Nowadays, the term “utopia” is used to describe an idea that seems unattainable —at least in the contemporary context— intrinsically related to philosophical, scientific, urbanistic, and architectural concepts, among others. The close connection between utopias and architecture is evident, as this discipline is often associated with imagination. Some notable examples include “The Unreliable Utopia of Auroville's Architecture” and “The City in Space: A Utopia” by Ricardo Bofill. In this context, architects and designers alike use design as a means to develop innovative and disruptive ideas through various elements.

Although considered an idealized concept that does not exist, some designers have ventured into exploring the notion of utopia. AXOR, in conjunction with the Valencia-based design studio Masquespacio, has turned the page by conceiving and bringing to reality a new bathroom concept for a unique hotel suite that embodies their vision of personal luxury. Titled “Utopian Dream”, this design response blends vibrant colors with unexpected details, a combination that this duo defines as a mystic experience above the clouds.

As society, technology, and architecture have evolved, designers and architects have embraced novel construction systems and innovative approaches to reshape the built environment. This advancement has stretched the boundaries of traditional construction techniques and ignited fresh ideas in building design.

In the past, some architects and artists aimed to question an architectural paradigm deeply entrenched in anthropocentrism. Historically, architecture has been linked to the notion that buildings, being conceived by human beings, must be extremely durable, even imperishable. Considering the principle that the best intervention is the least intrusive, inflatable architecture, in contrast to these human-centric viewpoints —but aligned to our ephemeral nature—, can propose structures that may exist one day and vanish the next, leaving a temporal imprint on the landscape. This architectural approach uses textiles as the primary material and air as the structural system, potentially challenging the traditional Vitruvian ideals of Venustas, Firmitas, and Utilitas.

The relationship between art and architecture is a recurring topic of discussion, seeing as architecture can be positioned at the intersection of structure, technology, and aesthetics. Despite the utilization of technical knowledge, architecture, and interior design also incorporate artistic concepts into their processes. From captivating illustrations during the design development phase to murals and artistic pieces that form an integral part of spatial conception, art plays an essential role in architectural production and society.

In the context of contemporary society, many of our activities are carried out digitally, from booking accommodation for travel to manufacturing materials and creating art exhibitions. In this sense, digitalization has also permeated the art world, conceiving initiatives like SINGULART, which challenges the traditional concept of art galleries by existing in a digital format. This platform combines works from various sources of inspiration and artistic techniques, encompassing everything from sketches and paintings to architectural photography. It fuses multiple influences from various contexts, including architectural work.

The role and relationship of furniture in architecture and space design are of great relevance. Designers such as Eileen Gray, Alvar Aalto, Mies Van der Rohe, and Verner Panton conceived furniture —primarily stools and chairs— that endure over time as powerful and timeless elements, with a determining impact on the interior atmosphere. Thus, the relationship between furniture and space becomes a constant dialogue in which design, aesthetics, and materials contribute their dimension.

Today, furniture should not be limited solely to fulfilling an aesthetic and functional role, but should also have a purpose in the context of contemporary design and sustainable development. It is essential to reflect on and question the processes and choice of materials in the manufacturing of these elements, in addition to the value they bring to interior spaces. In this context, HEWI has taken a step forward by creating the Re-seat family, consisting of stools and chairs made from post-industrial recycled materials (PIR), sourced in part from the processes of the company itself and a regional supplier, both based in Bad Arolsen, Germany. It also features integrated solutions with universal design in mind, making a statement in favor of innovation and eco-design.

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Copenhagen was founded in the 12th century and has undergone numerous transformations to establish itself as an urban benchmark of the 21st century. Its dynamic urban environment stands as an exemplar of architecture's importance and crucial role in shaping a sustainable future for cities. Confronting global challenges like mobility, urban development, and eco-friendly construction, the city is an inspiring model. This is why in 2023, the Danish city was named the World Architecture Capital by UNESCO-IUA, positioning Copenhagen as a platform for discussions on climate, sustainable solutions, and livability.

