Cacela House / atelier RUA - Exterior Photography

Cacela House / atelier RUA - Exterior Photography

Cacela House / atelier RUA - Interior Photography, Facade, Bathtub

Cacela House / atelier RUA - Interior Photography

Cacela House / atelier RUA - Exterior Photography

Cacela House / atelier RUA - Exterior Photography

Cacela House / atelier RUA - Interior Photography

Cacela House / atelier RUA - Interior Photography, Door, Bed

Cacela House / atelier RUA - Interior Photography

Cacela House / atelier RUA - Interior Photography, Door

Cacela House / atelier RUA - Interior Photography

Cacela House / atelier RUA - Interior Photography

Cacela House / atelier RUA - Interior Photography

Cacela House / atelier RUA - Interior Photography

Cacela House / atelier RUA - Interior Photography, Chair

Cacela House / atelier RUA - Interior Photography, Kitchen, Table, Chair

Cacela House / atelier RUA - Interior Photography, Kitchen, Table

Cacela House / atelier RUA - Interior Photography, Kitchen, Countertop, Sink

Cacela House / atelier RUA - Interior Photography, Table

Cacela House / atelier RUA - Interior Photography, Door, Table

Cacela House / atelier RUA - Interior Photography, Kitchen, Facade

Cacela House / atelier RUA - Exterior Photography

Cacela House / atelier RUA - Interior Photography, Door, Facade

Cacela House / atelier RUA - Interior Photography, Bedroom, Door

Cacela House / atelier RUA - Interior Photography

Cacela House / atelier RUA - Interior Photography

Cacela House / atelier RUA - Interior Photography, Door, Chair

Cacela House / atelier RUA - Exterior Photography, Door

Cacela House / atelier RUA - Exterior Photography

Cacela House / atelier RUA - Exterior Photography, Facade

Cacela House / atelier RUA - Image 31 of 31

Cacela House / atelier RUA

© Francisco Nogueira

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Interior Photography Renovation Kitchen Table Chair

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Hillside House for Healthy Living / Abramson Architects

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Pavilion Extension / Ashworth Parkes Architects

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The bulthaup c2 table looks like a sculpture in the room. The innovative industrial finish ensures the seamless transition between the tabletop and the edge and gives the appearance of having been made from a single mold. Thanks to its neutral shape and solid core laminate design, it can be easily combined with other items of furniture.

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Mix is a simple, strong light-weight table, without rails. The table tops are available in both square, rectangular, circular and curved forms and they may be linked in larger compositions of tables or tables and extension leaves alternately. Furthermore the Mix-series is available with several different bases in wood and steel and as well as with folding legs.

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45 mm thick maple veneer tops with solid edges. L 2000 x W 1000 mm L 79.00 x W 39.50 in

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Enigma 825 was designed by Japanese designer Shoichi Uchiyama in 2005 and extends the Enigma family, allowing it to be used in rooms with high ceilings. Enigma 825 is a larger version of Enigma 425, based on the design idea of floating shades held by ultrathin wires, providing a transparent and light expression. The name enigma stands for ‘mystery’, referring to the fact that the shades appear to hover when viewed illuminated from a distance. The design fitted well with Louis Poulsen´s product philosophy, and was a new interpretation of the multi-shade system - Japanese grace combined with Scandinavian simplicity. In 2018, the original aluminium version is joined by a new, black edition, expanding the design’s decorative possibilities, and creating a serene visual and atmospheric effect as it shapes and channels light.

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Enigma 425 was designed by Japanese designer Shoichi Uchiyama in 2003. Uchiyama presented a design idea to Louis Poulsen which deconstructed the traditional chandelier concept into slim layers of concentric circles. This involved floating shades held by ultrathin wires, providing a transparent and light expression. The name enigma stands for ‘mystery’, referring to the fact that the shades appear to hover when viewed illuminated from a distance. The idea fitted well with Louis Poulsen´s product philosophy, and was a new interpretation of the multi-shade system - Japanese grace combined with Scandinavian simplicity. In 2018, the original aluminium version is joined by a new, black edition, expanding the design’s decorative possibilities, and creating a serene visual and atmospheric effect as it shapes and channels light.

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Height: 19cm/ 7,5" Width: 32cm/ 12,5" Colour: White Surface finish: Semi-matt, smooth Material: Steel Certification and classification: Insulation Class: Class II Certification and Declaration: CE, CB IP rating: IP20 Environment: Indoor Lightsource and electrical information: Voltage (V): 230V Frequency (Hz): 50-60 Max wattage: 75W Lampbase E27

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The Ramón chair is a carefree yet serious design suitable for both indoor and outdoor use. The white metal frame and elegant X-shaped legs are finished by a white or natural wicker seat and backrest. The geometry of this chair makes it easy to stack and move. General description: White metallic structure. Seat and back made of hand-woven synthetic rattan with a natural or white finish. Stackable. For indoor and outdoor.

