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Art Omi is a non-profit organization located in Ghent, New York that works to create a space for the artistic community. This organization is focused on providing architects a space to experiment and come into contact with other perspectives. Art Omi was born from the absence of residency programs for architects in the United States; a space designed by architects for architects.

The Art Omi architecture program is structured on four pillars: an architectural field of sixty acres where participants can deploy and experience pavilions and facilities designed by architects; the second is a curated series of indoor exhibitions at the Benenson Center; the third is an annual event outside the campus, in Manhattan, that seeks to link theory and practice; and finally, the most recent addition which is the residency program.

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Architecture, Form, and Energy is a documentary series featuring 6 interviews with architects and intellectuals from the United Kingdom, United States, Malaysia, and Mexico. The series seeks to disseminate information that inspires contemporary architectural evolution, from the impact of climate on a place, finding inspiration in nature, the relationship between form and energy, selecting the right materials, and appropriate technological application.

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One of the most important factors to consider when designing is the climate of the site. This can create difficulties when it comes to extreme climates and it is necessary to use insulation materials that adapt to changing conditions. However, when discussing Mexico and its specific climate, this can be an opportunity for architects to create microclimates and spaces that blur the transition of interiors and exteriors.

Patios have become a traditional element of design. They create interesting psychological effects that fuse the conception of the interior and exterior, the common and private. It is a way to bring sunlight and rain into the house, to open up paths and coexistences that do not occur in interiors. Below, a selection of projects in Mexico that use the patio as the main design resource.

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The architectural history of Mexico bears with it a wealth of symbolism that gives insight into the different time periods that have played host to contemporary cultural movements throughout the country's history. 

Today, it's common to hear well-known architects calling for, not the creation of new spaces, but for the restoration of already existing ones. This stance insists that it is one's duty as an architect to rescue a site's memory by bringing it into the here and now.

As philosopher Jean Paul-Sartre put it, "what is important is not what happens to us, but what we do with what happens to us." In keeping with Sartre's phrase, we have compiled a list of 6 restoration projects that aim to rescue sites and show the interconnectedness of different time periods in Mexican history.

Emily Rauh Pulitzer, curator of the St. Louis Museum of Art and Steve Trampe of Owen Development, are spearheading a plan to transform a block near St. Louis's theater and museum district in the area of Grand Center. This project, (according to a story published on a local news site in St. Louis) is "a blank palette” and "an opportunity to take an entire block and make it different.”

The project is currently led by local architects Axi: Ome. Tatiana Bilbao has also confirmed her participation, in what should be an interesting addition to St. Louis's local architectural heritage. In an interview with Vladimir Belogolovsky, she explained that she considers that the legacy of Mexican architecture should expand to other sites:

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What do dance and architecture have in common? It's difficult to explain how our experiences of dance are stored in our bodily memory, but central to our recollection of a performance is the architectural space that it inhabited. Although dance may have been the central focus, the site is integral to its experience. Both disciplines are fundamental when exploring the ways we navigate and create cities and urban spaces. 

It's no surprise that many choreographers explore both disciplines: dance and architecture. These pieces question how our bodies navigate through built environments. However, it is important to note that this experimentation is not merely contemplative but speaks to the way specific groups of peoples and cultures operate in their surroundings. In the words of the philosopher Marina Garcés: "The body is no longer what is and binds us to a place, but it is the condition for every place. It is the zero point of all the spatialities that we can experience, and at the same time, all the links that constitute us, materially and psychically."

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Are you a cat or dog lover? At ArchDaily we know that you're as big an animal lover as we are. They inspire us, keep us company, and in the case of architectural photography, give us an idea of a structure's scale. We previously made a collection of photographs starring cats and architecture, and we could never forget our dog-loving readers. We bring you a collection of photographs where dogs take center stage.

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Color, inherited from indigenous cultures of Mexico, is a defining characteristic of Mexican architecture. Vibrant colors have been used by architects and artists such as Luis Barragán, Ricardo Legorreta, Mathias Goeritz, Juan O'Gorman, and Mario Pani.

Color in Mexican architecture has reinforced the identity of different regions and areas within the country. For example, it is almost impossible to think of San Miguel de Allende or Guanajuato without the facade colors that weave the landscape.

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What is a building that is not inhabited? Is it still architecture? Could we say that we live in a daily choreography where our everyday life is in constant movement with the world around us? Different philosophers and theorists have long addressed the issue that architecture is not simply a set of concrete, steel, and glassware ready to protect its users, but rather all the actions it harbors, all the bodies, and set of breaths and movements. This has been reinforced by different theories that approach the body as an actor of place. However, theories of the body in architecture are not as rare as we might believe. From Ergonomics to Le Corbusier's "Modulor," theorist have sought to understand our relationship with architecture.

