The world's most visited architecture platform

+ 16

The façade is the only part of the building that can be seen from the outside and has the function of communicating a message derived from its design. It therefore deserves special attention in every detail. A façade that is well proportioned in terms of colours and materials, which facilitates the connection between the interior and the exterior, will generate an initial attraction for pedestrians, inviting them to enter.

From a small house clad in classic tiles, to big brands such as Apple or Louis Vuitton, façades are used as an architectural expression to give us a glimpse of the first elements that we will later find inside the premises. In interior design, the entrance hall of a home concentrates many clues as to what we will find next. The effect of this first impression would be even more positive if the façade included a design that leaves the user hungry for more.

+ 24

Skidmore, Owings & Merrill (SOM) has revealed the design of 8 Shenton Way, a 305 meters-high tower. Once completed it would become not only Singapore's Tallest Building but one of Asia's most sustainable skyscrapers. The mixed-use tower takes cues from bamboo forests to create an indoor-outdoor vertical community with public spaces, offices, retail, a hotel, and residences. In partnership with DCA Architects, the project is scheduled for completion in 2028 and will become the newest landmark on the Singapore skyline, along with Marina Bay and CapitaSpring Tower.

+ 1

The 24 shortlisted international projects for airports, university campuses, stations, and sports facilities competing for the Prix Versailles 2022 Awards have been announced. The global finalists in the Shops, Shopping Centres, Hotels, and Restaurants category will also be announced shortly.

This article was originally published on Common Edge.

My first encounter with saving a building landed me in handcuffs and a trip to the Long Beach Police Department. A friend and I were frustrated that our hometown was demolishing good buildings—because they did not conform with the current style of architecture—only to replace them with parking lots! All in the name of “progress.” In 1988, when we learned that the Jergins Trust Building, a Beaux-Arts beauty, was slated to be torn down with no plans for the site, we jumped into action and chained ourselves to the building to stop the wrecking crew. Our efforts kept it up for another four hours. And then it was gone forever.

+ 18

Lighting plays a crucial role in architecture: to allow users to see, safely inhabit spaces, and carry out their daily activities. But its power has long exceeded these basic functions, primarily driven by technological advances and new design trends that have led to greater innovation and creativity. Contemporary lighting design has the ability to completely transform a room, impacting visual comfort and setting the tone by defining volumes, drawing attention to texture and enhancing colors. It can also determine shape and size perception; for example, in a room that is particularly small, having extra lighting reflect off light-colored walls will help the space appear larger. Similarly, light has been proven to affect mood, concentration and overall well-being. Whereas an adequately illuminated environment is associated to warmth and improved energy levels, poor lighting can lead to health deficiencies, including headaches, eyestrain and even depression.

+ 18

Videos

+ 18

+ 16

+ 27

+ 14

Videos

+ 16

The Spitzer School of Architecture at the City College of New York has been challenging the strictures of traditional design education for decades. Now, the esteemed school’s revamped Master of Urban Design program continues this trend of innovative education by reframing the urban environment as a laboratory where students play active research roles.

The internationally recognized artist Olafur Eliasson has inaugurated his most recent public art installation in Doha, Qatar. The installation, titled “Shadows Travelling on the Sea of the Day”, can be reached by diving through the rugged desert landscape northwards from Doha, past Fort Zubarah, and the village of Ain Mohammed. The artwork is visible from afar, but it is best experienced when approached on foot. Its hospitable shadows reward the journey.