the trendy cladding of a building, but the deep historical, social, and political environments that invariably give rise to it." Goldberger is a writer who has embraced Twitter, using it as a platform for discussion and debate just as, in prior years, his writings in print media would act as less immediate provocations.
House Housing is the first public presentation of a multi-year research project conducted by the Temple Hoyne Buell Center for the Study of American Architecture at Columbia University. Situated in the Casa Muraro in Venice and staged as an open house, the exhibition responds unsolicited to the proposal by Rem Koolhaas, curator of the 14th International Architecture Exhibition, that architecture focus on its "fundamentals."
Following the devastating news that the Mackintosh School of Art's iconic library was recently destroyed, Steven Holl - designer of the adjacent Seona Reid Building that opened earlier this year - reflects on the "magic" of what has been lost in an article for the Architectural Record. The Charles Rennie Mackintosh building, for Holl, "embodies a refreshingly direct conviction", the sudden loss of which brought on a "deep sadness." Placing it within a canon of architectural masterpieces, Holl gives insight to his emotional connections with this Glaswegian masterpiece: "the Glasgow School of Art has an inner worth and a dignity beyond all measurable value." Read the article in full here.
The Draftery, a printed platform to "discuss the role of architectural drawing today", brings together a fascinating collection of images and words in a publication on three distinct platforms. Figures, Captions and Archive facilitate a multi-disciplinary conversation about how drawings are made and their role in the built environment. Now approaching their third anniversary, how far have they come and where is the project headed?
January 2013 saw the re-launch of The Draftery and the total reconstruction of the project. Their crisp publications now have a strong editorial thread which compliments the carefully curated collections of architectural drawings. Seeking to "demonstrate that drawing, more than mere representation, is a method of acting in the world", good drawings provide a moment of visual solice in a fast paced profession.
