In an effort to reinvent an iconic American fast-food brand, McDonald’s U.S. has announced a new direction for the corporation, beginning with rethinking the restaurant’s current archetypal design both in its interior eating spaces and exterior urban landscape. A primary example of this commitment can be seen in the recently completed design for McDonald’s Global Flagship in Chicago by Ross Barney Architects.
The structure, which fills an entire city block in the heart of Chicago, was envisioned as a hallmark example of both the architect and the corporation's shared commitment to environmentally sustainable design. Cross Laminated Timber (CLT), an essential material for the project, replaced many of the commonly-used building materials such as steel, concrete, and plastics that have a larger environmental footprint.
Gropius, Mies van der Rohe, Albers, Klee, and Breuer are all names that bring to mind the exceptional artistic talent of the Bauhaus school. But an exceptional yet lesser-known aspect of the Bauhaus is that the early 20th-century experimental German art school was one of the first educational institutions that would openly accept qualified women into the program.
Once entered into the program, women were not exactly treated as equals to their male peers, but in 1919 the acceptance of these passionate women was the beginning of a wave of modern female artisans who made significant, yet not as recognized contributions to the Bauhaus movement. An introduction to seven of these women can be found below:
Interior spaces are a constellation of multiple elements framed by a building’s architecture. Furniture, in particular, plays a key role in defining a space, affecting the uses, comfort level, and feel of the space. Creating a coherent design that maximizes function and activates a living space requires furniture pieces that are not only aesthetically pleasing to begin but are also timeless - creating a dialogue between furniture and architecture.
A furniture piece can be described as an extension of architecture, creating a direct connection between structure and inhabitants. The piece's geometries must mimic or complement the proportions and shapes incorporated into the architecture while accommodating the physical needs of the individual. A notable Italian furniture design company, Flexform, has utilized many of these design principles in the company’s portfolio of contemporary style furniture. Originally the handmade crafts of the Galimberti brothers in 1959, ‘Flexform di Galimberti’s’ early success led the company to expand and grow - allowing many of timeless pieces to be incorporated into the fabric of international architecture.
In 2016, Ecole des Ponts ParisTech has established an advanced masters program with a focus on digital fabrication and robotics. Currently recruiting for its fourth installment, the Design by Data Advanced Masters Program appeals to architects, engineers, and tech-oriented designers. Since its launch in 2016, the program’s director Francesco Cingolani has sought to shape the relationship between architecture and technology by creating a cross-disciplinary culture between the two.
As previously mentioned on Archdaily, students study the main components of the program - computational design, digital culture and design, and additive manufacturing and robotic fabrication - throughout the 12-month program to fulfill Design by Data’s main objectives while working with peers in a dynamic learning environment. While providing each participant with both technical skills and an aesthetic eye, the program ensures students will also gain critical knowledge of current innovative trends and ongoing research. By exposing them to technology through hands-on use of tools of digital fabrication, the program will teach students to approach design through a process-oriented lens.
Andrea Jasci Cimini has designed a contemporary interpretation of a historic building typology, the lighthouse. The success in the design not only stems from its pleasing visual appearance, but also in the redefinition of an aging typology. The lighthouse, as a building typology, has slowly evolved into a cultural relic as new technologies render it redundant.
Once an essential water navigation tool, Cimini’s design successfully preserves the conceptual elements of the lighthouse building type, while divorcing the building-type from its function. While the function has become somewhat obsolete, the building has adopted a cultural significance as a destination rich in history.
Five years ago, Raw Design,Ferris + Associates and Curio founded the Winter Stations Design Competition to bring innovative design concepts to Toronto’s beaches in the winter months. This year, four designs were selected from hundreds of submissions and will be joined by two student submissions to dot the beachfront alongside vacant lifeguard stations.
The six successful design concepts explore the concept of “migration.” This concept was internalized by each team who generated six unique and original designs that explore contemporary social issues, political issues, and the human condition surrounding “migration.” From their investigations, each team brought a design to the seasonal waterfront, drawing people to the beach and inviting dialogue.
To honor renowned Brazilian architect Oscar Niemeyer’s birthday (December 15, 1907), Slovenian photographer Danica Kus published a series of black and white photographs highlighting Niemeyer’s surviving architecture. The architect, who passed in 2012 at the age of 104, is considered one of the greatest modernist architects of the 20th century.
Kus’ photographs accentuate the hyperbolic curves characteristic of Niemeyer’s design, while also highlighting the geometric harmony of rectilinear elements. In an exclusive interview with ArchDaily before his death, Mr. Niemeyer described his personal definition of architecture: “In my opinion, architecture is invention. And under this prism is how I do my projects, always searching for beautiful, expressive, different and surprising solutions.” This photo series encompasses the subtleties of Niemeyer’s premier works and spans his career.
A team of students at the Delft University of Technology has proposed an innovative design for a Hyperloop pod. Winners of the SpaceX Hyperloop Pod Competition in 2016, the TU Delft team came in second place this year with a pod design for one of the most promising transportation systems that many countries hope to build in the near future. The Netherlands in particular, where the University is located, hopes to be the first country in Europe to conceive and build a functional Hyperloop system.
