Today, most architects are used to the complex workflow of using multiple tools during the design process. These traditional legacy tools can be bulky and slow, hamper creativity, and often do not talk to each other nor let architects collaborate with their teams. This limits their ability to design, as they spend most of their time getting 3D models BIM-ready.
Snaptrude is aiming to solve these issues by establishing itself as a powerful, browser-based, collaborative 3D design tool. It combines smart, parametric modeling, live building information, easy real-time collaboration and strong interoperability with BIM tools like Revit. Below, a comprehensive list of how these features can make 3D modeling easier.
New York City Mayor Eric Adams, along with the New York City Department of Design and Construction, has announced the breaking ground on the construction of the Studio Gang-designed Shirley Chisholm Recreation Center. Located at the Nostrand Playground in East Flatbush, Brooklyn, the center aims to bring new amenities to the residents of East Flatbush while honoring the history and heritage of the community. The new center is named after Brooklyn-born politician Shirley Chisholm, the first African American woman to serve in Congress and the first woman and African American to seek the nomination for president of the United States.
A mirage can refer to an optical phenomenon caused by the refraction of light on certain surfaces, creating the illusion of a liquefied appearance. It can also represent an illusion, where something appears to be different from what it actually is. Paul Clemence capitalizes on this dual interpretation in his photographic essay, Modern Mirage, which features Casa do Baile (now the Reference Center for Architecture, Urbanism, and Design), the Art Museum, and the Church of Pampulha. He captures these iconic structures as they are reflected in the water mirrors of the modern complex designed by Oscar Niemeyer in Belo Horizonte, MG.
Sharjah, the captivating territory in the United Arab Emirates, is a cultural hub that blends tradition with contemporary modernity. Situated on the Arabian coastline, the city is known for its commitment to preserving its rich history, promoting the arts and culture, and providing a platform for creative and intellectual pursuits. In fact, the 2023 Sharjah Architecture Triennial (SAT) will take place from November 11, 2023, to March 10, 2024, under the theme "The Beauty of Impermanence: An Architecture of Adaptability." The Triennial is curated by Tosin Oshinowo, exploring innovative design solutions emerging from conditions of scarcity in the Global South.
With a deep-rooted connection to its cultural heritage, the emirate is home to an array of museums that showcase a journey through multiple timelines, from Islamic civilization to traditional lifestyles. Now a hotspot for emerging designers, the city has taken a leading role as a patron of fine arts. In the contemporary city, attractions are designed by many architects, from Foster + Partners, Zaha Hadid Architects, 51-1 Arquitectos, to Hopkins Architects. In addition to this emerging cultural scene, old Sharjah is a valuable embodiment of historical tradition, having been transformed into useable attractions and art facilities. The old Sharjah also flaunts landmarks such as the modernist King Faisal Mosque, the Museum of Islamic Civilization, and the Sharjah Art Museum.
By converting the unused areas hidden in the roofspace, homeowners are able to add extra bedrooms, games rooms, or simply give themselves easier-to-access storage space, without having to move house or apply for planning approval. And with more of our lives now occurring under our own roofs, the additional space provided by an attic conversion is more popular than ever.
Without the ability to alter the roof’s pitch, however, the low-height areas of an attic room often remain unusable, and the resulting usable space is restricted by how low its functions can go. By positioning low-height features and activities in these nooks and crannies, attic rooms can make the best of the space they’re given.
The rights to reconstructKisho Kurokawa's iconic Nakagin Capsule Tower are currently sold on one of the largest NFT sites. While the tower’s demolition has begun earlier this year, the auction sells the right to rebuild the structure, in both the metaverse and in real space. The idea of recreating the Metabolic building in a virtual space seems natural. It could allow a larger community to explore an iconic piece of architecture and encourage them to experiment with it, an initiative in line with Metabolist ideals. On the other hand, the idea of reconstructing a demolished historical building in the physical world raises a different set of conflicting emotions. Architectural replicas are not the norm, but their existence raises questions regarding the identity and authenticity of works of architecture.
