Gallery of Lang 靚 House / Austin Maynard Architects

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White lacquered aluminium reflectors. Ceiling canopy is made of metal (chrome plated). Light source: E27 (220V) E26 (110V) max. 75W Small: Ø 40 cm (15.8”) Large: Ø 50 cm (19.7”)

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Pendelleuchte aus sphärisch gedrehten Aluminiumscheiben und satiniertem Acrylglas. Die Pendelleuchte ist mit innen farbigen Aluminiumscheiben oder aluminiumfarbend matt erhältlich. Material: Aluminium, satin glass, acryl. Black lacquered canopy, transparency cable Different colour: orange, green, blue, strawberry, white, black, Aluminium pure matt Bulb: LED 7,84 W, 986 lm, 2700 K incl. The bulbs can onlx be replaced by TECNOLUMEN

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The fixture emits diffused light. The curved opal diffuser provides soft, pleasant, primarily downward directed room lighting. The metallised semitransparent rear side of the diffuser produces a halo effect and reflects light from the surroundings. The rounded white top completes the curve from the diffuser. The luminaire is suspended simple and elegant from its cord. A white pendant tube in the top of the housing ensures stability and balance in the luminaire. Available colors: Opal Dimensions Lenght: 295mm Height: 104mm Width: 295mm Light source: On our website you can use our product configurator to specify the light source and lighting control.

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When visiting Japan designer Monica Armani was inspired by the signs and the sophisticated Japanese culture, especially the eye for detail which also describes her design aesthetic. For the Ukiyo armchairs, she worked on the balance between curved and taut lines and the visual weight of each element that concludes an armchair that’s comfortable, elegant and exudes pure design.

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Basic chic with an excellent, well-studied seating comfort. The combination of the broad slats and the pure but powerful design of the Kos outdoor chair, reinvents teak in a modern, robust way. Tribù only uses the very best plantation wood that can be found in Java, A-grade wood controlled all year round by subsidiary Tribù Asia in Semarang.

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Solid teak construction Width: 63 cm Depth: 65,5 cm Height: 94,5 cm Seat Height: 43 cm Arm Height: 66 cm Weight: 11kg

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Chair with upholstered seat and backrest and solid beech wood frame.

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MATERIAL Solid wood – Oak, oak colour stain, American cherry, American walnut VERSION Wooden seat, close upholstery, stackable Armrest available, stackable Mounted with plastic glides, additional furniture glides for any type of flooring on request – Wagner QuickClick® SURFACE Impregnated with natural hardwax-oil Oak colour stain: matt lacquered DIMENSIONS Wooden seat h 87 cm, w 41 cm, d 49 cm, Seating h 46 cm EXTRAS CATAS Test EN 1728:2012 Level 2 – extreme

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W: 56 cm, D: 48 cm, H: 84,5, Sh: 46 cm

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Chair available for indoor and outdoor. Indoor version: in solid ash wood Ø30 mm with acrylic painting finish natural colour and with acrylic water-based finish, or charcoal-dyed, with acrylic base and acrylic painting finish or in tubular steel Ø22 mm lacquered with epoxy powder coating gunmetal gray colour. Seat chassis in multilayer sprung with coated rubber elastic straps, padded in polyurethane foam covered with acrylic fibre layers. Outdoor version: with tubular frame Ø22 mm in Stainless Steel AISI 316 lacquered with epoxy powder coating gunmetal grey colour; seat chassis in plywood for outdoor use, sprung with coated rubber elastic straps, padded in open cell structure polyurethane foam DRYFEEL S covered with fibres for outdoor and with a waterproof fabric cover. Decorative weave for backrest and armrests with profile in hide, cellulose cord (both indoor use only) or waxed rope (indoor/outdoor use), in the colours of collection. Non-removable seat upholstery in fabric or leather; for the outdoor version, in outdoor fabrics only. Floor support secured by black PVC feet.

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The seven-shade glass crown emits a glare-free, downward directed light, while radiating a pleasantly delicate glow. From shade to shade, frosted glass fields alternately cover the clear ones, thus diffusing the light even more softly. Available colors: Clear and Matt Glass/Brass Dimensions Lenght: 500mm Height: 405mm Width: 500mm Light source: 1x28W E27

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Originally introduced in the 1950's . Was designed in close cooperation between the Navy Buildings Department and Louis Poulsen. The pendant was used for many years in the builidngs of the Navy for many different applications such as canteens and offices. The Navy Pendant, which was the name at that time, was widely used because of the unique lighting properties and utility. Not until the early 1980's the product was taken out of the Louis Poulsen catalogues. The design appears timeless but has a strong connection to the New Look of the 1950s. It was reintroduced as Doo-Wop in 2012 in new colours and a brass version. In 2017 with new metal editions in copper and stainless steel. The production methods are the same and the shades are still spun by hand and completed with the fine rolled edge which gives the shades a special optical volume. Especially the brass variant challenges the craftsman as it is spun from a solid brass plate and appears polished.

