Bangladeshi Architecture

In the mid-twentieth century, a set of South Asian countries collectively experienced a catharsis from colonizers' rule. The period that followed sparked an era of ideas and philosophies for a new future. During this time, architects were pivotal in creating modernist structures that defined the countries' post-colonial, post-partition and post-imperial identities. South Asian architects used design as an expression of hopeful societal visions, most of which have been actualized. With this success in nation-building, there has been a lack of accreditation for women architects in shaping South Asian histories. 

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COP28, or the 2023 United Nations Conference of the Parties, was held in Dubai between November 30 and December 13. The annual meeting gathers representatives from 198 countries, as well as industry leaders to discuss and establish strategies to limit the extent of climate change and its adverse effects. The ultimate goal of these meetings is to find ways to limit the global temperature rise below 1.5 degrees Celsius compared to pre-industrial times. At the moment, the global temperature rise is already at 1.2 degrees Celsius. As the construction industry at large accounts for 39% of global emissions, architects and planners have a shared interest in the results of thee international summit, Read on to discover some of the key takeaways of COP28.

For the Indian subcontinent, the mid-1900s marked a transformative period, brimming with turmoil and hope. Leaving a century of British rule, India and the newly formed countries of Pakistan and Bangladesh held onto an optimistic vision of a transformed society. The newfound independence invited the international Modernist movement to envision a fresh identity for the nations. Spearheading the movement in Bangladesh was the architect Muzharul Islam whose work continues to influence contemporary Bangladeshi architecture.

Construction on OMA’s first project in Bangladesh, the Dhaka Tower, has just started. Reaching a height of 150 meters and spanning 180,000 sqm in office space, the project is set to stand as one of the tallest buildings in the country. This scheme marks a significant milestone in the urban landscape of Bangladesh, designed by OMA in collaboration with local real-estate developer Shanta Holdings.

The Architecture in Development Global Challenge has just announced the finalists for the 2022 edition of the competition. Highlighting and celebrating the ongoing efforts of self-built community-led initiatives worldwide, the Global Challenge offers a platform for those initiatives while connecting partners and collaborators globally.

In recent years, the term “co-creation,” a buzzword in the business and management sector, has made its way into the architecture and urban planning discourse. The term is used to define a large concept that describes working intentionally with others to create something jointly. But architecture is already the result of a collaboration between multiple actors, architects, clients, investors, developers, and local administration, to name a few. Can the term still apply to this field, can it bring forth new forms of knowledge, and does it differ from the concept of participatory design?

Architecture has been criticized for being a primary elitist indulgence. Most architectural projects are funded by the wealthy and seen as a means of bringing beauty into the surrounding environment. Architecture, however, is a double-sided coin with functionality balancing out aesthetics. With the ability to strategize radical solutions, architects equally find themselves at the forefront of solving complex issues. The context of Southeast Asia offers a demanding challenge with various social problems, giving architects a chance to save the world with humanitarian design.

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When the Aga Khan Award for Architecture (AKAA) announced its winners of the 2022 edition, 20 projects were selected for their excellence in the fields of contemporary design, social housing, community development, and preservation and improvement of the environment. Among them, one project in Jhenaidah, Bangladesh, managed to capitalize on the strength of the local community to reverse the ecological degradation of its riverscape and create a functional and socially inclusive public space along the riverbanks. ArchDaily’s Managing Editor, Christele Harrouk, had the chance to interview Suhailey Farzana, and Khondaker Hasibul Kabir co-founders of Co.Creation.Architects, and Rubaiya Nasrin from Platform of Community Action and Architecture, POCAA, part of the team behind the Co-creation of Urban Spaces by the Nobogonga River, in Bangladesh. The project also won the 5th category of the UIA 2030 Award for the Access to Green and Public Spaces.

Organized by the Abdullatif Alfozan Award for Mosque Architecture and the College of Architecture at Kuwait University, the 3rd International Conference on Mosque Architecture was held in Kuwait on 14-16 November 2022. Under the theme of “Mosque: a cross cultural building,” 101 architects participated in this year’s edition, showcasing their state-of-the-art designs and how they reimagined religious buildings in a more contemporary context, taking into account the importance of community, privacy, its religious significance, and the environment.

It’s an essential component of the design process, where spatial ideations are translated into built form – the design of the prototype. Architectural projects, throughout history and in contemporary practice, have been prototyped to carry out both technical and aesthetic tests, where further insight is gained into the integrity of the design. It’s the blurred line between the experimental and the practical.