Frank Lloyd Wright first came up with the concept of the open-plan office in 1906, in the Larkin Building in Buffalo, New York, United States. The innovative nature of this approach, at the beginning of the 20th century, contrasted with the norm of closed offices and probably stunned those who first used it. Fast-forwarding to the 1950s, the concept of an open-plan office –Bürolandschaft or Office landscape– originated in Germany, with the objective of eliminating spatial hierarchy through shared spaces. The architects strategically designed the office layout to improve communication and teamwork, removing solid barriers and replacing rows of desks with work areas that were organized based on functions and workflows, with a mentality aligned with the precepts of the time, especially related to the European post-war reconstruction effort.
A few years ago, the architects at Studio Bark, in collaboration with Structure Workshop and Cut and Construct, began to develop the idea of a circular kit of parts designed so that anyone with reasonable DIY skills could build their own structure. This is U-Build, a modular system made of wood panels crafted with the precision of a computer-controlled cutting machine (CNC). The panels are delivered to the construction site in a compact box, ready to be assembled, stacked, and screwed to shape the walls, floors, and ceilings. Only a few tools are needed, such as a rubber mallet, a drill, a tape measure, and a level.
While this system allows the construction of various types of buildings, its high level of customization finds particular utility and effectiveness in housing projects of all scales. From a tiny house for a couple opting for simplicity to an off-grid cabin in the woods, a Georgian cottage extension, and a 3-bedroom efficiency home, U-Build has brought extraordinary prefabricated wooden homes to life.
Collaboration challenges happen in any construction project; with so many stakeholders and disciplines needing to be heard, agreeing on something and making it happen can be mired in delays, misalignment, and frustration. For architects, one of the greatest challenges involves dealing with inconsistent or lengthy inter-team workflow processes, overburdened staff and worries over litigation risks. It results in duplications, needless delays, and unclear communications, all of which risk the most important asset any architecture firm has: its reputation.
Diamond Schmitt and MVRDV have unveiled the design for a new building for the Scarborough Academy of Medicine and Integrated Health (SAMIH) at the University of Toronto’s Scarborough Campus. The new addition, featuring laboratory spaces, classrooms, and offices, aims to function as a communal and gathering space for the community. The functions are distributed around a five-story atrium that opens toward the exterior on both sides of the building and establishes a destination point within the pedestrian flows of the campus. Solar panels integrated into the façade help power the building, while the warm finishes of the interior contribute to creating a welcoming atmosphere.
Last week in Cairo, CulturVator – Art D’Egypte launched its third edition of the annual international exhibition “Forever is Now.” Set by the backdrop of the Great Pyramids of Giza, the display features the work of 14 international artists. In essence, the exhibition “underscores the significance of cultural exchange among artists at the core of history and ancient Egyptian civilization.”
The third installment "Forever Is Now," running from October 26th to November 18th, presents a diverse ensemble of artists hailing from various corners of the globe. Among them are Egyptian artist Mohamed Banawy and Saudi Arabian talent Rashed Al Shashai, as well as American visual artist Carol A. Feuerman and Belgian creative Arne Quinze. Collectively, these artists have come together to creatively interact with one of the world's most iconic historical sites, crafting immersive visual narratives that seamlessly fuse contemporary elements with the past, weaving tales of the land and its inhabitants.
The term "rede" in Portuguese traditionally conveys the idea of an interweaving of wires. In a contemporary context, it takes on a broader meaning related to connection, collaboration, and integration, whether among ideas, people, or processes. Not coincidentally, these are the core principles of Rede Arquitetos, a collaborative architecture studio founded in 2011 in Fortaleza, Ceará, by architects Bruno Perdigão, Epifanio Almeida, Igor Ribeiro, and Bruno Braga. Presently, the team is led by Braga, Luiz Cattony, and João Torquato, with their main approach emphasizing collective work and valuing encounters over the domination of ideas as a strategy for achieving the best solutions.
Ever since humans first looked up towards the heavens, we’ve wondered what is up there. From 1923 when Edwin Hubble first discovered galaxies beyond our own, our hunger and obsession for knowledge of the cosmos has grown almost as quickly as the universe itself.
As our technology advanced throughout the 20th century, we realized that ‘space’ is, in fact, filled with a huge array of ever more colorful galaxies, gasses, and stars. And the world’s leading product designers were taking note.
Few building materials stand the test of time as well as copper. Unlike other materials that have been replaced over the years –either due to lack of longevity, sustainability issues, or simple aesthetic preferences– copper can continue to be present in a huge variety of applications and its appeal has evolved over the years. Whether in façades and key building elements or in detailing and accessories, it continues to be a solid favorite for architects, designers and the public in general.
