Our interpretation of the world is mediated through a variety of mechanisms that have been at the center of architectural and urban debate for a long time; the role of hearing in perceiving and recognizing the surrounding environment is fundamental and of growing scientific interest. Studies that investigate the psychological effects of noise produced by large infrastructures, such as airports, highways, railways, are multiplying. Santiago Beckdorf argues that it is possible, through the tools of design, to reverse the paradigm according to which urban development is inevitably connected to a weakening of the natural environment in which it is inserted.
For the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," (21 December 2019-8 March 2020) ArchDaily is working with the curators of the "Eyes of the City" section to stimulate a discussion on how new technologies might impact architecture and urban life. The contribution below is part of a series of scientific essays selected through the “Eyes of the City” call for papers, launched in preparation of the exhibitions: international scholars were asked to send their reflection in reaction to the statement by the curators Carlo Ratti Associati, Politecnico di Torino and SCUT, which you can read here.
The recently opened Opus building by Zaha Hadid Architects brings an interplay of solid and void, fluidity and orthogonality to the Dubai cityscape. New images by award-winning photographer Laurian Ghinitoiu capture the project’s sculptural silhouette, the studio’s distinct architectural signature.
Courtesy of Archstorming HOPE Dental Center contest
Archstorming, the platform dedicated to humanitarian architecture competitions, has announced the winners of HOPE Dental Center contest. The brief called for the design of a dental clinic and training institute for the NGO His Hands On Africa, a non-profit organization that wants to address the lack of dental services in countries such as Rwanda, the chosen location for this competition.
The 2020 coronavirus pandemic is already creating change in every part of society. Harnessing this change should be the impetus for a long-overdue overhaul of the educational system and, in particular, the way we teach architecture.
Each day during the pandemic, we are suddenly finding what was once impossible is now suddenly possible. As Thomas Friedman said of online learning back in 2012, "Big breakthroughs happen when what is suddenly possible meets what is desperately necessary."
We now find ourselves in a position where we have to re-think everything to fight this virus. This pandemic will cause us to re-think learning as entire educational systems are forced to move online. In general, most formal education institutions are not producing the creative thinkers the world urgently needs. Solutions to the coronavirus pandemic require creative thinking, and how we currently teach in institutions today produces groupthink. Our path-dependent education does not get the best from individuals.
As cultural venues and museums remain closed, one initiative launched in early April brings Frank Lloyd Wright’s most prominent projects to the public via virtual tours. Shared under the hashtag #WrightVirtualVisits, the series now features twenty-four sites, and more are expected to join as the project unfolds. With new videos published every Thursday until July 15, the project compiles an insightful glimpse into Wright’s extensive body of work.
As the first ever Spanish architect to receive the Pritzker Prize, Rafael Moneo (born 9 May 1937) is known for his highly contextual buildings which nonetheless remain committed to modernist stylings. His designs are regularly credited as achieving the elusive quality of "timelessness"; as critic Robert Campbell wrote in his essay about Moneo for the Pritzker Prize, "a Moneo building creates an awareness of time by remembering its antecedents. It then layers this memory against its mission in the contemporary world."
As lead designer of the Lever House and many of America’s most historically prominent buildings, Pritzker Prize-winning architect Gordon Bunshaft (9 May 1909 – 6 August 1990) is credited with ushering in a new era of Modernist skyscraper design and corporate architecture. A stern figure and a loyal advocate of the International Style, Bunshaft spent the majority of his career as partner and lead designer for SOM, who have referred to him as “a titan of industry, a decisive army general, an architectural John Wayne.”
50 years ago Clarice Lispector already pointed out how difficult it was to unveil Brasilia: "the two architects did not think of building beautiful, it would be easy; they raised their amazement, and left the amazement unexplained". This year the capital turned 60, and still remains intriguing for scholars, students, and anyone who allows themselves to explore it better. In order to understand the daily life that exists there, we invited six professionals- in the field of architecture and urbanism - who live in the city, to share their visions with us and bring a few more layers that help to build an interpretation of utopia and reality that Brasília currently represents.
