Cities: The Latest Architecture and News

Art can be a catalyst for architects to see the built environment through a different lens. It provides a unique opportunity to delve into the viewpoints of trained architects who have transitioned into the visual arts and artists who explore cities and their inner workings through their personal stories.

Located in New York City, the Whitney Biennial is considered the most important and longest-running survey of contemporary art in the United States. Along with the Venice Biennale, it is considered one of the world's most important recurring art exhibitions. This year's theme, "Even Better Than the Real Thing," delves into concepts of identity and bodily autonomy, amplifying the voices of those historically marginalized. This includes looking at stories that study the connection between personal narratives and growing feelings of precariousness surrounding the constructed world. These are artists from this year's Whitney Biennial touching on topics related to architecture and cities.

CityMakers, The Global Community of Architects Who Learn from Exemplary Cities and Their Makers, is working with Archdaily to publish a series of articles about Barcelona, Medellin, and Rotterdam. The authors are the architects, urban planners, and/or strategists behind the projects that have transformed these three cities and are studied in the "Schools of Cities" and "Documentary Courses" made by CityMakers. On this occasion, Victor Restrepo, Coordinator of CityMakers in Medellin, presents his article "Medellin: A Case Study".

Medellín stands as an inspiring example for many cities worldwide. It is a city that transitioned from deep collective fear to hopeful enthusiasm for urban and social life characterized by quality and coexistence. The city's crisis has always been associated with violence and drug trafficking. However, this crisis is more structural and profound, it responds to many more factors, some of which are associated with the accelerated growth of its population, as in many Latin American cities.

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The future Saudi tower designed by Foster + Partners is expected to reach a staggering height of two kilometers. This multibillion-dollar project, towering twice as high as the current record holder, the Burj Khalifa in Dubai, will dominate the skyline of Riyadh, accommodating offices, residences, and entertainment spaces. It forms part of a development program led by Saudi Arabia, driven by the vision of Crown Prince Mohammad bin Salman to establish the country's presence through ambitious, large-scale projects. While these super-tall towers symbolize visibility and global recognition, they face criticism for their extravagant construction costs and environmental impact.

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CityMakers, The Global Community of Architects Who Learn from Exemplary Cities and Their Makers, is working with Archdaily to publish a series of articles about Barcelona, Medellin, and Rotterdam. The authors are the architects, urban planners, and/or strategists behind the projects that have transformed these three cities and are studied in the "Schools of Cities" and "Documentary Courses" made by CityMakers. On this occasion, Jaume Barnada, coordinator of the award-winning Climate Shelters project in Barcelona schools and speaker at the "Schools of Cities", presents his article "Barcelona, the public place as a synonym for the adaptation of the built city."

Cities are dense, built spaces in which pavements have been efficiently imposed on the natural soil. Cities like Barcelona have almost 75% of the land paved and waterproof. Without a doubt, it is an excess to reverse at a time of climate emergency, where we must reconnect with nature. Oriol Bohigas [1] told us that good urbanization had paved the squares of Mediterranean cities and that no one wanted to live in a mudhole. I'm sure he was right. Also, he taught us that the green and, consequently, the natural soil had to have dimension and especially an urban position. Squares are squares and parks are parks, and each space has a type of project. Today, concepts are too frequently confused when urbanizing public places and consequently, we find projects that blur the model.

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Cobe Architects has just unveiled its winning design for the future Danish Parliament in Copenhagen. Aiming to revitalize Denmark’s historic administrative center, the studio envisioned an inviting, accessible space, “where everyone can experience democracy up close.” The design features an underground visitor center, leading to facilities within the Parliament Courtyard, and an interconnected pathway uniting historic buildings formerly used by the Danish National Archive.

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Considered the fifth most populous city in the world as of 2022, São Paulo is confronted with a multitude of challenges befitting its over 22 million inhabitants. Among the numerous urban issues faced, the depopulation of the city's historic center has been a recurring topic for at least four decades, with governments announcing measures that could potentially reverse the situation. In the meantime, the same center has witnessed a rise in housing occupations in abandoned buildings, highlighting the importance of its redefinition and residential potential.

CityMakers, The Global Community of Architects Learning from Model Cities and Their Makers is working with Archdaily to publish a series of articles about Barcelona, Medellin, and Rotterdam. The authors are the architects, urban planners, and/or strategists behind the projects that have transformed these three cities and are known in the "Schools of Cities" and "Documentary Courses" made by CityMakers.

There is currently a broad consensus on the importance of public space in the city. Although it may seem quite logical, its significance is not as old as human settlements, which have existed for millennia. The Athens Charter, written just 91 years ago, did not speak so much about the city as a place to live but as a functional machine. Almost a century later, the paradigm has shifted: the city is, above all, its public space. But what happens when public space is threatened by car proliferation, insecurity, or even water?

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This article was originally published on Common Edge.

Recently I visited Pittsburgh for a fascinating hand-drawing conference at Carnegie Mellon’s superb school of architecture, which to my knowledge is not among the top 10 in U.S. News and World Report. I wonder why? The curriculum is cutting-edge, the faculty world-renowned, and the students well-grounded and talented. More people of color are in the design community at CMU than at Princeton, SCI-Arc, or Harvard.

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