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Frame: Tubular polished chrome finish. Upholstery: Thick cowhide sling with leather laces or Rattan upholstery. Glides: Opaque plastic glides shipped with each chair for optional on-site insertion to use on hard floors. Armless Chair 49cm W x 69 cm D x 79cm H with seat height of 46cm

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Table with solid wood top made of glued boards. The main characteristic feature is the glued toothing of the table legs. Technical details: Product number: 1800 Material: beech, maple or oak, other types of wood on request Finish: Oiled or matt lacquered Measurements: 180 x 85 x height 73 cm, 240 x 90 x height 73 cm or 215 x 85 x height 73 cm, other measurements on request

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MATERIAL Solid wood – Ash white oiled, oak, knotty oak, oak colour stain, American cherry, American walnut, knotty American walnut, European walnut (max. 240 cm) SURFACE Impregnated with natural hardwax-oil Oak colour stain: matt lacquered For contract use we propose a lacquer finish on tabletops VERSION In further sizes available Extension: Solid wood Wood grain lengthways as tabletop, surface structure of wood not continuous Incl. support in stainless steel DIMENSIONS Rectangular h 75 cm w 90, 100 l 140, 160, 180, 200, 220, 240, 260, 260, 280 (in cm) w 120 cm l 240, 260, 280, 300, 320, 340, 360, 380, 400 (in cm) from l 300 cm with middle leg Square h 75 cm 120 × 120, 140 × 140, 160 × 160, 180 × 180, 200 × 200, 220 × 220, 240 × 240 (in cm) from l 220 cm with middle leg Tabletop thickness 38 mm Extension leaf: l 60 cm w 90, 100 (in cm) Size of legs: see price list

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Nero, linoleum

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The moments that we spend together at the table are the most precious. This is where life happens, where we feel happy. bulthaup b Solitaire – table, bench, and bench cushion – complement these extraordinary moments. The table is both the center point of our home life and the core of the bulthaup b Solitaire. Unique grains and particular growth characteristics make each b Solitaire table a unique piece. Together with the solid oak bench and matching cushion in natural tanned leather, it offers the perfect invitation to linger. In keeping with the concept of bulthaup b Solitaire, the table rests on a frame made of matt-black aluminum. The two black stay bolts are useful in a number of ways. From a design perspective, they continue the frame, while in terms of construction, they connect the table frame and top. They serve to balance the natural wood tension, as well as provide a visually striking detail. The table is available in dimensions of 74 x 220 x 100 cm, 74 x 250 x 100 cm and 74 x 280 x 100 cm (H x W x D). With matching benches in solid wood and bench cushions.

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The table mod. at_06 with its slatted table top made of untreated larch wood stands out with its light weight and formal lightness. Materials: The table top is assembled from untreated 22 mm thick larch slats with a width of 37 mm each. The table frame is made of polished stainless steel square tube. Details: The legs can be made without bottom crossbars and are demountable. Optionally with ground mounting. The table is suited for permanent outdoor use. h (cm) | l (cm) | w (cm) 74 x 160 x 75 / 90 74 x 180 x 75 / 90 74 x 200 x 75 / 90 74 x 220 x 75 / 90 74 x 240 x 75 / 90

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Height: 72cm/ 28.3" Length: 180cm/ 70.9" Width: 90cm/ 35.4"

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The solid wood table collection GEORGE is inspired by the design principles of Shaker furniture. These should be simple, functional and of high aesthetic impact. The formal rigor of the basic construction paired with sensitively designed details characterizes the design. One for all.

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Height: 32cm/ 12,5" Width: 55cm/ 21,6" Colour: White Surface finish: Semi-matt, smooth Material: Steel Certification and classification: Insulation Class: Class I Certification and Declaration: CE, CB IP rating: IP20 Environment: Indoor Lightsource and electrical information: Voltage (V): 230V Frequency (Hz): 50-60 Max wattage: 150W Lampbase E27

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The fixture is 100% glare-free, with a design based on the principle of a reflective three-shade system, which directs most of the light downwards. The shades are made of deepdrawn aluminium with white inner surface that ensures gentle, downward light distribution. The downward light is both soft and pleasant. Available colors: Yellow, Red, Green, White Dimensions Lenght: 330mm Height: 307mm Width: 330mm Light source: 1x70W E27

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Poul Henningsen designed his first lights back in 1925-1926 for an exhibition in Paris. His work with Louis Poulsen continued right up until his death in 1967. Throughout his life, PH sought to create glare-free light, direct light where it was most needed, and create soft shadows, using incandescent bulbs as a light source. PH Louvre was designed for the Adventist Church in Skodsborg, Denmark in 1957. The globe-shaped fixture is made up of 13 shades mounted on four supports. It is a simplification of an earlier light Poul Henningsen designed in 1942, called the Spiral.