In the most fundamental sense, it can be said that architecture emerged due to the basic human need for shelter. The construction of the primitive hut was realized long before the conceptual Primitive Hut was described by Marc-Antonie Laugier and drawn by Charles Eisen in 1755. Laugier theorized that man wants nothing but shade from the sun and shelter from storms- the basic requirements of a human for protection from the elements. The pieces of wood that are raised perpendicularly give us the idea of columns, the horizontal pieces laid across them give us the idea of entablatures, and the branches that form a sloping incline are covered with leaves and give us the first roof. Although humans have been inhabiting the earth for millions of years, why was it only 265 years ago that Laugier’s theory was penned and made into an architectural cannon?
The Fundació Mies van der Rohe is proposing more than a hundred activities to enjoy at home part of this year’s BarcelonaArchitecture Week 2020. Designed with and for everyone, the fourth edition of this event starts on Thursday 7 May and offers over a hundred activities adapted into a virtual format. Events include including streamed talks and meetings, debates, and virtual tours of various spaces in the city, to name a few.
3XN has won a competition for the design of an innovation center for health and life science companies, called "Forskaren". Providing office spaces, restaurants, cafes, and an exhibition area, the 24,000 sqm building is designed with the highest sustainability standards in mind and will pursue LEED Platinum certification.
Located between the Karolinska University Hospital and the old Stockholm city hospital, the new Center will become a part of Hagastaden district and play a major role in the development of world-class research in health, life science and treatment, attracting new talents with exciting opportunities as a hub for different scale companies of the industry.
Toronto's new Quayside smart city development by Sidewalk Labs has been cancelled. CEO Daniel L. Doctoroff announced in a Medium post that the impact of the COVID-19 pandemic has made the prototype no longer viable. As the subsidiary of Google's parent company Alphabet, Sidewalk Labs aimed to "unlock the potential" of the city’s Eastern Waterfront.
Jarahieh Refugee School. Image Courtesy of CatalyticAction
For the past few months, the architecture community has been trying to bring its contribution to the fight against the pandemic. The global spread of this crisis might have triggered a coordinated, and thus a more visible effort, but this isn’t the first time professionals step up in crises. Over the years, natural disasters and emergencies have determined several architects to get involved in disaster relief initiatives, as well as a wide range of humanitarian actions. In this article, we take a look at different occasions various architects and practices made a significant contribution to, helping affected communities overcome hardship.
Sustainable design is more than water, energy and carbon. For architecture, it is deeply rooted in an understanding of life cycles and systemic cultural change. Over the last thirty years, the word "sustainability" began to lose its weight as it transformed into a loosely defined buzzword. But the ideas behind the umbrella term have grown and expanded, and in turn, iconic new buildings are being designed to rethink what the future holds.
X-Architects’ entry for the DesertResort Competition, generated a luxury 60 keys desert hideaway resort, in an ultra-harsh and empty environment. Placed in Rub’ Al Khali, the world’s biggest sand sea located in the KSA, the project addresses the challenging design in desert-like surroundings.
Expo 2020 Dubai has been postponed and will be held from 1 October 2021 to 31 March 2022. The decision has been declared after the two-thirds majority of the votes was surpassed within a week of voting, opening on 24 April.
The Australian Institute of Architects has announced John Wardle as the winner of the 2020 Gold Medal. Wardle was recognized for his iterative design process and attention to craft, as well as his collaborations with artists and craftspeople. His firm's portfolio of work includes both national and international projects, as well as his contribution to the 16th International Biennale Architettura in Venice.