In this context, Danish architects such as Anders Lendager have been asked about their perception and interaction with their favorite places in the city, providing valuable insight into what makes Copenhagen unique. Lendager, the CEO and founder of Lendager Group, has been the designer behind eco-village projects, the Danish Pavilion in Milan, and a skyscraper built from recycled materials. Collectively, these projects showcase the capacity to translate the core principles of sustainable cities into tangible components, prioritizing human well-being and fostering circular economy models.

In the context of WWI and to address the massive housing shortage resulting from the conflict, the Dom-Ino modular structure, one of the most significant contributions of functionalism and designed by the Swiss designers Le Corbusier and Max Dubois, established concrete premises for a new vision of a lightweight structural model that optimizes the construction process. Thanks to the use of a reinforced concrete slab and column system, the Dom-Ino structure allowed for the flexible arrangement of elements in the floor plan and freed the facade from the limitations imposed by load-bearing walls.

This condition prompted the creation of architectural designs that not only integrated windows as functional elements but also as compositional. Thanks to technological innovations, windows with slender framings and wider openings were achieved, as exemplified in works such as Villa Savoye and Farnsworth House. While these proposals redefined the aesthetics of architecture, the technological limitations of the time presented challenges. Nowadays, the continuous development of windows with improved technical characteristics has led to the concept of the minimalist window, which has inspired three fundamental principles derived from this concept, conceived by Vitrocsa. These principles —transparency, functional variations, and advanced mechanisms— incorporate technological innovations while simultaneously blurring spatial boundaries. Each of them plays a key role in the design of spaces and together they significantly redefine the aesthetics of buildings and interiors.

World War II left a profound influence on the evolution of society, introducing significant changes in the fields of urban planning and architecture. During the 1930s, the Congrès Internationaux d'Architecture Moderne (CIAM) promoted modernism on an international scale. After the war, this architectural movement became firmly established as the dominant one, driven by the imperative of reconstruction and technological advancements. Influential figures like Le Corbusier and Alvar Aalto spearheaded this movement.

In 1959, the same year as the final CIAM meeting, Japanese architects like Kenzō Tange, Kishō Kurokawa —the designer of the Nakagin Capsule Tower—, and Kiyonori Kikutake began to explore new approaches to urban design and architecture, known as the Metabolist movement. This exploration was particularly significant in the context of Tokyo's rapid repopulation after the war and the scarcity of resources for reconstruction. Innovative concepts such as Marine City, The City in the Air, and the 1960 plan for Tokyo emerged, which proposed the city as a constantly evolving organism and emphasized the relationship between humans and their built environment. These ideas shaped the concept of "megacities" and reflected Japan's creative response to its challenging postwar situation.

Arguably, kitchens are spaces in which the interplay of elements establishes a delicate balance in their composition; design, materials, and fittings, all of which collaboratively shape the interior environment. It is, therefore, not surprising that they often become the focus of ongoing discussions. The cultural and utilitarian role of kitchens in our lives is so important that their influence transcends mere architecture, becoming an object of artistic and historical exploration. In this way, both kitchens and the elements that comprise them have evolved and changed in style—from the robust kitchens of the 19th century to the innovations that originated in the Frankfurt kitchen in the 20th century.

The domestic landscape can transform on a daily basis, and fittings are no exception as they adapt to changing stylistic influences and needs. Today, kitchens incorporate both, traditional and contemporary elements within the same space, creating a language that connects and seamlessly transitions between these influences, thereby enhancing one another. In this context, Dornbracht has conceived VAIA, a series of fittings developed by Sieger Design, which fuses tradition and modernity in contemporary kitchens through fine lines, stylized silhouettes, and flowing transitions.

In the realm of architectural design and interior furnishings, achieving a balance between form and function is a daily challenge that designers encounter. This interplay between utility and aesthetics has not only evolved over time but also involves a constant exchange of styles and production methods. Frequently, this interchange leads to standardization and generic designs, potentially causing a depletion of authenticity in the design process.