The terms resiliency and sustainability, although similar in meaning, refer to different design approaches in the context of architecture and cities. Sustainability involves the preservation of natural resources to uphold ecological equilibrium, while resiliency entails the ability to rebound, adapt, and persist in moments of adversity. These concepts greatly influence and complement each other, especially in cases of designing disaster-resilient buildings. Conventional design processes relating to resilient infrastructure have been based on principles of structural robustness and integrity as a measure against anticipated natural disasters. However, sustainable resiliency points at the opportunity of reinforcing buildings by embedding them in biological and ecological systems.
‘Carbon2Business’ utilization project at Lägerdorf cement plant, Germany. Image Courtesy of Holcim
We live in an increasingly urbanized world. Housing, hospitals, schools, and roads –the foundations of everyday life– require strong, durable materials. The AEC (Architecture, Engineering, and Construction) industry therefore relies heavily on cement, the main component in concrete, to build these elements. Yet for architects, the versatility and resistance of concrete don’t always go hand in hand with sustainability credentials.
Amid our ongoing battle against climate change, the need for authentic decarbonization strategies has never been more urgent. Professions, companies, and organizations worldwide face mounting pressure to integrate sustainable practices into their operations, particularly in response to recent climate challenges. The realm of architecture and urban planning is no exception. Phrases such as "sustainable architecture" and "green architecture" have gained widespread popularity, accompanied by various certifications, products, and advertising, all promising transformative advancements in the field that should align with our global aspirations for a sustainable future.
However, amidst this growing environmental awareness, another phenomenon has emerged: greenwashing. It refers to practices adopted by various sectors, especially those related to marketing strategies that present initiatives that convey a false impression or provide misleading information about how a company's products or projects are more environmentally friendly than they are when analyzed from a more critical and careful perspective.
In the dynamic landscape of contemporary urban development, public architecture is an essential force in reshaping cities. In fact, this element of urban regeneration can revitalize economies and reactivate surrounding commercial schemes. In this transformative era, cities across China have evolved into financial hubs, attracting world-renowned firms and architects who are redefining these skylines. In turn, these metropolises become embodiments of future innovation and lifestyle.
China's cities have become centers of modernity as a result of its explosive prominence in the world economy. These cities have become magnets for architectural marvels that go beyond simple functionality, from Shanghai's ceaseless reinvention to Beijing's cultural renaissance and Shenzhen's undeniable emergence as a global center in technology, research, manufacturing, business, economics, finance, tourism, and transportation, complete with the Port of Shenzhen, the world's fourth busiest container port. Overall, these cities are a crucial gateway in understanding the developing dynamics in metropolitan environments.
Brick beams have been widely used in construction due to their strength, durability, and aesthetic appeal. By embedding steel reinforcing bars into a series of bricks arranged in a specific pattern, these elements form horizontal load-bearing structures that distribute the weight and forces that act on a building. However, it is difficult to find brick beams with excessively large spans, in order to avoid long-term structural problems. Instead, they mostly come in the form of simple lintels, which can be easier to handle.
With a length of 16.2 meters and an impressive clear span of 15.8 meters, CEBRA architects have collaborated with the Randers Tegl group, the largest brick supplier in Scandinavia, to complete the construction of probably the longest brick beam to date. This exterior beam is accompanied by a 13-meter-span interior "sister" beam and is located above the main entrance to the Danish Crown's new headquarters in Randers, Denmark, extending freely between two of the building's wings. The longest beam is made up of almost 4,200 bricks – its height is made up of 25 rows of bricks, equivalent to 1.6 meters, and its edge consists of 4 bricks.
The Media Architecture Biennale Student Awards recognize the world’s best student projects at the intersection of architecture, urban design and planning, media and interaction design, and urban media art.
Mirante do Gavião Amazon Lodge / Atelier O'Reilly. Photo: Jean Dallazem
The architecture of indigenous peoples is deeply rooted in their surroundings, in the sense that materials are locally sourced and empirically tested, to discover the construction techniques and dwellings that best respond to the values of the community and their understanding of housing. The situation in the Amazon is no different. Many different groups of people have settled on the land and water, developing many unique building skills that attract a lot of architects working in these regions. As a result, there is an exchange of knowledge, combining native cultures and novel architecture.
