Videos

Are your animated shrubs looking a little tired? Has your digital flora dried up? Are you looking to remedy perennial render problems? Look no further: we've found a solution that will truly make your renders bloom. With the help of a botanist, OneCommunity, an open source software website, has released a list of the most realistic plants optimized for SketchUp. The archive includes everything from palm trees to an array of water and bog plants, bamboo shoots, and tropical evergreen trees. The best part? It's free.

It's time to breathe new life into your wilted renders. Find out how to make yours blossom after the break!

Air pollution in urban areas is quickly racing to the forefront of the environmental discussion, with several major cities facing a serious deterioration of breathable air supply. New Delhi, Beijing, Los Angeles, Moscow and Karachi represent a handful of cities facing the world's worst urban pollution, each with recorded amounts of particulate matter exceeding acceptable levels. In 2014, the World Health Organization issued a report estimating that 7 million people suffered premature deaths in 2012 due to air pollution exposure.

Enter Aeriform Ecologies: An Atmospheric Archive for Industrial Effluvium. Conceived as a thesis project by Jennifer Ng, University of Michigan with thesis advisor Kathy Velikov, Aeriform Ecologies delves into the possibilities for byproducts of petroleum production by proposing a network of solutions for the 'spatial runoffs' created by fossil fuel extraction. Based on a futuristic approach that includes a network of unmanned atmospheric gas harvesting dirigibles, the project blurs the lines between science, technology, and architecture.

Explore the effervescent world of Aeriform Ecologies after the break

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To paraphrase an old adage, "behind every great building is a great architect." According to Swiss-based Kosmos Architects, a less familiar version of this might say "beside every great building is a perfectly mixed cocktail." The firm has revealed a scientifically (un)proven link between alcohol and architecture: ramps, for instance, are often built at an inclination of five to seven degrees, a statistic that correlates to the alcoholic percentage of an average beer. Furthermore, a steep forty-degree roof incline designed to throw off snowfall matches the forty percent alcohol content of vodka used in Arctic climates to keep out the winter chill.

Kosmos Architects has published a series of twelve illustrated postcards, linking iconic buildings with their appropriate drink. A Manhattan for Mies, a Blue Blazer for Zumthor, and a Smoky Martini for Herzog & de Meuron all belong to the series 'Good Drinks & Good Buildings,' a booze-soaked comparison of architecture and alcohol, just in time to ring in 2015.

What's inside SOM's martini? Find out after the break

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In architectural offices, the cardboard tubes used in large-format rolls of paper seem to multiply at an alarming rate, populating every nook and cranny until they fill the rafters. The team at Perkins + Will Boston have invented a cheeky solution to stem cardboard tube proliferation in the form of a privacy screen that behaves simultaneously as a sound and visual barrier, and as a storage space. Composed of dozens of reclaimed cardboard tubes fitted into a CAD-mapped and cut plywood frame, the 'wall' provides ample opportunities for drawing storage, sunlight mitigation, and playful interaction without disrupting workflow.

Find out more about Perkins + Will's solution to cardboard tube waste after the break

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On the surface, Mies van der Rohe's minimalist linear designs have little in common with the kitsch of vernacular architecture in the German countryside. Enter Joachim Brohm, who rose to prominence in the 1980s as one of the first European architecture photographers to work in colour, and now in a current exhibition draws an unexpected parallel between van der Rohe's designs for the unrealized Krefeld Golf Club in Germany and the rudimentary constructions of vernacular post-war architecture.

In "Vernacular & Modern," the latest exhibition at London's Grimaldi Gavin gallery, two of Brohm's photo series are juxtaposed to create a new narrative on architectural context. In Typology 1979, Brohm documents a series of vernacular houses in Ruhr, Germany; while in Mies Model Study, Brohm enters the temporary installation of van der Rohe's unbuilt golf club through a life-size model. Together, the two series contrast the highly aestheticized minimalist world of Mies van der Rohe with highly functional buildings of necessity in the German countryside.

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Find the connection between vernacular and van der Rohe after the break

Although his name may not appear in most architectural history books, Sir Kenneth Hugo Adam has influenced architecture for over fifty years. Better known as Ken Adam, he has been responsible for the production design of over 70 films in his career, most notably for his work on the James Bond franchise. The architect of Fort Knox in Goldfinger, the Zero Gravity Satellite in Moonraker, and Super-Tanker Liparus in The Spy Who Loved Me, Adam has shaped architectural design in film since the 1940s.

