Courtesy of [applied] Foreign Affairs, Institute of Architecture, University of Applied Arts Vienna
Public Markets are complex cases that beautifully combine an engineering exploration with the instigation of a beneficial public function. In fact, it doesn't take much to designate an open and accessible commercial hub that would encourage commercial exchange and economic development for small or local businesses. All one needs is a lot and a sheltering roof. However, many designers and architects have chosen to take this exercise beyond the social level and into further material and technical exploration.
Powerhouse, Australia’s largest museum institution dedicated to applied arts design, and technology, has revealed the plans for a comprehensive restoration of its three sites located in Sydney, Australia, in addition to the opening of a new site in Parramatta in Western Sydney in 2025. The Powerhouse Ultimo site contains two heritage-listed buildings: the Ultimo Powerhouse and the Ultimo Post Office. The project for the renovation of this heritage location is led by a team of architects, Durbach Block Jaggers working in partnership with Architectus, Youssofzay + Hart, and landscape architects, Tyrell Studio.
On the banks of the Amazonian river Piraí, the rings and canals of Santa Cruz de la Sierra not only enclose buildings of Bolivia's contemporary and modern architecture (curious examples of formalist rationalism, brutalism, and postmodernism are evident here) but also include a part of its diverse ancient and everyday architecture: from a historic center with endless arcades and colonial mansions to local markets and sheds such as the pahuichi cruceño.
On the occasion of the Latin American Architecture Students Meeting (ELEA) where we were invited to provide on-site coverage, we encountered ten of these places that can help you get a general overview of the city and its heterogeneous architecture.
The U.S. has a long tradition of republicanism and laissez-faire capitalism that has not favored strong federal housing policy or intervention in the housing market. Policymakers have believed that private enterprise could best provide sufficient housing and that, as with healthcare and education,[1] government involvement would bring in “socialism” and undesirable control of the free market. There are two major exceptions to this tradition: the 1937 National Housing Act, a result of the devastation of the Great Depression, and the “war on poverty,” initiated by the Johnson administration in the mid-1960s.[2] Successful as these programs were, subsequent federal housing policy has mostly been aimed at undermining them, through either malice or neglect. Instead, federal policy has mainly sought to promote home ownership, the American dream, but that approach was eviscerated by the collapse of financing due to the subprime loan crisis and its aftermath. The result is that there is currently virtually no cogent federal housing policy. Thirty-five million Americans live in substandard housing; a much larger number devote 50% of their income to a roof over their heads. Housing construction is at a historic low, and construction costs have risen so high that they are well beyond the means of the average citizen.
Architecture and Design Festival Concéntrico celebrates its 10th anniversary from 25 April to 1 May 2024 with an edition that aims to reflect on the impact of the annual festival upon the city of Logroño, Spain, as well as to consider how the city continues to evolve. Through installations, exhibitions, lectures, performances, workshops, and activities, Concéntrico proposes a reflection of the urban environment, welcoming architects and designers to intervene and challenge it while opening conversations about pressing matters.
While the official theme of the festival focused on the future of cities, the invited architects and designers took this suggestion further. Several overarching themes and subjects emerged during this year’s event, from the incorporation of concepts of time, an unusual element to be tacked through temporary installations, to the desire to engage more honestly with a wider public, to listen to their needs and create platforms where diverse perspectives can take center stage.
Recycled Ceramic Washbasin. Image Courtesy of VitrA
Producing sustainable materials and products demands constant analysis of how we conserve resources and manage waste effectively. This unfolds within a scenario where the environmental impacts of global warming and the climate crisis are becoming increasingly evident. In that context, sustaining the dialogue on waste disposal is fundamental to positively impacting our environment and maximizing circular economy opportunities.
