Jordanian Architecture

In celebration of Urban October, a month dedicated to recognizing the significance of innovative urban spaces, this curated selection presents 8 conceptual projects that demonstrate the transformative potential of public spaces. These projects, submitted by the ArchDaily community, showcase the myriad ways public spaces can enhance cultural identity, community interaction, and environmental quality. Conceptual projects and competition entries serve as a platform for architectural experimentation, challenging the norms and sparking discussions about the future of urban landscapes. From rural settings to layered historical squares or small-scale urban interventions, the designs engage with their contexts, aiming to improve the experience of residents and visitors, highlight the histories of the space, and ensure accessibility for all.

Landscape architecture has traditionally been associated with lush greenery, rooted in the historical development of gardens and parks as spaces that bring nature into urban areas. This connection to greenery is deeply ingrained in the origins of the field, where the creation of verdant retreats was seen as both aesthetically pleasing and beneficial to human well-being. However, in regions like the Middle East, where water scarcity and harsh climates are more prevalent, there is a growing trend toward using local materials such as sand, stone, minerals, and indigenous plants. This shift reflects a more sustainable approach, reimagining landscape architecture to align with the environmental and cultural contexts of the region.

Throughout history, stone has been a vital building material because of its strength, beauty, and inherent appeal. Stone has been used to build long-lasting constructions for ages, from historic monuments to contemporary residences. Because of its resilience, it is suitable for both interior and exterior design projects, providing a diverse array of appearances. There are numerous varieties of stone, each with a distinct texture and color, including marble, granite, and limestone. Because of this diversity, stone may be creatively used by architects and builders to create accents or entire buildings. This curated selection of Unbuilt Architecture, submitted by the ArchDaily community, showcases how stone is still a dependable and adaptable building material that can combine old-world craftsmanship with contemporary style.

Ammar Khammash is a Jordanian architect, designer, and artist best known for his approach that focuses on the preservation of cultural and natural heritage while crafting an architecture that engages with its surroundings. With deep admiration for nature and its ecosystems, Khammash trusts that "the site is the architect”, a statement for which he is renowned that underscores the profound influence of context on his architectural design. With over three decades of experience spanning various disciplines and across several Middle Eastern countries such as Jordan, Oman, Palestine, Egypt, Syria, and the UAE, Ammar Khammash has consistently attempted to preserve and enhance the symbiosis between human constructions and the natural environment. His contributions include the Royal Academy for Nature Conservation, the Wild Jordan Center, and the restoration of the Church of Apostles.

Whether temporary or permanent, pavilions and urban installations represent an opportunity for architects to experiment with different shapes, materials, and textures. The results are often theatrical, welcoming visitors to new types of spaces, and blending the exterior and the interior. Pavilions are often commissioned for events, exhibitions, or cultural programs, offering opportunities to explore innovative materials, construction techniques, and spatial concepts on a smaller scale. Some events, like the Serpentine in UK or the MPavilion in Australia, propose a yearly reimagining of their structures, offering opportunities for established and emerging architects to express themselves. Others, like the Venice Biennale, reuse the permanent garden pavilions, but invite curators to prepare exhibitions to reimagine them for every edition.

The Association of Arab Architects has announced the winners of the 2022 Arab Architects Awards. This year’s winning architectural projects highlight the importance of inclusive design, taking into account sustainability and designing with a sensible response to the local communities and landscapes they inhibit. The two-day ceremony was held in Amman, Jordan on November 16-17, 2022, and gathered hundreds of regional architects, urban planners, engineers, and designers of all demographics to explore and engage in discussions about architecture and the future of the built environment in the Arab region.

Videos

BIG – Bjarke Ingels Group supports APM Terminals and Maersk in reimagining the shipping industry's future with a master plan for the Aqaba Port Terminal in Jordan, expected by 2040. Considered one of the most strategic ports in the country and an important gateway to the Levant region, the 3 square kilometers plan will merge different strategic approaches at the regional scale, starting from the terminal refurbishment, expansion of the logistics functions, and connecting to the broader port's community and natural environment.

This week’s curated selection of Best Unbuilt Architecture highlights private villas submitted by the ArchDaily community. From a Mediterranean retreat in Greece to a one-person residence in Iran, this round up of unbuilt projects showcases how architects design private villas that combine contextuality and functionality in structures that promote comfort, privacy, and connection to nature. The article includes projects from Indonesia, Greece, Iran, and Jordan.

Hard times bring people together. In recent years we have seen how collective work can be a driving force to help those affected by natural or man-made disasters. After a disaster or displacement, a safe physical environment is often essential. Therefore, the need for coordination becomes a key factor in assisting people in times of need.

It’s a ubiquitous architectural form. An architectural typology that spans centuries and borders, a staple across cultures. The tent. In its simplest form – it’s a shelter, with material draped over a frame of poles. It’s an architectural language that is intrinsically linked to nomadic living. Yurts, for instance, functions as an easily portable dwelling for the Kazakh and Kyrgyz peoples. At the same time, tents have proved a popular stylistic precedent for architects, the lightweight structures of German architect Frei Paul Otto being a case in point. The tent is a complicated architectural language – one that straddles the line between temporary and permanent, and one that also functions as a symbol of wealth and a symbol of scarcity.