The team’s work will help jumpstart the Dutch Hyperloop system’s development and catalyzes the government's efforts to invest in research that will help make the Hyperloop a reality. The system would be able to decrease the number of vehicles on the road and accommodate the needs of individuals traveling a variety of distances.
Half a century after the new suburban tract home was the dream of many a young American family, refurbished properties are gaining in popularity. This trend extends beyond North America, with exciting renovations of existing structures popping up all over the world, from Belgium to Kenya to China. The attraction to this typology likely lies in its multiplicity; renovations are both new and old, historic and forward-looking, generative and sustainable.
Nowhere is this trend more visible and popular than in housing, where the transformation is often led by the owners themselves. Loosely grouped under terms like “fixer-upper” and “adaptive reuse,” these projects begin with just the structural skeletons and the building’s history. At the personal scale, renovation/refurbishment is an opportunity to bring a part of yourself to your home - but do these small projects together have the potential to turn around a housing crisis?
The architectural and engineering feats of Spanish architect Santiago Calatrava can be admired around the world, but his City of Arts and Sciences, designed alongside Felix Candela, has remained a modern architectural marvel. Like many international visitors, Lebanese photographer Anthony Saroufim found himself inherently attracted to the highly publicized building complex with a specific, tailored angle - unraveling the relationship between the built reality and the people interacting with it.
The International VELUX Award 2018 sought to highlight the work of architecture students around the globe who challenge the use of daylight in built environments. The award, titled “Light of Tomorrow,” was launched in 2004 and is awarded biennially for creative interpretation, exploration, and investigation of daylight in built environments. This year, the winners were selected from over 600 submissions.
This installation marks the initial stage of the project that was announced nearly two years ago. All stages are intended to be completed by 2022. In its entirety, it will include 15 central London bridges - creating a unified artwork connected across the flowing river from Albert Bridge in West London to Tower Bridge in the center of the city.
MVRDV co-founder Winy Maas has been named Domus’ 2019 10x10x10 Editor-In-Chief. The publication began the Domus 10x10x10 in 2018 as an initiative to bring new ideas and alternative editorial styles to the magazine. The 10-year initiative leads to Domus' 100th anniversary in 2028.
As much an architect as a researcher, Maas will provide an original editorial strategy founded on intellectual exploration and catalyzing creative ways of thinking about contemporary and future design efforts. In a manifesto titled “Everything is Urbanism,” Maas describes his primary goals for Domus 2019, a series of 10 publications over 10 months that explore contemporary design questions and theoretical problems, spark dialogue, and examine ongoing architectural research.
This November, RIBA launched a national school program devoted to providing children between the ages of 4-18 access to architecture programs. This will be the UK’s first nationwide architecture program. The instructors, formally known as Architecture Ambassadors, are volunteer architecture professionals donating their time to partnering schools at which students participate free of charge.
Before launching the nationwide program, RIBA conducted a pilot version - gaging interest and success from students, school administrators, and ambassadors. The pilot phase visited over 200 schools in England and 18,000 students. Each school’s architectural workshop was highly individualized to the community and location, adding a personal aspect to the student’s introduction to the vast field of architecture. These tangible projects investigated local areas, assessing their needs, issues that affect the community, and their hopes for the future.
The built atmosphere in which we live has a profound impact on our mood and well-being. For those with mental health issues, this fact is particularly important to understand. This raises the question: can architects successfully design a space that has an overall positive influence on the healing process? What integrated elements of the building, in particular, aid in the process while fighting the prejudice and stigma of mental health issues?
Chilean architect Alejandro Aravena shares the fundamentals of his design philosophy in a documented interview titled “To Design is to Prefer.” The Pritzker Prize winner founded his practice in 2001, committed to exploring socially conscious design practices. His firm, Elemental, first gained international recognition for its work creating social housing projects in Chile, but its portfolio continues to expand to include work from museums, universities, transportation, and urban infrastructure.
This video highlights the mental process behind Aravena’s personal practices and insights into Elemental’s unique approach to design. The interview begins discussing Aravena’s introduction to architecture as a teen and how architecture, a rather obscure phenomenon to the young Aravena, became his passion. Throughout the film, Aravena flips to the pages of his sketchbooks, illustrating the raw hand of the architect.
Nike House of Innovation 000 continues the athletic brand’s redefinition. As a company that prides itself on the innovative design of its foot and athletic wear, Nike has chosen to design its retail locations to reflect a new generation in sports performance. The House of Innovation maintains a foundation in flexible design, allowing the retailer to provide its patron with an immersive brand experience.
The store concept is described as “one floor, one world.” Each floor, inspired by the sounds and movement of New York, highlights different collections within the Nike brand. The retail program of each floor gets more specific as the levels increase. The 68,000 square-foot, six-level destination is the second Nike House of Innovation. The first was opened in Shanghai last month. These stores are the first of a new generation of sport retail experiences for Nike, numbered sequentially around the globe.
Andres Gallardo’s photo series “Urban Geometries” continues, this time the self-taught photographer chose to capture the architecture of Milan. The series focuses on the architectural contours of contemporary structures, varying in both age and function while highlighting the materiality of the façades, architectural, industrial details of each building.
Gallardo’s Milan series features the work of Zaha Hadid Architects and Grafton Architects. Other images in the series include elements of the city that often go unnoticed, such as a series of colorful recycling receptacles.
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