Embracing this perspective and demonstrating a commitment to sustainability through waste reduction and resource conservation, VitrA has created an entire washbasin with 100%* recycled waste materials, including discarded ceramics from its production process. This innovative product has been designed to have a minimal environmental impact and reduce the global warming potential of its production by 30% per product, transforming materials once considered waste into valuable resources.
https://www.archdaily.com/1016103/repurposing-discarded-waste-materials-into-a-100-percent-star-recycled-washbasinEnrique Tovar
Plastic Island. Image Courtesy of Emily-Claire Goksøyr
As you read this, you may notice that you are surrounded by several items made of plastic. This omnipresence is no coincidence; the versatility of plastic has made it suitable for a variety of applications, and was described by its inventor—Leo Baekeland— as “the material of a thousand uses.” However, when it comes to environmental impact, the problem lies in its very qualities: it is so durable, adaptable, and easy to produce (430 million tons per year) that, according to UN data, the equivalent of 2,000 garbage trucks full of plastic are dumped into the oceans, rivers, and lakes every day.
In the built environment, plastic has been incorporated into various materials, products, and construction systems, contributing to an environmental crisis that seriously affects the well-being of millions of living beings. Faced with this problem, one possible direction is to shift away from utilizing it. The search for plastic-free alternatives is marking a path toward a future where architecture is progressively disassociating itself from these polluting materials, promoting sustainable solutions that reduce our dependence on it and contribute to preserving the environment.
https://www.archdaily.com/1016334/making-the-case-for-plastic-free-architecture-innovative-solutions-for-the-present-and-futureEnrique Tovar
The use of contrast is an essential practice in both cuisine and architecture, whether it's harmonizing different aromas and flavors or integrating buildings from different eras. This principle comes to life in a striking way at the top of the imposing Austrian Alps, where the Steirereck am Pogusch restaurant strives for culinary excellence, architectural mastery and the fusion of tradition and innovation. Under the guidance of PPAG architects, the establishment has undergone a revitalization and expansion marked by a deep respect for nature, while making a bold statement of contemporary design.
For those seeking remarkable architecture in Europe, Luxembourg stands as a special destination not to be missed. Nestled between Belgium, France, and Germany, this pint-sized country packs a punch with its rich history, stunning landscapes, and vibrant architecture. Small, yet culturally rich, Luxembourg offers a delightful array of architectural wonders waiting to be explored. From ancient castles to modern marvels, Luxembourg’s diverse architectural landscape promises a journey through time and style.
The idea of turning water into land has fascinated humanity for centuries. The Netherlands, for example, as one of the pioneers in the subject, have about 20% of their territory reclaimed from the sea or lakes using dikes as methods to stop the water and dry the surfaces. Technological development over time, however, has made this practice increasingly popular. Today, China is one of the countries leading the ranking, as well as urban centers in the global south, highlighting cities in West Africa, East Asia, and the Middle East. These megalomaniacal landfills are mainly created in places where there is an extensive coast, but not enough land to meet their needs. The uses accommodated in the new area are diverse, ranging from the creation of luxury residences to an entertainment archipelago with hotels, restaurants, theaters, and shops. Despite the significant gains in the commercial and tourism sector, the environmental degradation of this scale of intervention is constantly being discussed, with damages ranging from gentrification, expulsion of native communities, and annulment of their means of subsistence, to the destruction of entire ecosystems. This situation has guided cities in the search for less aggressive solutions for their expansion needs, such as the development of what is now called "aquatic urbanism." In it, circular and zero-waste systems, as well as closed-loop water systems, net-zero energy, innovative mobility, and regeneration of coastal habitats are integrated. As technology advances in the same proportion as environmental concern and climate change increase, iconic landfills built in recent decades are important examples that can guide strategies on what to do and, above all, what not to do in new land expansions over the sea. Bearing this in mind, check out some of the most striking examples below. **Palm Jumeirah, Dubai** Talking about megalomaniacal landfill projects and not mentioning the "palm tree" of Dubai is impossible. The project took nine years to build, starting in 2001. Its area covers 31 km2 including the main trunk, 17 branches, and a semicircular wall with side