For this reason, in the contemporary era, designers are revisiting the fundamentals, rediscovering manual design processes that range from sketching to model making, all while embracing pure forms. Designers and manufacturers alike are embracing conscientious approaches to develop proposals that maintain simplicity in design while retaining a distinctive identity. In response to this, Bette, in collaboration with the British design studio Barber Osgerby, proposes the creation of minimalist-style bathrooms through the BetteSuno bathroom collection, stripping away complex shapes and seeking a light visual design.

There are many building materials that have experienced minimal changes since their initial inception in the field of architecture. However, this does not imply that they are outdated, but rather that their qualities and simplicity make them highly versatile materials also demonstrate the resilience and durability of materials that withstand the test of time. An example of this is brick, a timeless material that has been able to adapt over the years, serving functions such as walls, cladding, and flooring, among others. Under this premise, Louis Khan referred to the expressive possibilities of brick, stating, "Even a brick wants to be something. It aspires."

Thanks to the progress of new technologies applied to materials, disruptive proposals have arisen that converge in new construction systems. On many occasions, these new technologies are combined with materials considered "traditional," generating new concepts in which materials such as brick find new applications and possibilities. One of these new concepts is Flexbrick, a ceramic textile with an industrialized system that combines flexible sheets to wrap architectural spaces. This opens up new possibilities for applications at the forefront of the parametric architecture revolution, using a flexible, adaptable, and sustainable material.

Sun protection is a universal need for human beings. While sunlight benefits our health and mood, it is also essential to protect ourselves from its harmful effects on our well-being and comfort. Throughout history, architecture has provided solutions to this need by offering shelter and comfort in shaded areas. Since ancient Egypt, sunshades made of palm leaves attached to a pole have been used to protect against the sun in open spaces.

Thanks to contemporary materials, we can now develop more durable outdoor structures and furniture than the palm leaves used by the Egyptians 4000 years ago. This has resulted in lightweight and aesthetically pleasing structures that resulted from the designs and materials that emerged in the 20th century. Although these designs are not made from natural elements, they incorporate pieces that replicate their characteristics, providing shade with unique shapes and a distinctive design. In this context, cbdesign has created the Daisy umbrella. This flower-shaped parasol reproduces the colors found in natural surroundings, such as the sea, yellow frangipani, the blue sky, and purple bougainvillea.

In the realm of architecture and interior design, lighting is a pivotal force in enhancing the overall atmosphere of a space. A harmonious interplay of light and design can elevate the ambiance and functionality of any architectural environment. Through meticulous attention to detail and innovative design principles, architects and designers can craft spaces that are not only visually stunning but also experientially enriching. By carefully considering these factors, creative architectural spaces can be brought to life, evoking emotions and transforming the way we perceive and interact with our surroundings.

In today's ever-evolving world, lighting has embraced a particular emphasis on new and streamlined proposals. Designed by Ramos & Bassols, the Spa collection by Vibia stands out for its adaptability, seamless design, and lighting performance. With its minimalist and refined form, the Spa LED lighting system offers compositional freedom, enabling designers to craft a wide range of atmospheres, from intimate corners dedicated to personal well-being to functional areas designed for general purposes.

Cities are defined as densely populated geographic areas characterized by urban development. They serve as economic, political, and cultural centers, offering various services, infrastructure, and opportunities. However, urban densification has been associated with negative aspects such as health issues, pollution, and social problems. Countries like India and China, with their massive populations exceeding billions, face a significant demand for services and housing.

Recent research, including studies by institutions like the Berkeley Cool Climate Network, has brought about a paradigm shift in our perception of urban densification. This shift aims to reduce cities' carbon footprint and support collaborative efforts to achieve Sustainable Development goals. Densification is proposed as a crucial strategy for promoting social prosperity, and well-being, and combating climate change. However, a relevant question arises: How can we effectively achieve densification while addressing global warming? Companies like Holcim have responded to this challenge by developing sustainable building solutions and engaging in meaningful discussions with architects, such as Shajay Bhooshan, Associate Director at Zaha Hadid Architects. These collaborations provide valuable insights into the concept of urban densification as a catalyst for climate action.