▶ Así se derrumbó una sección de la plaza comercial Artz Pedregal https://t.co/IMnqtfIiZy #CdMx pic.twitter.com/mYzYowaZVP

— Milenio.com (@Milenio) 12 de julio de 2018

Videos circulating around social media show at least a partial collapse of Plaza Artz Pedegral, a project built in 2012 by the Mexican architecture office Sordo Madaleno Arquitectos. At the time of reporting the cause of the collapse has not yet been confirmed.

According to the online version of the Milenio newspaper, The Secretary of Civil Protection (secretario de Protección Civil) in Mexico City stated that, at the moment, there are no reports of people injured or trapped.

Video from 2016 shows part of the site collapsing around the roads adjoining the site.

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The brise soleil is an architectural element that has been used since ancient times to create subtle barriers between the interior and the exterior. Its use and design have been diversified over the years through the research and technology with which these elements are applied, creating the ability to build a small window to a complete facade and pavilion that seem to float.

We know that Mexico is a country with one of the most diverse climates, thus the use of a brise soleil is positioned stronger within the guild. Also, rural areas have long adapted the feature in Mexico, demonstrating its beauty and usefulness. Read on for our collection of 21 brise soleil features in Mexican projects to inspire you with its diverse applications.

Earlier this year, the jury of the Pritzker Prize chose the Indian architect Balkrishna Doshi, also known as B.V. Doshi, or Doshi, as the winner of the 2018 Pritzker Prize. In recent weeks a lot of information has come to light about the winning architect's practice who, as you probably already know, was an apprentice and collaborator of Le Corbusier and Louis Kahn. Being the first Indian architect to receive Architecture's most prestigious award, Doshi has had an active career of more than 70 years, with a poetic architectural style that is based on oriental cultural influences, creating a production that "covers all socioeconomic classes, in a wide spectrum of typologies, since the 1950s," according to the jury's record.

But, can you imagine what it's like to work with Doshi in his firm? We talked with four alumni from the School of Architecture, Art and Design from Tecnológico de Monterrey, who some years ago had the opportunity to travel to India to work directly with Doshi through a professional internship program promoted by the same university. Arturo Acosta, Jeimi Cuendulain, Airam Moreno and Giovanni Llamas tell us about their experience working in the firm, as well as anecdotes that marked them both professionally and personally that helped them see and experience architecture beyond the obvious. Here are their testimonies below:

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The Expo Guadalajara Technical Committee invited five different Mexican architecture studios to participate in the design competition for the conceptual proposal for the extension of this trade fair venue in the capital of Jalisco state. Following a lengthy competition period, Sordo Madaleno Arquitectos has been selected as the winner with a conceptual project that takes as its main objective: the creation of a multifunctional space with an important urban interaction.

Last month, the Mies Crown Hall Americas Prize (MCHAP) announced four finalists in their MCHAP award for emerging architecture: The María Montessori School by EPArquitectos and Estudio Macías Peredo, Children Village by Rosenbaum and Aleph Zero, the Embodied Computation LAB by David Benjamin, and Common Unity by Rozana Montiel Estudio de Arquitectura.

Now, the jury of Ricky Burdett, Jose Castillo, Ron Henderson, Rodrigo Pérez de Arce and Claire Weisz has declared Common Unity as the winner of the 2018 MCHAP.emerge award.

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Proyectos 9, a Monterrey real estate developer, announced Sordo Madaleno Arquitectos as the winners of the international architectural design competition for the construction of Constitución 999, a new mixed-use complex to be erected in the downtown area of Monterrey.

The history of Mexican photography has contributed to highlighting Mexico's presence in the world. Photographers like Elsa Medina, Lola Álvarez Bravo, Graciela Iturbide, Maya Goded, and Juan Rulfo have masterfully portrayed the life of the buildings, houses and the streets of a rapidly built, nineteenth-century Mexico. 

As a consequence, the contemporary scene of Mexican photography has become a fundamental tool for architecture and has contributed to a better visual understanding of the works that are erected every day.

Photography and architecture are two disciplines that go hand in hand and whose relationship has been reinforced thanks to the digital tools that we currently have. For that reason, we have compiled the work of contemporary Mexican photographers who record our walk through the world we live in and contribute to constructing the image of contemporary Mexico. 

In 2018, the MEXTRÓPOLI Festival of Architecture and City presents its fifth edition, consolidating itself as a key event in the cultural agenda of Mexico City and as an important architectural event on a global scale. With its high curatorial quality MEXTRÓPOLI promotes the voices of architects, artists, mayors, and humanists who are globally recognized in their respective disciplines while offering affordable prices to students and anyone interested in the present and future directions of cities. MEXTRÓPOLI is a platform that allows you to experience the city, as well as to reflect on its political, civilian and aesthetic aspects.