openings. The extension houses luxurious residences on the "leaves" and a hotel at the seafront, all connected by a surface train generating a landscape worthy of a science fiction movie. The project cost approximately US$12 billion, and with the amount of stone and sand used in it, it would be possible to build a 2-meter wall that would encircle the Earth three times. Among many impacts on the ecosystem, the most commented is how the project hindered the circulation of seawater, altering the marine ecosystem and generating bad odor. **Eko Atlantic City, Nigeria** Nigeria seems poised to surpass South Africa and become the largest economy on the continent thanks to oil. However, the country faces many common problems in our era: rising sea levels, swells, and devastating floods. In this context, Eko Atlantic is a multibillion-dollar project that promises to protect against marine erosion. With 10 km2, the idea of the project, which is still under construction, is to offer housing for 250,000 people and employment for more than 150,000 distributed among parks and other services. The project advances full of criticisms, with scholars affirming that the nearly 3km wall, nicknamed the "Great Wall of Lagos," will serve to contain the advance of water in the same proportion as it will segregate the space, creating a closed and financially accessible city that will only "save" those living in it from the floods. **Marina Bay, Singapore** Singapore's history is marked by numerous territorial expansion interventions that seek to deal with an interesting paradox: surplus money and limited land. In total, the country, currently 700 km2, has already managed to increase 25% of its territory. There is a public policy of "land reclamation," which makes the island advance 40 cm per year into the sea, according to local journalists (the number is contested by the government, which cites an annual average of 2 cm). This has led Indonesia and Malaysia, the most affected countries, to temporarily ban the import of sand to Singapore. Within this controversial context, Marina Bay, started in 1969, is an icon of the country. Built on a 3.6 km2 landfill, the region has become one of the country's main destinations in terms of restaurants, hotels, and attractions, materializing an investment of S$4.5 billion. The bold urban design was combined with iconic architectures, such as the Marina Bay Sands and the world's largest infinity pool, elevated to 200 meters, designed by Safdie Architects. However, plans for territorial expansion over the sea still continue. **Parque do Flamengo, Brazil** Inaugurated in 1965 in Rio de Janeiro, the popularly known Aterro do Flamengo, with 1.3 km2, was built on the sea with material from the dismantling of a nearby hill. Both the park and the intervention in the hill were part of a municipal plan to solve the city's traffic problem, avoiding the high cost of expropriations necessary to widen the main roads in the area. Its construction marked the modernization of Rio de Janeiro and represents an interesting example of large-scale landfill that assumes a public and cultural vocation. In addition to the roads that cross its extension, the area is also marked by large vegetated masses - a project by landscape architect Roberto Burle Marx - cut by curved walkways that lead to the sea. Among them, cultural buildings and sports facilities are spread out. In 2012, the park received the title of World Heritage in the category "Urban Cultural Landscape," granted by UNESCO.
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Fused filament fabrication for multi-kinematic-state climate responsive aperture. Image Cortesia de David Correa / Achim Menges
While we are still trying to understand the possibilities and limits of three-dimensional printing and additive manufacturing, a new term has emerged for our vocabulary. 4D printing is nothing more than a digital manufacturing technology -3D printing- which includes a new dimension: the temporal. This means that the printed material, once ready, will be able to modify, transform or move autonomously due to its intrinsic properties that respond to environmental stimuli.
The concept was popularized by researcher Skylar Tibbits, who coordinates the Massachusetts Institute of Technology (MIT) Self-Assembly Lab, in collaboration with Stratasys and Autodesk. The technology is still quite new, but it is expected to be used in many fields, from construction, infrastructure, automobile and aeronautics and even for healthcare, combined with bioprinting.
Santa Cruz de la Sierra is located on the eastern plains of Bolivia, on the banks of the Pirai River. Being the most populous city in the country, it reveals an extreme social and cultural complexity surrounded by extensive pampas and plains. Additionally, it represents one of the most developed cities in Bolivia, with a high municipal indicator of sustainable development. Delving into the importance of community architecture, popular appropriation, the character of urbanity, and other concepts, this article explores the history behind the Summit of the Americas Monument through a series of narratives, documentations, drawings, and images captured by Pino Musi.