Dissociating architecture from furniture is almost impossible. As Le Corbusier parking contemporary cars in his project photos suggests, the objects that decorate a domestic space demonstrate the wealth and lifestyle of the user who lives in it. From the moment that humanity ceased to be nomadic, there has existed records of rudimentary furniture. In an excavated site dating from 3,100 to 2,500 BCE, a variety of stone furniture was discovered, from cabinets and beds to stone shelves and seats. Since these early examples, furniture has always been used to express ideas: be it the exclusive and luxurious furniture of Ancient Egypt, meant to demonstrate the power and wealth of the empire, to the functional and simplified designs of the Bauhaus, meant to reconstruct rationality in the world, studying the evolution of furniture design is instrumental to understanding architectural styles.
Nowadays, the advancement of technology and the internet has made changes develop faster and faster, making them even more difficult to assimilate and follow. Furniture follows this trend, be it in the way of designing, manufacturing, or even selling products. Below, we outline some ways in which technology has impacted this field:
With the COVID-19 pandemic sweeping through the world's urban centers, governments worldwide are urging citizens to hunker down at home in a bid to quell the virus' spread. For apartment dwellers under quarantine, balconies have become the new platforms for entertainment and social interaction, making now an opportune moment in rethinking how we design and build these outdoor urban spaces.
“The Infinite City” smart city design for Indonesia New Capital. Image Courtesy of AntiStatics Architecture
Presented part of international competitions, this week’s best-unbuilt architecture gathers award-winning projects submitted by our readers. Highlighting as usual diverse approaches from across the globe, ArchDaily is rounding up in this article, a curated selection of cultural, civic, and urban proposals.
In Singapore, an adaptive reuse project transforms a power station into a creative industrial hub, while in Indonesia, a smart city design for the new capital generates an ecologically responsible environment. Moreover, Kjellander Sjöberg designs and develops an original city block in Stockholm, and TheeAe imagines a city hall for China. Other proposals include an entire reflective surface for a public square in Italy, a new city district in Tampere Finland, a University building in Warsaw, and a school for contemporary art in Vienna.
Kohn Pedersen Fox Associates (KPF) has just announced the groundbreaking of Platform 16, an office campus in Downtown San Jose, California. Comprising three-buildings, the 1,200,000-square-foot project is an innovative complex that favors indoor and outdoor connections.
CHYBIK + KRISTOF Architects have unveiled their 3rd prize concept in the competition to design the new Senezh Management Lab campus in Russia. Located in a lakeside town on the outskirts of Moscow, the competition invited teams to propose a site-specific and forward-thinking masterplan for the 82-hectare educational campus. The design was made to rethink Constructivist educational theory and anchor learning in the natural environment.
Architects, not Architecture decided to open their archive to help us cope with the current situation of not being able to go out as usual and create a source of inspiration and entertainment through sharing one of the unique talks from their previous 35 events, which have never been published before – including those of architects like Daniel Libeskind, Tatiana Bilbao, Sadie Morgan, Peter Cook, Richard Rogers and Massimiliano Fuksas.
Every week, Archdaily will be sharing one of the Architects, not Architecture. talks which they are currently publishing online in the form of daily full-length video uploads as part of their “new event”: Home Edition 2020 (www.architectsnotarchitecture.com).
The IN SITU Salon. Americas Society's Mexican Room intervened with art historical references, by Laura González Fierro and Agustin Schang.
Americas Society NY in collaboration with Center for Architecture (AIANY) launches a new architecture initiative: IN SITU_Conversations on Architecture and Beyond curated by Agustin Schang and Laura Gonzalez Fierro.
This new series of weekly Instagram posts invites architects and thinkers to contribute their spatial ideas and thoughts around the inside, the outside, and the in-between space(s). In a moment when a large amount of the world population is locked down, forced to negotiate between isolation, interiority, and connectivity in unprecedented ways–we urge to rethink: How are we navigating this crisis spatially? How are we shaping this new everyday experience across the Americas and the world at large? Where is the architecture discipline today, how is it transforming, and how is it going to help shape a better world for the future?
