20th-Century World Architecture portrays, for the first time, an overview of the finest built architecture from around the world completed between 1900 and 1999. The unprecedented global scope of this collection of over 750 key buildings juxtaposes architectural icons with regional masterpieces.
Specially designed and commissioned graphics at the start of the atlas explore the changing economic and political contexts of architectural production throughout this fascinating century, and highlight the flow of architectural ideas and architects around the globe. The selection of projects brilliantly illustrates the built outcomes of these formal and cultural influences in every corner of the world, with some surprising revelations.
What began as an academic initiative to improve the quality of life of poor strata of the population has meanwhile become a professional “do tank” offering services that cover the entire spectrum of urban development. Alejandro Aravena (1967 Santiago de Chile) founded Elemental in 2001 in his hometown with the goal of alleviating social deprivation directly instead of hoping for a balance of income relations. Besides building public facilities and public housing, Elemental also develops new approaches for the reorganization of resources and the potential of cities by means of projects devoted to infrastructure and transportation. This publication documents the social activity and history of the international architectural team and sheds light on its financing strategies, for example through participative building.
Nordic Light is a 240-pages book with a wide array of lighting projects in nordic architecture as well as essays about light in late 19th century art form. The book contains architects and comtemporary artists such as Snøhetta, Olafur Eliasson, Lundgaard & Tranberg Architects and Henning Larsen Architects. The graphic elements presented in the book is an interpretation between northern lights and architectural sketching.
Authoring: Re-placing Art and Architecture challenges traditional assumptions about the relationship between art and architecture. From 2008 through 2010, David Adjaye, along with Marc McQuade, taught three studios at the Princeton School of Architecture. Each studio focused on a collaboration with three distinguished artists—Matthew Ritchie, Teresita Fernández, and Jorge Pardo—on interventions in three vastly different sites: the state of New Jersey, the Gowanus Canal in Brooklyn, and the city of Mérida in Mexico’s Yucatán Peninsula.
In the past decade Asia’s building sector has slowly come around to the idea of the Green building. The movement has picked up pace since 2005 with the introduction of, at last count, 13 national Green building assessment tools. Despite a steep rise in the number of certified buildings, the approach to Greening is fragmented and cautious at best. The Asian Green building does not do enough to mitigate impact nor do the conventions of Greening address the diverse needs of the region and its people.
Several wineries and vineyards have captured the public’s eye in recent years thanks to their distinctive architecture, which thoroughly conveys the atmosphere of their surroundings while reflecting the tradition of the winemaker. Through selected vineyards, this book traces the path of winemaking from grape harvest to tasting – all through the eyes of architects and winemakers: Based on numerous conversations with them, the authors are able to tell the personal stories behind the origins of each building and how it relates to its special place, all while expressing the sensual experience that is part of the world of wine. Besides information about the various wine-growing regions and the history of “wine architecture”, the book familiarises the reader with the winemaking process and wine itself, making the book a handy wine and travel guide from the architect’s perspective.