“Constitution Gardens will become a biodiversity hotspot on the National Mall,” said Adam Greenspan, FASLA, design partner at PWP Landscape Architecture. “We will create a garden, based in nature, while respecting the historic design.” Constitution Gardens in Washington, D.C. opened in 1976 to commemorate the bicentennial of the American revolution. Concepts outlined in the McMillan Plan and designs by Dan Kiley and SOM shaped the landscape.
But over the past forty years, the gardens fell into disrepair and became a pass-through site on the way to other more popular destinations on the mall. Now, the second phase of a three-phase plan to revitalize the garden has been approved by the Commission of Fine Arts and National Capital Planning Commission. The design by PWP Landscape Architecture and Rogers Partners Architects will create a “new ecological landscape” designed for people and hundreds of plant and animal species.
Architecture praxis has traditionally focused on customized, project-based services – a well-established model continually favored by industry professionals. While this approach yields remarkable built environments, it struggles to achieve scalability and longevity. The architectural industry has shown little interest in exploring alternative practices, processes and business models, considering that the traditional mode is equally vulnerable to market cycles as other industries are. Bespoke design solutions, the cornerstone of conventional practice, make standardizing processes and scaling services challenging. This focus also leads to fragmented workflows among firms and stakeholders. The stability and establishment of traditional practices can breed a risk-averse culture, hampering disruptive innovations within the industry.
Water is fundamental to human life on several levels, and encompasses a spectrum of meanings that transcend the biological sphere, reaching the cultural and spiritual spheres. Biologically, it is indispensable, making up approximately 70% of our bodies and playing a central role in our physiological functions, from temperature regulation to vital cellular processes. Culturally and spiritually, water has deep significance, symbolizing purification, renewal and spiritual rebirth in a multitude of rituals and ceremonies performed in different cultures over the centuries.
In architecture, the presence of water is equally important, going beyond its basic cleansing function to encompass a rich diversity of meanings and influences. From the majestic Roman baths, where water was used for hygiene and also represented social status, offering moments of entertainment and relaxation; to contemporary bathrooms, where water is skillfully integrated to create luxurious and invigorating spa experiences. Its presence goes beyond the functional aspect and is also deeply symbolic. Evoking feelings of purification, renewal and serenity, water enriches architecture with an emotional and aesthetic dimension that transcends the boundaries of time and culture.
Modular construction is a process in which a building is constructed away from its actual site, within controlled factory settings, using identical materials, and adhering to a set of codes and regulations. The methodology was first introduced as a solution in the search for efficient, quality-controlled, and cost-effective building systems. The industrialized building method evolved to meet historical demands and has recently been met with renewed interest. These “modules” are then transported to the construction site and assembled into the final structure, adhering to the same building standards as conventionally built facilities. With potential benefits in terms of waste reduction, energy efficiency, emergency responses, and fast-tracked development, the methodology is gaining traction worldwide.
In recent years, modular construction has emerged as a game-changer in the construction industry, particularly in the Middle East and the Gulf Cooperation Council (GCC) region. With a growing embrace of innovative solutions to address the region’s evolving needs, modular construction has emerged as a compelling alternative. As awareness increases and technological advancements increase, modular construction may offer a viable alternative to traditional building practices in the GCC region.
Acquiring diverse expressive possibilities within interior design, the use of wood in regions with a wide range of climates and temperatures such as Mexico, Brazil, Argentina, Uruguay, Chile, Colombia, or Ecuador enables the creation of attractive and captivating spaces that capture the attention of their users by contrasting, blending, or integrating with their surrounding environment. Being a natural element and presenting a negative carbon footprint at the end of its life cycle, wood offers multiple finishes, textures, and tones that can be associated with being outdoors and providing, on some occasions, spaciousness, warmth, and relaxation at the same time.
Buildner has announced the results of its Museum of Emotions Competition, an annual international design competition that tasks participants with exploring the extent to which architecture can be used as a tool to evoke emotion.
