In this interview, presented in collaboration with PLANE—SITE, Jack Self—co-curator of the British Pavilion at the 2016 Venice Biennale—reveals how the frontline of architecture in Britain today is not just a housing crisis, but "a crisis of the home." In provocatively presenting "the banal," Self reveals why the British participation at the 2016 Venice Biennale proposes five new models for domestic life, each curated through time of domestic occupancy, alongside how it seeks to address the ways in which we might live in the future.
Through five distinct periods (hours, days, months, years and decades) [the exhibition] argues that by designing first with time (as opposed to space) we can overturn the functionalist perspective in western architecture and reinstate a rationalist understanding of dwelling. As far as we are aware, it is also the first exhibition on architecture to be curated through time in the home.
Each of these five models addresses a different facet of our “frontline” crisis of living, from how to prevent speculation and exploitation in real estate markets to how sharing can be a form of luxury and not a compromise. Each model has been developed in an intensely pragmatic and totalising way, by harnessing the expertise of diverse advisors and collaborators ranging from developers and financial institutions to engineers, architects, artists, fashion designers, photographers and filmmakers.
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Jack Self is an architect and writer. He curated the British Pavilion with Finn Williams and Shumi Bose.Home Economics was commissioned by the British Council.
Home Economics: Inside the British Pavilion at the 2016 Venice Biennale