Adam is the recipient of two British Film Academy Awards, including one for Dr. Strangelove, and in 2003 became the first film production designer to receive a knighthood. He has been at the helm of some of the world's most well-known and influential films – from Chitty Chitty Bang Bang to Crimes of the Heart – and his drawings are now on display for the first time. In 2012, Sir Adam donated his entire body of work to the Deutsche Kinemathek in his home city of Berlin, where the first retrospective of his work is now on display, entitled 'Bigger Than Life: Ken Adam's Film Design.'

Find out more about Adam's vast body of work after the break

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'Twas the month of December, when all through the house, not an architect was stirring, not even a (computer) mouse. The drawings were hung in the boardroom with care, in hopes that the client soon would be there. The designers were nestled all snug in their beds, while dreams of unlimited budgets danced in their heads. So instead of preparing for the year's final meeting, dear readers, please send us a holiday greeting!

The holidays are upon us, and at ArchDaily we've decided to put an architectural spin on traditional festive greeting cards. You're invited to submit your own architectural holiday card to be hung above the (proverbial) ArchDaily mantle with care. You could win a $500 Amazon Gift Card!

Send us your best Corbusier Santa Claus, Rem 'Jack Frost' Koolhaas, Graves-inspired Postmodern Menorah, or perhaps the latest holiday wares from Zaha Hadid. We'll be collecting our favorites and sharing them at the end of December. Get ready to deck halls like Gehry and gather around the hearth with Saarinen – we'll go easy on building code.

ArchDaily's 2014 Holiday Card Contest has been generously sponsored by Mosa.

"Be very sensitive to where you are, in what times and in what parts of the world, and how that constitutes the artistic practice," says Danish-Icelandic artist Olafur Eliasson in this recent video from Louisiana Channel. In Advice to the Young, Eliasson deliberates on creative practice, urging young artists to take risks and produce meaningful work. "Just because you think about a work of art," says Eliasson, "it is not necessarily a work of art." Most recently, Eliasson has made headlines for his immersive exhibition Riverbed at the Louisiana Museum of Modern Art which explores the intersection between nature and the built environment. Revered as one of the world's leading sculptural and installation artists, Eliasson is adamant that the practice of working with art remains to be "very fierce, very strong and very robust."

"Hey dad, when can I become an architect?" says Archie, son of eternally-frustrated architect Archibald, an animated architect  who rarely wins an argument. "Architecture is not a final destination in time, it's a journey through life," Archibald says. His son's response: "Great! I love traveling! When can I buy the tickets?"

"arch." is a weekly online cartoon series by Mike Hermans, an Antwerp-based architect-cartoonist, that follows Archibald through the struggles architects know all-too-well: uncooperative models, angry clients, and periodic encounters with Tarzan, the jungle king. Archibald is a self-professed "visionary and romantic dreamer," while his business partner Gerald is the anti-creative in a constant struggle to ground Archibald's ideas in reality (hint: it doesn't go well). In "arch." study models have lives of their own, resisting modifications by the architect in favour of their own changes while meddlesome interns and junior architects attempt their own project modifications. Frank Gehry even makes a cameo appearance.

Watch the mini-series in full after the break

A team of California-based designers have invented an earthquake-proof column built of 3D printed sand, assembled without bricks and mortar to withstand the harshest seismic activity. The 'Quake Column' is comprised of a pre-determined formation of stackable hollow bricks which combine to create a twisting structure, optimized for intense vibrations in zones of earthquake activity. Created by design firm Emerging Objects, the column's sand-based composition is one of many in a series of experimental structures devised by the team using new materials for 3D Printing, including salt, nylon, and chocolate. The column can be easily assembled and disassembled for use in temporary and permanent structures, and was designed purposefully with a simple assembly procedure for novice builders.

Find out how the Quake Column works after the break

New York City is home to a plethora of Postmodernist designs — from the impressive Sony Tower to the diminuative Central Park Ballplayers' House — but most remain unprotected by traditional heritage registries. The New York City Landmarks Preservation Commission is at the threshold of its 50th anniversary but has yet to recognize the architectural successes of 1970 up to the most recent eligible year for landmarking, 1984. The commission has been unnecessarily slow to recognize Postmodernist structures in New York City, say Paul Makovsky and Michael Gotkin writing for Metropolis Magazine, who argue that the absence of historical recognition for Postmodernism has come at a high cost, citing the recladding of Takashimaya Building on Fifth Avenue as a "wake-up call" for the Commission.