The brief calls for the design of a conceptual museum with two exhibition halls: one designed to induce negative emotions; the other designed to induce positive emotions. Participants are free to choose any site of their liking, real or imaginary, as well as choose the scale of the project. The meaning of "positive" and "negative" is up for interpretation: What two emotions might a designer consider contrasting? How might an architect conceive spaces that elicits fear, anger, anxiety, love or happiness?
Architecture mirrors the culture it is built from, while simultaneously aspiring to lead that culture. This is almost oxymoronic, since reflecting and projecting our values is an essential part of every human life, and architecture is exquisitely human. Our buildings embody us, with all of our mixed messages.
This year's Milan Design Week brought together designers, architects, producers, and key figures from the design world. The events were divided between the Salone del Mobile at Rho Fiera, a trade fair with over 1950 exhibitors, and Fourisalone, featuring various events across Milan. With numerous installations throughout the city and a wide range of events, conferences, and debates, Milan Design Week stands as one of the most significant design-focused events worldwide. For architects, this represents an opportunity to not only exchange ideas but also to actively contribute through collaborations and explorations across disciplines.
This year, many internationally recognized architects have entered collaborations with furniture and light design companies, exploring the intersection of design and architecture. Despite the change in scale, many of these products reflect the recognizable architectural language of their designers, offering an insight into the principles that guide their practice. In addition to aesthetic explorations, many of the products selected are tackling important themes of interest, from the need to develop more sustainable materials with a reduced carbon footprint, to the potential impact of new technologies such as artificial intelligence.
The U.S.-Mexico border is a region of vast historical, cultural, and economic significance, where cities of fundamental importance to North America have emerged. Tijuana—located in northeastern Mexico—, is one of these cities. Since its earliest beginnings in the 18th century, it has experienced exponential urban growth, closely linked to its northern neighbor, San Diego. Understanding Tijuana in its entirety is only possible by mentioning this connection. For this reason, along with San Diego, it was selected as the World Design Capital 2024, celebrating the interaction and cultural exchange between the two cities.
Historically, the city has been a melting pot of nuances reflected in its urban landscape. Examples such as the Tijuana Cultural Center, designed by Pedro Ramírez Vázquez and Manuel Rosen, show the city's search for a modern style. In parallel, the OTAY Cross Border Xpress Building illustrates the relationship between countries in a complex whose architectural program spans both sides of the border. Additionally, contemporary projects contribute to developing a new stage in the city's life by creating public spaces.
There’s a well-known catchphrase – “Cape to Cairo” – that has spawned numerous books and piqued the imagination of countless travellers of the African continent. The phrase’s origins are of imperial nature, birthed out of an 1874 proposal by English journalist Edwin Arnold that sought to discover the origins of the Congo River. This project was later taken up by imperialist Cecil Rhodes, who envisioned a continuous railway of British-ruled territories that stretched from the North to the South of the continent.
Milan Design Week is a celebration of creativity, innovation and excellence in design, captivating audiences from all over the world. It is an event that encompasses various design-related exhibitions and activities in Milan, while Salone del Mobile is Milan Design Week's main trade fair focused specifically on furniture and interior design. Every year, the city is transformed into a vibrant hub where designers, architects, artists and enthusiasts converge to explore the latest trends, ideas and innovations in the world of design. The instance is a catalyst for inspiration, promoting dialogue, collaboration and discovery across a range of design disciplines, from furniture and interior design to architecture, fashion and more.
In 2024, the event witnessed a strong presence of Spanish brands among the many exhibitors. This impact was fostered by ICEX (Spain Trade and Investment), a Spanish government agency responsible for promoting the internationalization of companies and the expansion of the country's exports, providing support and services to companies looking to enter or expand in international markets. In addition, the institution organizes trade missions, participates in international fairs and exhibitions and provides training and consultancy services to Spanish companies looking to succeed in the global market. Here is a summary of the exhibitions and activities of seven outstanding Spanish brands at the various events that took place during the week of April 15-21, 2024 in Milan.
