Gallery of Saboc Restaurant / Ventura Studio + Adam Bresnick

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Nero, linoleum

Description: Anodized aluminium with prismatic diffuser. Mounting: Wall mounting. Connection: Terminalblock 3x4mm2. W 350 x D 137 x H 99 mm Class I IP 20

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Anodized aluminium.Prismatic diffuser. Matt acrylic on top. Cover for downlight only available as accessory. Mounting: On wall. Connection: Snap-in terminal block 3x4mm2. Class 1 230V 50Hz IP23 HF W 350 x D 137 x H 99 mm

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The fixture emits diffused light. The opal curved diffuser provides a soft and comfortable spatial lighting, and the metallised rear half of the product produces a decorative halo-like illumination on the ceiling or wall surface. The metallised surface also creates a mirror effect, reflecting the texture, colour or material of the installation surface. Available colors: Opal Dimensions Lenght: 295mm Height: 89mm Width: 295mm Light source: On our website you can use our product configurator to specify the light source and lighting control.

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Height: 32cm/ 12,5" Width: 55cm/ 21,6" Colour: White Surface finish: Semi-matt, smooth Material: Steel Certification and classification: Insulation Class: Class I Certification and Declaration: CE, CB IP rating: IP20 Environment: Indoor Lightsource and electrical information: Voltage (V): 230V Frequency (Hz): 50-60 Max wattage: 150W Lampbase E27

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Pendulum lamps by Marianne Brandt and Hans Przyrembel. Between 1924 and 1928, Marianne Brandt designed – in addition to smaller articles for common use such as ashtrays, china, etc. – quite a number of table, wall and pendulum lamps, which were also manufactured industrially in this period. For reproducing the pendulum lamps we had access to old catalogs, with exact specifications, as weIl as to two old models, one from the collection in the Bauhaus Archives in Berlin. Both versions (shade diameter 300 or 500 mm) are available with or without the pulley system. HMB 25/300 Z Ni: With pulley and counterweight. Polished nickel plated aluminium. HMB 25/300 Z W: With pulley and counterweight. Aluminium, white laquered. HMB 25/300 Ni: Without pulley and counterweight. Polished nickel plated aluminium. HMB 25/300 W: Without pulley and counterweight. Aluminium, white laquered. Material: Pendant lamp with or without pulley and counterweight. Aluminium polished and nickel plated or Aluminium, white lacquered Socket: E 27, max. 100 W

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Height: 19cm/ 7,5" Width: 32cm/ 12,5" Colour: White Surface finish: Semi-matt, smooth Material: Steel Certification and classification: Insulation Class: Class II Certification and Declaration: CE, CB IP rating: IP20 Environment: Indoor Lightsource and electrical information: Voltage (V): 230V Frequency (Hz): 50-60 Max wattage: 75W Lampbase E27

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Ultra flat 10 mm thick ceiling LED luminaire for direct mounting to the ceiling. As an option, also available with mounting bracket for cavity. Approx. 98 % direct beam, wide beam. Additional ceiling lighting and very even, almost floor-to-ceiling illumination of walls from secondary light. External Nimbus converter required. The converter can be integrated in a suspended ceiling or an in-ceiling junction box. Ø 323 × 10 mm (direct mounting), Ø 323 × 93 mm (cavity mounting) LED technology, 24 V DC 2150 lm IP20 19 W / 2700 K (010-152), 18,1 W / 3000 K (006-384), 17,3 W / 4000 K (010-153)

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The wall fixture consists of a polished stainless steel lampshade, evoking the shape of a Masai shield. A lens system distributes the light. The lampshade is fitted with two applications of tinted glass, optionally red or blue. Shown light effects are depending on brightness, colour of ambient light and surface or material of the wall. Info: Patent on ornamental design registered Material: Polished stainless steel, blue or red glass, with electronical transformer for dimmer Socket: GU 4, max. HAL 2 x 35 W, 12 V, Ø 35mm

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Wall lamp giving up & down light in curved laser-cut metal. White lacquered metal wall plate. White lacquered or chromium-plated metal screen. 1 x max 120 W - R7s.15

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Poul Henningsen designed the three-shade system back in 1925-1926. The first lights using the system were designed by PH in cooperation with Louis Poulsen for an exhibition in Paris. His work with Louis Poulsen continued right up until his death in 1967. Throughout his life, PH sought to create glare-free light, direct light where it was most needed, and create soft shadows, using incandescent bulbs as a light source. The PH 4/3 Metal Pendant was launched in 1966. Its design follows the general three-shade system based on the logarithmic spiral, with the centre of the light source positioned at the centre of the spiral. This light is a simplification of the light PH designed in 1929. The light won him the highest distinction at the world exhibition in Barcelona at that time. Metal pendants were produced in a number of formats and colours, and the underside of the shade was painted white to provide diffuse light. To achieve warmer lighting, metal pendants were also produced with a gold-coated underside at one stage. Metal pendants have been produced in a number of sizes and colours over the years.

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Poul Henningsen designed the three-shade system back in 1925-1926. The first lights using the system were designed for an exhibition in Paris. His work with Louis Poulsen continued right up until his death in 1967. Throughout his life, PH sought to create glare-free light, direct light where it was most needed, and create soft shadows, using incandescent bulbs as a light source. The four-shade system was launched in 1931 to create a fixture which could be mounted high up and serve as an alternative to the commonly used chandeliers. The PH four-shade light was designed to increase the amount of light emitted horizontally to provide greater illumination of walls and shelves than was possible using standard three-shade lights. It was removed from the Louis Poulsen standard range in the 40s, but was redesigned in 1979 by two Danish architects – Sophus Frandsen and Ebbe Christensen – for the Charlottenborg exhibition building in Copenhagen, although in a larger size: PH 6½/6. To resolve the never ending glare problem, the two architects decided to add a small blue shade to the design. They also added a new surface with a more matte, white painted shade, to achieve a more even, comfortable light – ideal for museums and exhibition rooms or as general lighting in rooms with high ceilings. A smaller version, the 5/4½, was created for the Aarhus Concert Hall in 1984.

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Pendelleuchte aus sphärisch gedrehten Aluminiumscheiben und satiniertem Acrylglas. Die Pendelleuchte ist mit innen farbigen Aluminiumscheiben oder aluminiumfarbend matt erhältlich. Material: Aluminium, satin glass, acryl. Black lacquered canopy, transparency cable Different colour: orange, green, blue, strawberry, white, black, Aluminium pure matt Bulb: LED 7,84 W, 986 lm, 2700 K incl. The bulbs can onlx be replaced by TECNOLUMEN

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Saboc Restaurant / Ventura Studio + Adam Bresnick

The Tent / a21 studio

Selected Projects

Yellow Treehouse Restaurant / Pacific Environments

Selected Projects