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Originally introduced in the 1950's . Was designed in close cooperation between the Navy Buildings Department and Louis Poulsen. The pendant was used for many years in the builidngs of the Navy for many different applications such as canteens and offices. The Navy Pendant, which was the name at that time, was widely used because of the unique lighting properties and utility. Not until the early 1980's the product was taken out of the Louis Poulsen catalogues. The design appears timeless but has a strong connection to the New Look of the 1950s. It was reintroduced as Doo-Wop in 2012 in new colours and a brass version. In 2017 with new metal editions in copper and stainless steel. The production methods are the same and the shades are still spun by hand and completed with the fine rolled edge which gives the shades a special optical volume. Especially the brass variant challenges the craftsman as it is spun from a solid brass plate and appears polished.

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The fixture emits comfortable glare-free diffuse light. Matt painted undersurfaces and glossy top surfaces result in an attractive reflection of the diffused light, creating uniform light distribution around the fixture. When the light is switched on, the top portion is illuminated while the bottom part remains dark. Available colors: White Dimensions Lenght: 400mm Height: 390mm Width: 400mm Light source: On our website you can use our product configurator to specify the light source and lighting control.

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The seven-shade glass crown emits a glare-free, downward directed light, while radiating a pleasantly delicate glow. From shade to shade, frosted glass fields alternately cover the clear ones, thus diffusing the light even more softly. Available colors: Clear and Matt Glass/Brass Dimensions Lenght: 500mm Height: 405mm Width: 500mm Light source: 1x28W E27

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The fixture provides 100% glare-free light. Poul Henningsen developed the PH 5 in 1958 as a follow-up to his celebrated three-shade system. The fixture emits both downward and lateral light, thus illuminating itself. In the PH 5 Classic, a warmer tone of light is created by the inside red cone and a small blue reflector. Available colors: Monochrome Blue Dimensions Lenght: 300mm Height: 163mm Width: 300mm Light source: 1x20W E14

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Poul Henningsen designed the three-shade system back in 1925-1926. The first lights using the system were designed for an exhibition in Paris. His work with Louis Poulsen continued right up until his death in 1967. Throughout his life, PH sought to create glare-free light, direct light where it was most needed, and create soft shadows, using incandescent bulbs as a light source. The four-shade system was launched in 1931 to create a fixture which could be mounted high up and serve as an alternative to the commonly used chandeliers. The PH four-shade light was designed to increase the amount of light emitted horizontally to provide greater illumination of walls and shelves than was possible using standard three-shade lights. It was removed from the Louis Poulsen standard range in the 40s, but was redesigned in 1979 by two Danish architects – Sophus Frandsen and Ebbe Christensen – for the Charlottenborg exhibition building in Copenhagen, although in a larger size: PH 6½/6. To resolve the never ending glare problem, the two architects decided to add a small blue shade to the design. They also added a new surface with a more matte, white painted shade, to achieve a more even, comfortable light – ideal for museums and exhibition rooms or as general lighting in rooms with high ceilings. A smaller version, the 5/4½, was created for the Aarhus Concert Hall in 1984.

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The fixture provides 100% glare-free light. Its design is based on the principle of a reflective three-shade system, which directs majority of the light downwards. The fixture emits both downward and lateral light, thus illuminating itself. Available colors: Brass, Copper, Hues of blue, Hues of green, Hues of grey, Hues of orange, Hues of red, Hues of rose, Monochrome black, Monochrome blue, Monochrome white, White classic, White modern Dimensions Lenght: 500mm Height: 267mm Width: 500mm

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Poul Henningsen designed the three-shade system back in 1925-1926. The first lights using the system were designed by PH in cooperation with Louis Poulsen for an exhibition in Paris. His work with Louis Poulsen continued right up until his death in 1967. Throughout his life, PH sought to create glare-free light, direct light where it was most needed, and create soft shadows, using incandescent bulbs as a light source. The PH 4/3 Metal Pendant was launched in 1966. Its design follows the general three-shade system based on the logarithmic spiral, with the centre of the light source positioned at the centre of the spiral. This light is a simplification of the light PH designed in 1929. The light won him the highest distinction at the world exhibition in Barcelona at that time. Metal pendants were produced in a number of formats and colours, and the underside of the shade was painted white to provide diffuse light. To achieve warmer lighting, metal pendants were also produced with a gold-coated underside at one stage. Metal pendants have been produced in a number of sizes and colours over the years.

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