Short answer: The built image of ourselves.
Long answer: In a world of fluid, virtual values, architecture endures. The images that you, your work, your city, and your country create by building will more than likely outlive you. Buildings are the most important traces we leave behind as people. Old ones were here long before we arrived and the new ones we make will be here long after we’re gone. Architecture is a collective selfie. It’s a status that can’t be updated.
On the 25th and 26th September The Gallery on the Corner in Battersea is opening its doors for the first solo exhibition of the Architectural Artist Minty Sainsbury.
Studying Architecture at Cambridge has not only influenced her choice of subject matter but has also taught her to draw with an eye for detail and a spatial understanding of composition.
Part of the exhibition will be a series of street views in which the building in focus is drawn in rich detail and the contextual surroundings are left as silhouettes. By concealing the focal building behind the faceless structures, Sainsbury references a visual experience that you would experience yourself walking in the city streets.
With no end in sight to the current residential building boom in New York City, 2016 looks to be another busy year for the A/E/C industry. Join Simpson Gumpertz & Heger (SGH) and a slate of industry experts to discuss current trends in new residential design and construction, as well as opportunities for investigation and rehabilitation/adaptive reuse of existing buildings.
Participants will earn up to 6.0 AIA (HSW) Continuing Education Hours for their attendance.
Research grants of up to $15,000 will be awarded to one or two mid-career professionals who have an academic background, professional experience and an established identity in one or more of the following fields: historic preservation, architecture, landscape architecture, urban design, environmental planning, architectural history and the decorative arts. The James Marston Fitch Charitable Foundation will consider proposals for the research and/or the execution of the preservation-related projects in any of these fields. Applications for 2016 funding are now being accepted. Applications must be submitted by October 15, 2015, 11PM EST. More information here.
Mid-way through the 2015 Milan Expo, Italian photographer Lino Russo is offering the world a fresh look at the exposition with a series of abstract images that backdrops parts of the colorful pavilions with the sky.
"The subject highlights the decontextualization of places and architectural spaces in order to alter the natural structure," says Russo, referring to these images as his second "Skymetric" series. "These places considered have in common the fact to be all completely square, regular and schematic, so achieving geometric shots in a minimalist context, where the simplicity and cleanliness reign supreme."
Ganti + Asociates (GA) Design has won an international ideas competition with a radical shipping container skyscraper that was envisioned to provide temporary housing in Mumbai's overpopulated Dharavi Slum. Taking in consideration that steel shipping containers can be stacked up to 10 stories high without any additional support, GA's winning scheme calls for a 100-meter-tall highrise comprised of a series of self supported container clusters divided by steel girders placed every 8 stories.
In 1885, with only $3,000 in the bank, the "American Committee" in charge of building a pedestal for the Statue of Liberty ceased work, after both president Grover Cleveland and the US Congress declined to provide funds for the project. The project was saved by a certain Joseph Pulitzer, publisher of the New York World, who used his newspaper to spark a $100,000 fundraising campaign with the promise that everyone who donated would have their name printed the paper.
The base of the Statue of Liberty is perhaps the first ever example of crowdfunding in architecture as we might recognize it today, with a popular media campaign and some form of minor reward. But in recent years, crowdfunding has taken on a whole new complexion. Last week, we asked our readers to tell us their thoughts about a specific example of crowdfunding in architecture: BIG's attempt to raise funds for the prototyping of the steam ring generator on their waste-to-energy plant in Copenhagen. But there are many more examples of fundraising in architecture, and each of them deserves attention.
The International Architectural Education Summit (IAES) will take place during September 9-11, 2015. The 4th IAES summit will take place at The Urban Redevelopment Authority (URA) Centre in Singapore. The registration for this upcoming event is now open.
Established in 2009 by UCLA Architecture and Urban Design,Los Angeles, and in 2011 joined by IE School of Architecture and Design, Madrid, the Summit is a biennial conference dedicated to foster a constructive dialogue between leading academics, practitioners, policy makers and industry representatives with ideas to make architectural education more relevant against a backdrop of globalization, changing technology and pressing societal issues. The inaugural Summit was held in Tokyo in 2009 and the second and third editions took place in 2011 and 2013 in Madrid and Berlin. The fourth iteration is collaboratively conceptualized with the Urban Redevelopment Authority Singapore, the National University of Singapore and Singapore University of Technology and Design. It will explore the topic of “Emerging Networks in Architectural Education” from many diverse perspectives, and we are confident will form a bridge between East and West.
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Earlier this month, after viewing the contenders in the US World War I Centennial Commission’s competition to redesign the National World War I Memorial in Washington DC, organizations like The Cultural Landscape Foundation began to began to voice their opinion regarding the reach of the competition. With the cultural importance of the site in mind, such organizations had hoped that the redesign would maintain the existing Pershing Park, but were disappointed to discover that the majority of the competition’s design proposals seek to demolish the existing landscape.
Although left off of the competition’s shortlist, KAMJZ Architects’ proposal for the World War I memorial addresses these concerns by leaving Pershing Park almost completely intact. Leaving alone the park’s seating areas, agora, and landscaping, the design proposal unifies the park by adding an outer ring of trees “along the borders of the site [to] provide an acoustic barrier from the noisy adjacent streets.”
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