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Designed by André Ricard in 1970, Fontana defends its futuristic appearance through the generous size of its more than half-sphere and the unmistakable slit that illuminates the periphery. General description: White metallic shade with matte finish interior and gloss exterior. Diffuser in white translucent methacrylate. White circular metal canopy with power supply incorporated.Suitable for Junction Box (UL market). Electric cable length: 5 m / 196.9" Light sources: Light source included (dimmable): Built-in LED:. Output 40W. 700 mA / Input: 100 ~ 277 Vac. (50 Hz / 60 Hz). According to destination.Tª Colour: 2.700 KTypical CRI: 90Lifetime: 40.000 hLuminous flux: 1.751 lm

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The fixture emits comfortable glare-free diffuse light. Matt painted undersurfaces and glossy top surfaces result in an attractive reflection of the diffused light, creating uniform light distribution around the fixture. When the light is switched on, the top portion is illuminated while the bottom part remains dark. Available colors: White Dimensions Lenght: 400mm Height: 390mm Width: 400mm Light source: On our website you can use our product configurator to specify the light source and lighting control.

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Height: 19cm/ 7,5" Width: 32cm/ 12,5" Colour: White Surface finish: Semi-matt, smooth Material: Steel Certification and classification: Insulation Class: Class II Certification and Declaration: CE, CB IP rating: IP20 Environment: Indoor Lightsource and electrical information: Voltage (V): 230V Frequency (Hz): 50-60 Max wattage: 75W Lampbase E27

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The fixture provides 100% glare-free light. Its design is based on the principle of a reflective three-shade system, which directs majority of the light downwards. The fixture emits both downward and lateral light, thus illuminating itself. Available colors: Classic (white) or Modern White: Matt powder coated. Monochrome Black, Monochrome Blue, Monochrome White, Hues of Blue, Hues of Green, Hues of Grey, Hues of Orange, Hues of Red, Hues of Rose: Matt wet painted. Metal versions: Polished brass or copper and white, matt powder coated. Please note that the copper and brass surface is untreated. This means that the surface will change over time and develop a patina. Dimensions Lenght: 300mm Height: 163mm Width: 300mm Light source: 1x20W E14

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Height: 32cm/ 12,5" Width: 55cm/ 21,6" Colour: White Surface finish: Semi-matt, smooth Material: Steel Certification and classification: Insulation Class: Class I Certification and Declaration: CE, CB IP rating: IP20 Environment: Indoor Lightsource and electrical information: Voltage (V): 230V Frequency (Hz): 50-60 Max wattage: 150W Lampbase E27

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The fixture provides 100% glare-free light. Poul Henningsen developed the PH 5 in 1958 as a follow-up to his celebrated three-shade system. The fixture emits both downward and lateral light, thus illuminating itself. In the PH 5 Classic, a warmer tone of light is created by the inside red cone and a small blue reflector. Available colors: Monochrome White Dimensions Lenght: 500mm Height: 267mm Width: 500mm

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When you are looking for a lighting solution that will make its mark while still remaining unobtrusive, then Torino LED is the perfect choice. Its elliptical design ensures an even spread of light across the diffuser and throughout the space. Highly efficient thanks to cutting-edge LED technology. Not only a top choice for architects. This easy-to-mount, low-maintenance luminaire is also popular with electrical installers and facility managers. FEATURES Elliptical diffuser, timeless design Direct-indirect light emission, omni-directional Up to UGR ≤ 16 Excellent light quality, extremely even spread of light across the whole surface three-dimensional LED boards for extremely good homogenous omnidirectional illumination Seamless surface Minimum maintenance costs and additional expenditure due to sealed luminaire housing Design by Andreas Tobler SPECIFICATIONS Diameters 450, 600, 800 mm Two lengths of pendant tube per diameter Opal diffuser in synthetic material Operating unit integrated Suitable for emergency lighting (DC-compatible) Available with emergency unit Pendant tube with ball and socket joint, self-adjusting up to 20° Pendant tube can be shortened on site

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Poul Henningsen designed the three-shade system back in 1925-1926. The first lights using the system were designed by PH in cooperation with Louis Poulsen for an exhibition in Paris. His work with Louis Poulsen continued right up until his death in 1967. Throughout his life, PH sought to create glare-free light, direct light where it was most needed, and create soft shadows, using incandescent bulbs as a light source. The PH 4/3 Metal Pendant was launched in 1966. Its design follows the general three-shade system based on the logarithmic spiral, with the centre of the light source positioned at the centre of the spiral. This light is a simplification of the light PH designed in 1929. The light won him the highest distinction at the world exhibition in Barcelona at that time. Metal pendants were produced in a number of formats and colours, and the underside of the shade was painted white to provide diffuse light. To achieve warmer lighting, metal pendants were also produced with a gold-coated underside at one stage. Metal pendants have been produced in a number of sizes and colours over the years.

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Poul Henningsen designed the three-shade system back in 1925-1926. The first lights using the system were designed for an exhibition in Paris. His work with Louis Poulsen continued right up until his death in 1967. Throughout his life, PH sought to create glare-free light, direct light where it was most needed, and create soft shadows, using incandescent bulbs as a light source. The four-shade system was launched in 1931 to create a fixture which could be mounted high up and serve as an alternative to the commonly used chandeliers. The PH four-shade light was designed to increase the amount of light emitted horizontally to provide greater illumination of walls and shelves than was possible using standard three-shade lights. It was removed from the Louis Poulsen standard range in the 40s, but was redesigned in 1979 by two Danish architects – Sophus Frandsen and Ebbe Christensen – for the Charlottenborg exhibition building in Copenhagen, although in a larger size: PH 6½/6. To resolve the never ending glare problem, the two architects decided to add a small blue shade to the design. They also added a new surface with a more matte, white painted shade, to achieve a more even, comfortable light – ideal for museums and exhibition rooms or as general lighting in rooms with high ceilings. A smaller version, the 5/4½, was created for the Aarhus Concert Hall in 1984.

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Lang 靚 House / Austin Maynard Architects

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